Dar Williams
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ARTIST PROFILE | Dar Williams
Dar Williams’ lyrics contain bouquets of optimism, delivered on melodies alternating between beguiling lightness and understated gravity. Williams strongly believes that all of us possess our own power and ability to achieve, and she rejects the exceptionalism that encourages us to “admire that yonder star,” while making us feel small and insignificant; unworthy of shining on our own but hoping to catch enough distant light to inspire some tiny accomplishment. Williams has always been very interested in how to control our future and this album has to do with the fact that at some point, you just can’t.
Like everyone else, Williams spent 2020 in that state of non-control. She and longtime producer Stewart Lerman tracked most of the album, her 12th studio recording, in November of 2019. In late February of 2020, she cut the title tune in Woodstock with bassist Gail Ann Dorsey and Larry Campbell, who produced the track and played guitars, pedal steel, and twangy baritone guitar. When told they had to postpone a mid-March mixing date, Campbell said he wasn’t feeling well anyway. Turns out he’d contracted a serious case of COVID-19. That was a clear sign that at some point, you have to meet life where it meets you …the common thread throughout that these songs, the willingness to meet life as it arrives.
Dar Williams was always in the right place at the right time for the success she’s had over a 25+-year career. She rose out of the vibrant mid-90’s Boston scene, inspired by the eclectic influences of alt-rockers, Berklee jazz musicians, slam poets, and folk artists, like Patty Griffith, Melissa Ferrick, the Throwing Muses, Vance Gilbert, and Jonathan Brooke. After a year of touring non-stop with her first album, The Honesty Room, in 1994, she was invited by Joan Baez to tour in Europe and The United States.
“Good and bad things happen, and it’s not necessarily a reward or indictment. I’ve just got to meet it.” Williams observes. “Like, I’m bringing my whole life to this moment; it will surprise me, challenge me, show me where I was wrong, even make a fool out of me, but my job is to show up and not take adversity personally. Real happiness doesn't have to feel like Snoopy dancing with Woodstock; it can just be knowing you have the resilience to meet whatever comes to you. I will call that a good life.”
Supporting Acts
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About Hendricks Live! | Plainfield, IN
Located in the heart of one of the fastest growing communities in the region, Hendricks Live! is home to a premier theatre, event space, and public gallery with year-round exhibits, performances, and events for all ages and interests. From local, regional, and nationally touring productions, to comedians, concerts, films, and family shows, we’re here to engage our friends and neighbors through inspiring visual arts, community events, and performances.
Getting Around the Venue
Frequently Asked Questions About Hendricks Live! | Plainfield, IN
What are the age restrictions at this venue?
Hendricks Live! is an all-ages venue. However, some shows may be not suitable or restricted at the artist’s request due to adult content.
Can I upgrade my to VIP seating?
Reserved seating will receive a section, row, and seat number per ticket ordered. General Admission seating is based on first come, first serve.
What items are permitted or prohibited at this venue?
No outside food or drinks .
No guns, knives, weapons, pepper spray, projectiles of any kind, or any other item that could be used to inflict harm.
Replicas of any weapon are NOT permitted.
No drugs or drug paraphernalia, illegal substances of any kind.
No personal video cameras, Go-Pros, selfie sticks, drones, or laser pointers.
No professional audio, video, or audio recording equipment —(including detachable lenses, tripods, zooms, or commercial-use rigs).
No unsealed liquids or gels of any kind.
No jewelry or clothing that could inflict harm.
The list of prohibited items is subject to change at the discretion of venue management.
Can I bring a bag into the show?
Yes, you can bring a bag to performances at Hendricks Live!
What’s the parking situation like?
There is a free parking garage located off Center St. ADA and Diamond VIP Parking is located in the lot off Mill St.
What is the camera/photo policy for this venue?
No professional cameras. Contact Hendricks Live! if you are interested in securing media credentials for the show.
Is there food and drink at this venue?
Concessions are provided by The Prewitt Restaurant + Lounge
View seating maps for this venue
View seating maps HERE.
Do you offer ADA, handicap or special needs options?
Accessible seating is available for all performances. Please select the ADA button when purchasing tickets online. If there are any issues purchasing ADA seating for a specific performance online, please email customerservice@hendrickslive.org.
Reasonable accommodations will be made for any individual who may need to exchange their tickets for accessible seating on the day of a performance. ADA ticket relocations are based on first come, first serve and are limited in availability day of show.
Where is the box office located?
The box office entrance is in the back of the building off of Mill St.
I lost something at the show. Who do I contact?
Items are securely kept with the Guest Services Manager. Items will be held for a month after the show closes. If you believe you have lost an item, please contact customerservice@hendrickslive.org.
What is your refund policy?
All sales are final. Hendricks Live! does not offer refund for ticket purchases.
Beware of counterfeit tickets. How do I tell if my ticket is valid?
Hendricks Live! uses their own ticketing provider. All valid tickets will be issued through them. Customers are discouraged against purchasing tickets from the secondary ticket market and should do so at your own risk. If you would like to check the validity of a ticket please contact info@hendrickslive.org
Dar Williams
Start Time: 8:00 pm
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ARTIST PROFILE | Dar Williams
Dar Williams’ lyrics contain bouquets of optimism, delivered on melodies alternating between beguiling lightness and understated gravity. Williams strongly believes that all of us possess our own power and ability to achieve, and she rejects the exceptionalism that encourages us to “admire that yonder star,” while making us feel small and insignificant; unworthy of shining on our own but hoping to catch enough distant light to inspire some tiny accomplishment. Williams has always been very interested in how to control our future and this album has to do with the fact that at some point, you just can’t.
Like everyone else, Williams spent 2020 in that state of non-control. She and longtime producer Stewart Lerman tracked most of the album, her 12th studio recording, in November of 2019. In late February of 2020, she cut the title tune in Woodstock with bassist Gail Ann Dorsey and Larry Campbell, who produced the track and played guitars, pedal steel, and twangy baritone guitar. When told they had to postpone a mid-March mixing date, Campbell said he wasn’t feeling well anyway. Turns out he’d contracted a serious case of COVID-19. That was a clear sign that at some point, you have to meet life where it meets you …the common thread throughout that these songs, the willingness to meet life as it arrives.
Dar Williams was always in the right place at the right time for the success she’s had over a 25+-year career. She rose out of the vibrant mid-90’s Boston scene, inspired by the eclectic influences of alt-rockers, Berklee jazz musicians, slam poets, and folk artists, like Patty Griffith, Melissa Ferrick, the Throwing Muses, Vance Gilbert, and Jonathan Brooke. After a year of touring non-stop with her first album, The Honesty Room, in 1994, she was invited by Joan Baez to tour in Europe and The United States.
“Good and bad things happen, and it’s not necessarily a reward or indictment. I’ve just got to meet it.” Williams observes. “Like, I’m bringing my whole life to this moment; it will surprise me, challenge me, show me where I was wrong, even make a fool out of me, but my job is to show up and not take adversity personally. Real happiness doesn't have to feel like Snoopy dancing with Woodstock; it can just be knowing you have the resilience to meet whatever comes to you. I will call that a good life.”
Supporting Acts
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