Michael Cleveland & Flamekeeper
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ARTIST PROFILE | Michael Cleveland
With the sweet and good things in life, there always comes darkness. This is a lesson that GRAMMY-winning fiddler, MICHAEL CLEVELAND, knows all too well. In 2021, two of his dearest and oldest friends passed away. Bill Wolfe and Eddie Wells were two of the best local bluegrass musicians in his hometown in southern Indiana—they were two of the people who had inspired him to pick up the fiddle at just four years old, so their passing hit hard. “More than ever, losing both of them made me realize that life is short and is also what you make it,” says Cleveland. “It made me really stop and think of all the people in my life who have influenced me in life and music, and to not take anything for granted.”
With his sixth solo studio release, LOVIN’ OF THE GAME, veteran fiddle virtuoso Michael Cleveland seizes his opportunity at this one wonderful life and swings for the rafters. The album positively hums with energy. Not beholden to one specific genre or pigeonholed label, it showcases Cleveland’s inclusive musical nature—placing value in the process over the output. It is in this release of control that we find something truly sublime: the sound of artists working together in the act of creation without regard for any preconceived notion of what “should” be. The sound of genuine musicianship.
Built upon a rock-solid foundation of bluegrass prowess, LOVIN’ OF THE GAME showcases the power of fusion, bringing truth to the phrase “greater than the sum of its parts.” On each song, Michael Cleveland partners with the all-star community of musicians he has built, finding the tools to uplift the unique voices of each of his collaborators. In one moment, he takes us on a loopy dialogue between fiddle and guitar with two-time IBMA Guitar Player of the Year Billy Strings, delivering a spacey jamgrass rendition of 80s rock classic “For Your Love.” The next, he breaks our hearts with “I Wish I Knew Now What I Knew Then,” a jukebox-ready country waltz pining over lost love, with Cleveland’s lonesome fiddle accompanying Country Music Hall of Fame member Vince Gill’s crooning vocals.
Collaboration serves as the bedrock of the album, and that outreach towards community extends well beyond the studio. Though it may be the track that sounds the most like dust bowl-era Appalachia, in actuality “Sunny Days Are Comin’ Once Again”—featuring Jeff White and Dan Tyminski in tight vocal harmony—is as new as they come. Written in the heart of the COVID-19 shutdowns of 2020, this song came to Cleveland by way of the songwriter Greg Poulos, who hired Cleveland to produce and perform on his original recording. Cleveland credits sessions like these with keeping him grounded and motivated during the darkest days of the pandemic, and this song in particular stuck in his ear. When it came time for him to make his own album, he couldn’t resist taking the lead to record it himself.
Similarly, the instrumental “Contact” is the result of a connection Cleveland made with Matt Carson, another visually-impaired musician, who taught him how he could use the industry standard recording platform, ProTools. It was this knowledge of recording that allowed Cleveland to make this track with no live session or physical interaction between collaborators Cody Kilby, Barry Bales, and Béla Fleck. Rather, each musician was able to build on the previous artist’s work, with Kilby recording the guitar part first, then Bales bringing in the bass line, followed by Fleck filling in banjo, and finally Cleveland adding the dazzling top notes of fiddle and mandolin. Despite being recorded across time and space, the tune captures the vigor and ingenuity of each of its contributors.
“People know me as a traditional bluegrass fiddle player, which is what I love to do,” says Cleveland, “but this album is more than just the pure tradition. It’s a little bit of a departure for me.” Nowhere is that more pronounced than in the lonesome and moody “One Horse Town,” a cover of the 2012 release from Southern rock band Blackberry Smoke. Featuring vocals from Blackberry Smoke’s Charlie Starr and Cleveland’s longtime Flamekeeper bandmate, Josh Richards, and buoyed by the steady instrumental backing of Flamekeeper, Cleveland’s rendition coaxes out the tender melancholy of life in a town too small to sustain itself. Leaning into the weight of responsibility and the pain of hoping for more, Cleveland’s fiddle playing anchors the listener into the listlessness of an arrested life—it could almost drown you.
Thankfully, Cleveland releases the spell and grants reprieve with the eponymous final track, “The Lovin’ of the Game.” Inspired by The Johnsons’ up-tempo cover of the Judy Collins classic, Michael Cleveland & Flamekeeper put a joyful, hard-driving spin on the dreamy 70s folk ballad, delivered with the kind of vigor that makes audiences fall in love with bluegrass to begin with. “The song is about prospectors and gamblers,” says Cleveland, “but for me, the ‘loving of the game’ has always been loving being a part of the musical community and all that being a musician has brought to me.”
Michael Cleveland is the most awarded International Bluegrass Music Association Fiddle Player of the Year, with twelve wins to his name. He is a six-time winner of the IBMA Instrumental Performance of the Year and his band, Michael Cleveland & Flamekeeper, has won Instrumental Group of the Year seven times. In 2019, Cleveland was the subject of the documentary, Flamekeeper: The Michael Cleveland Story and his album TALL FIDDLER was awarded the GRAMMY for Best Bluegrass Album. Michael Cleveland was inducted into the National Fiddler Hall of Fame in 2018. He received the National Endowment for the Arts National Heritage Fellowship in 2022. His new album, LOVIN’ OF THE GAME, will be released by Compass Records on March 3, 2023.
READ MORE >>Supporting Acts
SHOW BY SIMILAR ARTISTS
About HI-FI | Indianapolis, IN
HI-FI is located inside the historic Murphy Arts Center in the heart of Fountain Square. HI-FI shows virtually every night of the week and is known for finding new artists on the rise. The venue is acoustically one of the best sounding venues in the Midwest. The entrance is located at the front of the building on Virginia Ave and the Indianapolis Cultural Trail.
Getting Around the Venue
Frequently Asked Questions About HI-FI | Indianapolis, IN
What are the age restrictions at this venue?
Most of our gigs are open to those 18 years and older, though there are a few exceptions. We’re also rolling out more all-ages shows to accommodate younger fans, but double-check our website for specific age requirements before getting your tickets. We’ve made it super easy to spot the age restrictions on each event listing.
If you are going to indulge in a seating upgrade in our VIP area, all guests must be 21 years of age or older.
HI-FI requires a valid ID for admission. For guests who will be consuming alcoholic beverages, a valid state or government issues ID is required. Everyone will be carded during check-in. Expired and temporary ID’s are not accepted.
Can I upgrade my to VIP seating?
HI-FI proudly offers our VIP Deck, situated at the rear of the venue. This elevated section features table seating and provides convenient access to the bar. Please be advised that all guests in this area must be 21 years of age or older. For seating upgrade inquiries, please contact the box office at boxoffice@hifiindy.com
What items are permitted or prohibited at this venue?
At our venues, we strive to ensure a safe and enjoyable experience for all guests. While specific rules may vary slightly depending on the event location, the following list generally applies across all venues.
Any illegal items found will be confiscated immediately. Guests discovered with prohibited items inside the venue may face ejection, and those attempting to enter with such items may be denied entry.
We appreciate your cooperation in adhering to these guidelines to ensure everyone’s safety and enjoyment during our events.
Permitted Items Include:
- All bags and possessions are subject to search and may be subject to metal detection. No backpacks are permitted at any of our venues.
- Clear tote or bag made from plastic, vinyl or PVC that does not exceed 14” x 14” in size.
- Personal purse, fanny pack or handbag so long as it does not exceed 14” x 14” in size
- A warm heart and smiles
Prohibited items include:
- Weapons of any kind: Firearms (with or without permit), knives (any size), multi-tools
- Pepper Spray or Mace
- Flares or Fireworks
- Oversized bags (Bag larger than 12” x 12”, including all backpacks, briefcases, luggage, or duffle bags)
- Illegal Substances
- Outside Beverages
- Laser Pointers
- Removable lens cameras or flash photography, tripods, monopods, selfie-sticks (unless pre-approved by Event Manager)
- Audio or Video recording devices (unless pre-approved by Event Manager)
- Signs larger than 11” x 17” or any sign attached to a stick or pole
- Skateboards, hoverboards, rollerblades, scooters, or bicycles
- Hula hoops, spray paint, silly string
- Noise Making devices (i.e. Air Horns, drums, whistles)
- Coolers or Ice Chests
- Animals/Pets (Except Service Animals)
HI-FI reserves the right to prohibit any item, including items not listed above, from entering the premises if deemed hazardous or disruptive to the event.
Can I bring a bag into the show?
Yes! You’re welcome to bring personal purse, fanny pack or handbag so long as it does not exceed 14” x 14” in size. No backpacks are permitted at any time.
What’s the parking situation like?
Depending on the day and time, finding a spot can be tricky. On busy show days we advise arriving early to ensure you get a good spot.
Parking is free on all of the surrounding streets in Fountain Square and most parking lots.
The LAZ pay lot directly across from the Murphy Arts Building (on Prospect St) offers paid parking by the hour and is the closest public parking to the venue.
We advise against traveling down St. Patrick St on show days, as it can become congested one-way with traffic coming from both directions.
Bike parking is available at any of the bike racks on Virginia Ave in front of HI-FI.
What is the camera/photo policy for this venue?
Our photo policy varies for each event and is at the discretion of the artist performing that night. This policy can change from night to night.
As a general guideline, we typically do not permit professional photography unless it has been pre-approved by either HI-FI or the Artist Management.
For approved photographers, you’re welcome to snap photos during the first three songs of the performance. However, please refrain from using flash.
Media personnel and professional photographers interested in covering our events can reach out to us at marketing@hifiindy.com to request media credentials.
Is there food and drink at this venue?
Absolutely! We’ve got you covered for some tasty bites to fuel your night.
Our very own Easy Rider Diner is your go-to spot on most show nights, serving up mouthwatering dishes right next door to HI-FI. With a convenient connection door open for most shows, you can easily hop back and forth without missing a beat. We highly recommend making a reservation in advance, as show nights tend to get busy. Please note that Easy Rider is closed on Mondays and Tuesdays, but fear not – you can still grab some chips, candy, or snacks at HI-FI’s bar.
View seating maps for this venue
Check your show listing for information on the show’s seating configuration. The majority of HI-FI shows are general admission, standing-room-only. Depending on the show, there are a handful of tables available to those who arrive early. There is a limited amount of seating upgrades available on the VIP deck. Contact the box office to secure a seating upgrade for your show at boxoffice@hifiindy.com. Shows that are reserved or partially reserved seating configurations will have information or purchase options directly on the event listing.
Can I leave and re-enter the venue?
Re-entry is allowed for HI-FI shows once you’ve been stamped or wristbanded by a member of our staff.
Do you offer ADA, handicap or special needs options?
There are 2 handicapped parking spots in the lot located across Prospect St. closest to El Arado Mexican Grill. The box office handles any special needs or ADA seating requests at boxoffice@hifiindy.com.
Where is the box office located?
Getting tickets to our shows is super easy! You have a few options, depending on how you like to roll:
Online: Grab your tickets in advance from our official websites, hifiindy.com and mokbpresents.com, or through our trusted ticketing partners tixr.com and seetickets.us.
In Person: Swing by one of our convenient box office locations around the Murphy Arts Center building and grab tickets with no service fees:
Main Box Office at Virginia Ave Mercantile: Located at 1043 Virginia Ave Suite 2 (between Easy Rider and La Margarita). Open Monday through Friday from 10 am to 6 pm and Saturdays from 9 am to 5 pm.
HI-FI Box Office: Found at 1043 Virginia Ave Suite 4 (at the main entrance to HI-FI). Open only on show nights, starting 1 hour before published show times until 10 pm.
I lost something at the show. Who do I contact?
Have you misplaced something during one of our events? Don’t worry, we’re here to help reunite you with your belongings! While we can’t take responsibility for lost or stolen items, we’re committed to assisting you in any way we can.
Found items are securely stored at our Virginia Ave Mercantile & Box Office until they’re claimed. Please note that items lost during late-night events might take until the next morning to reach our lost and found. We know you might be eager to retrieve your belongings (like that phone you’re pinging outside our door at 6 am), but our team typically wraps up late-night events and may not be available until later in the morning.
For lost items, please follow the outlined process rather than popping into Easy Rider in the early hours. They’re open early, but our restaurant team is busy during weekends and can’t assist with lost items during busy service hours.
To inquire about lost items, shoot us an email at boxoffice@hifiindy.com. Mercantile hours are Monday through Friday, 10 am to 6 pm, and Saturdays from 9 am to 5 pm.
Let’s work together to get your goods back to you as quickly as possible!
What is your refund policy?
What’s Your Refund Policy for Postponed Shows?
If a show gets postponed, don’t sweat it! We’ll shoot you an email to let you know about the change, and if you’re cool with the new date, no further action is needed on your part.We’ll be working diligently to find a new date for the show, and we’ll keep you updated every step of the way. But if you can’t make it to the rescheduled gig, we’ve got your back. You’ll have a generous 30-day window following the announcement of the new date to request a refund.
For those who paid with cash at our box office, just drop us a line at boxoffice@hifiindy.com for further instructions on processing your refund.
Please bear with us as we explore rescheduling options with the tour. Your patience is much appreciated as we work to present the best possible show experience for you.
What’s the Refund Policy for Canceled Shows?
In the unfortunate event of a canceled show, don’t fret! If you purchased your tickets online, your refund will be processed automatically. Just sit tight and allow 3-5 business days for the refund to appear in your bank account.
No need to lift a finger! However, there are a few scenarios where you might need to reach out to our box office:
- If you paid cash at our box office.
- If you’ve received a new or different card since your original purchase.
- If you haven’t seen the refund in your account after 5 business days.
What Happens if a Show Gets Rescheduled?
No worries! If a show you’ve already grabbed tickets for gets rescheduled, your tickets will still be valid for the new date. We’ll shoot you an email to let you know about the change, and if you’re good to go for the new date, no further action is needed on your part.
However, if you can’t make it to the rescheduled gig, we’ve got you covered. You’ll have a generous 30 days from the announcement of the new date to request a refund. Just reach out directly to our box office to kickstart the process.
Beware of counterfeit tickets. How do I tell if my ticket is valid?
It’s crucial for all buyers to exercise caution when purchasing tickets from unauthorized sites and ticket resellers. Tixr and SeeTickets are the only two ticket vendors supported at our venues. Unfortunately, this is a widespread issue affecting venues nationwide, and true fans often find themselves at a loss. Regrettably, there’s little we can do in such situations. Since the original transaction didn’t occur through our authorized ticketing partners, we lack the necessary information to assist. It’s disheartening to witness fans being taken advantage of, especially on platforms like Craigslist, Facebook, StubHub, VividSeats, SeatGeek, and others. We are only obligated to honor valid tickets purchased through our approved channels.
Can I purchase tickets in person without fees?
Yes. HI-FI box office is located at the main entrance off of Virginia Avenue. The box office is open 1 hour prior to the published door time. Additionally, our new and primary box office is located two doors down from HI-FI in Suite 2. This box office is open Monday through Friday 10 am to 6 pm and Saturdays from 9 am to 5 pm for fee-free ticket purchases. HI-FI accepts cash as well as all major credit cards for ticket purchases.
Do you have free WI-FI?
Yes. HI-FI offers free WI-FI during all shows. Simply select the HI-FI Free WI-FI network and you are all set!
Michael Cleveland & Flamekeeper
Start Time: 9:00 pm
NO HEALTH CHECK REQUIRED
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ARTIST PROFILE | Michael Cleveland
With the sweet and good things in life, there always comes darkness. This is a lesson that GRAMMY-winning fiddler, MICHAEL CLEVELAND, knows all too well. In 2021, two of his dearest and oldest friends passed away. Bill Wolfe and Eddie Wells were two of the best local bluegrass musicians in his hometown in southern Indiana—they were two of the people who had inspired him to pick up the fiddle at just four years old, so their passing hit hard. “More than ever, losing both of them made me realize that life is short and is also what you make it,” says Cleveland. “It made me really stop and think of all the people in my life who have influenced me in life and music, and to not take anything for granted.”
With his sixth solo studio release, LOVIN’ OF THE GAME, veteran fiddle virtuoso Michael Cleveland seizes his opportunity at this one wonderful life and swings for the rafters. The album positively hums with energy. Not beholden to one specific genre or pigeonholed label, it showcases Cleveland’s inclusive musical nature—placing value in the process over the output. It is in this release of control that we find something truly sublime: the sound of artists working together in the act of creation without regard for any preconceived notion of what “should” be. The sound of genuine musicianship.
Built upon a rock-solid foundation of bluegrass prowess, LOVIN’ OF THE GAME showcases the power of fusion, bringing truth to the phrase “greater than the sum of its parts.” On each song, Michael Cleveland partners with the all-star community of musicians he has built, finding the tools to uplift the unique voices of each of his collaborators. In one moment, he takes us on a loopy dialogue between fiddle and guitar with two-time IBMA Guitar Player of the Year Billy Strings, delivering a spacey jamgrass rendition of 80s rock classic “For Your Love.” The next, he breaks our hearts with “I Wish I Knew Now What I Knew Then,” a jukebox-ready country waltz pining over lost love, with Cleveland’s lonesome fiddle accompanying Country Music Hall of Fame member Vince Gill’s crooning vocals.
Collaboration serves as the bedrock of the album, and that outreach towards community extends well beyond the studio. Though it may be the track that sounds the most like dust bowl-era Appalachia, in actuality “Sunny Days Are Comin’ Once Again”—featuring Jeff White and Dan Tyminski in tight vocal harmony—is as new as they come. Written in the heart of the COVID-19 shutdowns of 2020, this song came to Cleveland by way of the songwriter Greg Poulos, who hired Cleveland to produce and perform on his original recording. Cleveland credits sessions like these with keeping him grounded and motivated during the darkest days of the pandemic, and this song in particular stuck in his ear. When it came time for him to make his own album, he couldn’t resist taking the lead to record it himself.
Similarly, the instrumental “Contact” is the result of a connection Cleveland made with Matt Carson, another visually-impaired musician, who taught him how he could use the industry standard recording platform, ProTools. It was this knowledge of recording that allowed Cleveland to make this track with no live session or physical interaction between collaborators Cody Kilby, Barry Bales, and Béla Fleck. Rather, each musician was able to build on the previous artist’s work, with Kilby recording the guitar part first, then Bales bringing in the bass line, followed by Fleck filling in banjo, and finally Cleveland adding the dazzling top notes of fiddle and mandolin. Despite being recorded across time and space, the tune captures the vigor and ingenuity of each of its contributors.
“People know me as a traditional bluegrass fiddle player, which is what I love to do,” says Cleveland, “but this album is more than just the pure tradition. It’s a little bit of a departure for me.” Nowhere is that more pronounced than in the lonesome and moody “One Horse Town,” a cover of the 2012 release from Southern rock band Blackberry Smoke. Featuring vocals from Blackberry Smoke’s Charlie Starr and Cleveland’s longtime Flamekeeper bandmate, Josh Richards, and buoyed by the steady instrumental backing of Flamekeeper, Cleveland’s rendition coaxes out the tender melancholy of life in a town too small to sustain itself. Leaning into the weight of responsibility and the pain of hoping for more, Cleveland’s fiddle playing anchors the listener into the listlessness of an arrested life—it could almost drown you.
Thankfully, Cleveland releases the spell and grants reprieve with the eponymous final track, “The Lovin’ of the Game.” Inspired by The Johnsons’ up-tempo cover of the Judy Collins classic, Michael Cleveland & Flamekeeper put a joyful, hard-driving spin on the dreamy 70s folk ballad, delivered with the kind of vigor that makes audiences fall in love with bluegrass to begin with. “The song is about prospectors and gamblers,” says Cleveland, “but for me, the ‘loving of the game’ has always been loving being a part of the musical community and all that being a musician has brought to me.”
Michael Cleveland is the most awarded International Bluegrass Music Association Fiddle Player of the Year, with twelve wins to his name. He is a six-time winner of the IBMA Instrumental Performance of the Year and his band, Michael Cleveland & Flamekeeper, has won Instrumental Group of the Year seven times. In 2019, Cleveland was the subject of the documentary, Flamekeeper: The Michael Cleveland Story and his album TALL FIDDLER was awarded the GRAMMY for Best Bluegrass Album. Michael Cleveland was inducted into the National Fiddler Hall of Fame in 2018. He received the National Endowment for the Arts National Heritage Fellowship in 2022. His new album, LOVIN’ OF THE GAME, will be released by Compass Records on March 3, 2023.
READ MORE >>Supporting Acts
About the Venue
Upgrades: A limited amount of VIP seating upgrades (21+) are available for select shows. Contact the box office to purchase or check availability: boxoffice@hifiindy.com.
Ticket Support: Box Office opens 1 hour before published door time. For ticket related questions please email boxoffice@hifiindy.com.
Parking: Street Parking, Bike Parking
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