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Saturday Nov 13

Tennis

$18 - $20
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Nov 13
Saturday
7:00 PM
Doors Open
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Tennis w/ Molly Burch at Old National Centre Indianapolis
DOORS: 7:00 PM, SHOW: 8:00 PM AGE RESTRICTIONS: ALL AGES GENERAL ADMISSION, TICKETS VIA TICKETMASTER OR AT OLD NATIONAL CENTRE BOX OFFICE Important Notice: All tickets are nonrefundable and nontransferable. Support acts are subject to change. ---------------------------- About Tennis: Listen | Watch Video I never learned how to swim. In years of sailing, I never let the water touch me. The ocean was an abstract dread, an obliterating void as untenable as outer space. In January 2018 we went on tour. After years of scraping by, we found our footing with our fourth record Yours Conditionally. It was a commercial success that set us up to to play the biggest rooms of our career. But three shows in, I developed a raging case of influenza. Each night I dragged myself onstage and croaked out the set in a delirium. After a particularly bad soundcheck, Patrick asked me if we should cancel the show. I couldn’t imagine giving up the thing we’d work so hard to achieve. “I’ll be on stage even if you have to mic my coffin,” I joked. The next morning I fainted and had a seizure while grocery shopping for breakfast. Patrick carried me through the checkout lanes screaming for a doctor. I woke later in a hospital bed. Patrick leaned over me, crying. “That’s it,” he said. “I’m canceling the tour. I thought you were dead. We’re quitting the band. I’m going to be an accountant.” But I was on the mend. We missed two shows and pressed on. During sound check at the 930 club, Patrick stepped out to take a phone call. His father had been in the hospital all week, but he had cancer and brief hospitalizations were routine. Back at the hotel that night, Patrick poured two shots of whiskey and handed me one. “I’d like to toast my dad.” He said. “The doctors offered to put him on life-support to give me a chance to fly out there, but I didn’t want him to suffer. Instead, I said goodbye.” Patrick went home to grieve with his family and rejoined us on the road two days later. I couldn’t believe how quickly our lives had unraveled in the midst of what was supposed to be a milestone in our career. As the tour continued, we found refuge in playing music together. Songwriting had always been an extension of our inner world. Now we retreated to that world every time we stepped onstage. After the final show of our tour in Austin, we received another phone call. Patrick’s mother Karen was in the hospital on the brink of a stroke. We got on a plane and went straight to her bedside. Her recovery took weeks. In the hospital waiting room, I wrote the opening line of “Matrimony II”: I only have certainty when you hold my hand. On a hot July day, after Karen’s return to good health, we sailed as a family into the Pacific and scattered Edward’s ashes at sea. I marked our position on the chart with a small x. The album was already well under way. In that moment, I realized what I wanted to call it. Swimmer is a tour of the darkest time in our lives. But it is not a dark record. Named for the feeling of suspension and upendedness that characterized this period, it is the story of deep-rooted companionship strengthened by pain and loss. These songs carried us through our grief. It is us at our most vulnerable, so we kept a small footprint, recording everything ourselves in our home studio. I set out to describe the love I have come to know after ten years of marriage, when you can no longer remember your life before that person, when the spark of early attraction has been replaced by a gravitational pull. Swimmer is available everywhere February 14, 2020.
About Molly Burch: Listen | Watch Video In a small town south of Austin, Texas vocalist and songwriter Molly Burch is relaxing in her sunny country home. The 27-year-old is enjoying the calm before the storm that will kick start when her much anticipated sophomore album First Flower hits the public. The Los Angeles native has found tranquility in the outskirts of Texas, appreciating time on the front porch as cicadas sing in the distance behind her. Burch burst onto the music scene in 2017 with her debut album Please Be Mine, a ten-track ode to unrequited romance that she wrote after studying Jazz Vocal Performance at the University of North Carolina in Asheville. Please Be Mine earned praise from critics for her smoky, effortless vocals and bleeding-heart lyrics. “I was really blown away with how many people told me that the music has helped them through their own break-up,” she says of Please Be Mine. “I was just so moved by that. I never expected it. I was aware that people were actually listening to my music and having a positive experience, so [with the next album] I wanted to reveal my own struggles with fear and anxiety.” After a year of touring Please Be Mine all over North America, Europe and the UK, Burch returned to Texas to decompress. All of a sudden, she was devoid of stimulation with nothing but time on her hands. “I was scared of not being able to write a great follow-up album,” Burch admits. “I was in that state, but I had so much time that slowly I was able to get some music out of myself. I would force myself to write every day. I gave myself a regiment. Once I got a few songs, then I had the confidence to keep going.” Burch bounced her ideas off her bandmate and boyfriend Dailey Toliver who would contribute guitar parts and orchestration suggestions. The hurricanes kept them locked at home, where they forced themselves to record demos and pump out as much material as possible. Slowly, the album took shape and First Flower became real. When it came time to record, Burch chose to work with Erik Wofford at Cacophony Recorders in Austin. First Flower is a walk through Burch’s most intimate thoughts. Unlike Please Be Mine, which focused on the contentious depression of heartbreak, First Flower explores broken friendships, her relationship to her sister, and, more importantly, how Burch learned to fight overwhelming anxiety. Burch is a soft-spoken, careful person who shoves her nervousness away on a daily basis. “I feel like people don’t see me as a nervous person,” Burch says. “They don’t realize how nervous I am. I am good at fighting past my inner anxieties. I struggle with the anticipation of experiences.” “I do not have the answers by any means, but I wanted to talk about those imperfections,” says Burch. “I wouldn’t want someone who listens to my music to think that I have it all figured out. I don’t. First Flower is me being transparent.”
Learn More About This Show
Add to Calendar 11/13/2021 08:00 PM11/13/2021 11:00 PMTennisMore Information: https://mokbpresents.com/event/tennis/
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ARTIST PROFILE | Tennis

IndieElectronicDreampop

Tennis is Alaina Moore and Patrick Riley. The two met in the philosophy department at the University of Colorado in 2008 after dropping out of their respective music programs. In the years after graduating, they got involved in Denver’s DIY music scene. Through house shows, they were connected with Underwater Peoples, and Firetalk. Tennis’ first singles “South Carolina,” “Baltimore,” and “Marathon” were released in 2010. The band went blog-viral nearly overnight, landing them a record deal with Fat Possum.

Cape Dory, (2011 on Fat Possum), documents Moore and Riley’s time spent living aboard a small sailboat on the Atlantic coast. The album debuted at #1 on Billboard’s Heatseeker chart, transitioning Tennis from house-shows to stages such as Lollapalooza.

Tennis recorded their sophomore effort Young & Old (2012) with Patrick Carney of the Black Keys. They made their television debut on The Tonight Show, The Late Show, and Conan.

In 2014 they signed with Communion. The resulting release, Ritual in Repeat was the culmination of separate recording sessions with Richard Swift, Jim Eno and Patrick Carney. Moore and Riley were greatly influenced by Richard Swift’s approach to recording and engineering, prompting Riley’s decision to take over as engineer on their future releases.

With shifting labels and new interests, Tennis chose an alternate path for their band and career. In 2016, Moore and Riley formed the label Mutually Detrimental and began self-releasing. Their newfound freedom allowed them to return to their sailboat to write their next full-length, this time in the Sea of Cortez. Yours Conditionally, released in 2017, became their most commercially successful album–charting at #4 on Billboard’s Independent list and in the top 100 highest selling vinyl releases that year. They played Coachella and opened for artists like The National, Father John Misty and The Shins–proving their DIY roots as a cornerstone to their sound and narrative.

Their follow up Swimmer (2020), was recorded in their home studio with Moore and Riley producing and engineering. The pair brought their long-time touring member Steve Voss in for the second time to drum on record. The singles, Need Your Love and Runner, were Tennis’ most successful releases to date. With nearly every show on tour sold-out (including two consecutive nights at Brooklyn Steel) the album’s campaign was cut short by the Covid-19 pandemic.

Pollen, Tennis’ sixth studio album is due on February 10, 2023 (Mutually Detrimental)

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Supporting Acts

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About Tennis

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New DateHealth Check: Vax or Test
Nov 13

Tennis

$18 - $20
Presented By: Live Nation, MOKB Presents
Doors: 7:00 PM
Start Time: 8:00 pm

HEALTH CHECK REQUIRED: Proof of full COVID-19 vaccination or negative COVID-19 PCR test within 72 hours or negative Antigen test within 6 hours. Face coverings are strongly encouraged for all attendees.

Download the Bindle Mobile Health App and verify your vaccination status to expedite entry to the venue.

If these requirements prevent you from attending, contact our Box Office for refund options prior to the show.
Learn More About This Show
Add to Calendar 11/13/2021 08:00 PM11/13/2021 11:00 PMTennisMore Information: https://mokbpresents.com/event/tennis/

Buy Tickets

ARTIST PROFILE | Tennis

IndieElectronicDreampop

Tennis is Alaina Moore and Patrick Riley. The two met in the philosophy department at the University of Colorado in 2008 after dropping out of their respective music programs. In the years after graduating, they got involved in Denver’s DIY music scene. Through house shows, they were connected with Underwater Peoples, and Firetalk. Tennis’ first singles “South Carolina,” “Baltimore,” and “Marathon” were released in 2010. The band went blog-viral nearly overnight, landing them a record deal with Fat Possum.

Cape Dory, (2011 on Fat Possum), documents Moore and Riley’s time spent living aboard a small sailboat on the Atlantic coast. The album debuted at #1 on Billboard’s Heatseeker chart, transitioning Tennis from house-shows to stages such as Lollapalooza.

Tennis recorded their sophomore effort Young & Old (2012) with Patrick Carney of the Black Keys. They made their television debut on The Tonight Show, The Late Show, and Conan.

In 2014 they signed with Communion. The resulting release, Ritual in Repeat was the culmination of separate recording sessions with Richard Swift, Jim Eno and Patrick Carney. Moore and Riley were greatly influenced by Richard Swift’s approach to recording and engineering, prompting Riley’s decision to take over as engineer on their future releases.

With shifting labels and new interests, Tennis chose an alternate path for their band and career. In 2016, Moore and Riley formed the label Mutually Detrimental and began self-releasing. Their newfound freedom allowed them to return to their sailboat to write their next full-length, this time in the Sea of Cortez. Yours Conditionally, released in 2017, became their most commercially successful album–charting at #4 on Billboard’s Independent list and in the top 100 highest selling vinyl releases that year. They played Coachella and opened for artists like The National, Father John Misty and The Shins–proving their DIY roots as a cornerstone to their sound and narrative.

Their follow up Swimmer (2020), was recorded in their home studio with Moore and Riley producing and engineering. The pair brought their long-time touring member Steve Voss in for the second time to drum on record. The singles, Need Your Love and Runner, were Tennis’ most successful releases to date. With nearly every show on tour sold-out (including two consecutive nights at Brooklyn Steel) the album’s campaign was cut short by the Covid-19 pandemic.

Pollen, Tennis’ sixth studio album is due on February 10, 2023 (Mutually Detrimental)

READ MORE >>READ LESS >>
CONNECT:

Supporting Acts

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