Toadies + Rev Horton Heat + Nashville Pussy
More about this event
Toadies play Rubberneck, Reverend Horton Heat play Liquor in the Front, both in their entirety.
NO HEALTH CHECK REQUIRED
THIS SHOW IS SOLD OUT. JOIN THE OFFICIAL WAITLIST VIA THE TICKET LINK
ARTIST PROFILE | Toadies
What’s more thrilling than knowing, in the first seconds of favorite band’s new album, that it’s gonna be a doozy? When you go into it cold and know instantly that the band knows why you like them—you’re still in tune with each other, and you can whip out your air guitar and play along like you know the songs. That’s the essence of the rock ‘n’ roll experience, and that’s the Toadies’ seventh album, The Lower Side of Uptown (Kirtland Records).
Opening track “When I Die” starts with guitarist Clark Vogeler holding a sneering, distorted guitar note. Two seconds later, the full band joins. Mark Reznicek’s drums stomp along with Doni Blair’s bass and Vaden Todd Lewis’ rhythm guitar. Vogeler’s note ascends into shrill, singing feedback, fading just as Lewis—in his formidable caterwaul, sings the titular line: “When I die/ don’t bring me down/ meet me on the lower side of uptown.”
In those 27 seconds, the Toadies hit almost every hallmark of their signature, unique brand of alternative rock. Mammoth odd-time rhythms that put us off-balance. Guitars that grind and saw and gnaw. Evocative, provocative words that harrow and haunt—delivered in that voice. This is why, after 27 years, the Toadies are still killing it.
With their prior album, 2015’s semi-acoustic Heretics, the band subverted their fans’ expectations, toying with new and different sounding songs and gentler arrangements of classics like “Possum Kingdom” and “Jigsaw Girl.” The ensuing tour found the Toadies playing different venues—the kind with seats. Going into the studio for Uptown, Lewis says the group expected that the Heretics experience would influence Uptown’s sound. “The intention was that it would be kind of a melding of the two sounds: chill and acoustic, and loud, electric guitars,” he says. “It turned into the heaviest record we’ve ever done.” .
“There are a few points on Lower Side that are really fuckin’ weird and don’t necessarily conjure what we think the Toadies sound like,” Vogeler says. Those moments may or may not be readily apparent to anyone but the band. But to them, it signifies something much more important than a simple deviation from the norm. Twenty years ago, they were trying to please label executives. Today, they’re free to be themselves. “I think it makes us a better band and, hopefully, better music.” All told, The Lower Side of Uptown is an immensely gratifying and thrilling listen that shows the Toadies continuing to build on the creative boost that commenced when they ended a seven-year drought of new music with 2008’s No Deliverance.
Whats next? Toadies have enlisted Steve Albini to record their eighth studio album. Bassist Doni Blair refers to Albini as a “bucket list producer.” Guitarist Clark Vogeler adds “There are records in each of our collections that were recorded by him which mean the world to us. The sound he brought to records like The Pixies’ Surfer Rosa, and PJ Harvey’s Rid of Me, capture the feeling of being in a room with a band while they play (quite loudly, it would appear). A personal fave, Wedding Present’s Seamonsters saved me in a way that no other record has. The emotion of the songs just pours out of the speakers. His recordings of bands are honest; there’s not much in the way of Pro Tools fixing (he records to tape) or studio trickery (no autotune in sight!). It’s mostly just a band in a room with microphones, playing the songs, and that appeals to us at this point. We’ve always felt like we could deliver live, so why not record the band live?”
Toadies have more than 25 years, countless shows and seven studio albums behind them. The Rubberneck track “Possum Kingdom” appeared on Guitar Hero 2 and was featured in a Beavis and Butthead episode. They have played Lollapalooza and ACL, graced the cover of Marvel Comics, released five signature beers with Martin House Brewing, a signature coffee with Full City Rooster, have had a “Toadies Day” declared by their hometown of Fort Worth along with hosting ten Dia De Los Toadies, their festival that launched in 2008 honoring Texas musicians and beyond.
Supporting Acts
SHOW BY SIMILAR ARTISTS
About HI-FI Annex | Indianapolis, IN
HI-FI Annex is an open-air ALL AGES venue located in the back parking lot of The Murphy Arts Center. The main entrance to the venue is located on St. Patrick Street across from the church. All shows end by 10:00 pm.
Getting Around the Venue
Frequently Asked Questions About HI-FI Annex | Indianapolis, IN
What are the age restrictions at this venue?
HI-FI Annex shows are always all ages, with a handful of exceptions when a 21+ restriction is in place. Bring the whole family!
Check the individual show listings at hifiindy.com to view if there are age restrictions for your show.
HI-FI Annex requires a valid ID for admission. For guests who will be consuming alcoholic beverages, a valid state or government issues ID is required. Eveyone will be carded during check-in. Expired and temporary ID’s are not accepted.
Can I upgrade my to VIP seating?
HI-FI Annex seating consists of picnic tables that seat up to six. This seating area is nestled in front of our Main Bar, with easy access for guests – perfect for grabbing a bucket of beer and sharing with the table! Seating is $100, flat, in addition to your general admission ticket(s). These tables are sold on a first come, first served basis.
What items are permitted or prohibited at this venue?
PERMITTED ITEMS:
Lawn chairs (select shows only) – Check show listing for updates
Small Purse / Fanny Pack – subject to security inspection
To-go food from local restaurants
(1) factory sealed bottle of water
A warm heart & smiles
NON-PERMITTED ITEMS
No outside beverages
No weapons of any kind
No drugs or illegal substances
No coolers
No glass
No smoking or vaping in venue, designated smoking area outside venue
No backpacks
No pets
No bad attitudes
Can I bring a bag into the show?
Yes! You are allowed to bring a small purse or fanny pack, but it may be subject to security inspection.
What’s the parking situation like?
There is free street parking all around the building and on the side streets. The day of the week and the popularity of the show will impact how easy it will be to park. If you are biking in, HI-FI Annex offers bike parking in front of the building which sits directly on the Indianapolis Cultural Trail.
What is the camera/photo policy for this venue?
The photo policy for each night is posted at the band’s discretion. This policy can change on a nightly basis. As a general rule HI-FI Annex does not allow any professional photography unless pre-approved by the band. For approved photographers, Photos permitted for the first three songs only. No flash. Media and professional photographers can contact marketing@hifiindy.com to submit a request for photo credentials.
Is there food and drink at this venue?
Yes, HI-FI Annex has a bar and snack station.
View seating maps for this venue
The majority of HI-FI Annex shows are general admission, standing-room-only. There is a limited amount of seating upgrades available on the VIP deck. Contact the box office to secure a seating upgrade for your show at boxoffice@hifiindy.com. Shows that are reserved or partially reserved seating configurations will have information or purchase options directly on the event listing.
Can I leave and re-enter the venue?
No. Re-entry is not permitted at this venue with the exception of the external smoking area.
Do you offer ADA, handicap or special needs options?
There are 2 handicapped parking spots in the lot located across Prospect St. closest to El Arado Mexican Grill. The box office handles any special needs or ADA seating requests at boxoffice@hifiindy.com.
Where is the box office located?
The box office is located at the front entrance off of St. Patrick St.
I lost something at the show. Who do I contact?
To inquire about lost items including credit cards, clothing, phones, wallets, etc, contact boxoffice@hifiindy.com. Found items are available for pickup in our office (Suite 2) Monday-Friday 10:00 a.m. to 6:00 p.m.
What is your refund policy?
If a show is postponed, ticket holders will be notified of the change via email, and no other action is needed if you would like to keep your tickets. HI-FI Annex will work to find a new date for the show and provide updates as they become available. If you are unable to attend the rescheduled date, refunds will be offered at point of purchase for 30 days following the rescheduled date. If you paid with cash at the box office for your tickets, you will need to contact boxoffice@hifiindy.com for further instructions to process your refund.
Tickets purchased online will be automatically refunded in the event of a cancelled show. Please allow 3-5 business days for the refund to post to your bank. No action is required and you should only need to contact the box office if you 1.) paid cash at our box office, 2.) have received a new/different card than the one you originally purchased with, or 3.) if you do not see the refund in your account after 5 business days.
Beware of counterfeit tickets. How do I tell if my ticket is valid?
All buyers should be aware when purchasing tickets through non-authorized sites and ticket resellers. There have been multiple instances of fans being taken advantage of on Craig’s List, Facebook, StubHub, and other online sites. HI-FI Annex is only required to honor valid tickets. Tickets for HI-FI Annex are only available on See Tickets. In the event a show sells out, you can join the waitlist via the official See Tickets link, which will notify you if any tickets become available. When in doubt, you can always reach out to our box office at boxoffice@hifiindy.com.
Can I purchase tickets in person without fees?
Yes. HI-FI Annex box office is located at the main entrance off of St. Patrick St. The box office is open 1 hour prior to the published door time. Additionally, the new and primary box office is located two doors down from HI-FI Annex in Suite 2. This box office is open Monday through Friday 10am – 6pm for fee-free ticket purchases. HI-FI Annex accepts cash as well as all major credit cards for ticket purchases.
Do you have free WI-FI?
Yes. HI-FI Annex offers free WI-FI during all shows. Simply select the HI-FI Free WI-FI network and you are all set.
Toadies + Rev Horton Heat + Nashville Pussy
Start Time: 6:30 pm
Rubberneck 25th Anniversary Tour
Toadies play Rubberneck, Reverend Horton Heat play Liquor in the Front, both in their entirety.
NO HEALTH CHECK REQUIRED
THIS SHOW IS SOLD OUT. JOIN THE OFFICIAL WAITLIST VIA THE TICKET LINK
Buy Tickets
ARTIST PROFILE | Toadies
What’s more thrilling than knowing, in the first seconds of favorite band’s new album, that it’s gonna be a doozy? When you go into it cold and know instantly that the band knows why you like them—you’re still in tune with each other, and you can whip out your air guitar and play along like you know the songs. That’s the essence of the rock ‘n’ roll experience, and that’s the Toadies’ seventh album, The Lower Side of Uptown (Kirtland Records).
Opening track “When I Die” starts with guitarist Clark Vogeler holding a sneering, distorted guitar note. Two seconds later, the full band joins. Mark Reznicek’s drums stomp along with Doni Blair’s bass and Vaden Todd Lewis’ rhythm guitar. Vogeler’s note ascends into shrill, singing feedback, fading just as Lewis—in his formidable caterwaul, sings the titular line: “When I die/ don’t bring me down/ meet me on the lower side of uptown.”
In those 27 seconds, the Toadies hit almost every hallmark of their signature, unique brand of alternative rock. Mammoth odd-time rhythms that put us off-balance. Guitars that grind and saw and gnaw. Evocative, provocative words that harrow and haunt—delivered in that voice. This is why, after 27 years, the Toadies are still killing it.
With their prior album, 2015’s semi-acoustic Heretics, the band subverted their fans’ expectations, toying with new and different sounding songs and gentler arrangements of classics like “Possum Kingdom” and “Jigsaw Girl.” The ensuing tour found the Toadies playing different venues—the kind with seats. Going into the studio for Uptown, Lewis says the group expected that the Heretics experience would influence Uptown’s sound. “The intention was that it would be kind of a melding of the two sounds: chill and acoustic, and loud, electric guitars,” he says. “It turned into the heaviest record we’ve ever done.” .
“There are a few points on Lower Side that are really fuckin’ weird and don’t necessarily conjure what we think the Toadies sound like,” Vogeler says. Those moments may or may not be readily apparent to anyone but the band. But to them, it signifies something much more important than a simple deviation from the norm. Twenty years ago, they were trying to please label executives. Today, they’re free to be themselves. “I think it makes us a better band and, hopefully, better music.” All told, The Lower Side of Uptown is an immensely gratifying and thrilling listen that shows the Toadies continuing to build on the creative boost that commenced when they ended a seven-year drought of new music with 2008’s No Deliverance.
Whats next? Toadies have enlisted Steve Albini to record their eighth studio album. Bassist Doni Blair refers to Albini as a “bucket list producer.” Guitarist Clark Vogeler adds “There are records in each of our collections that were recorded by him which mean the world to us. The sound he brought to records like The Pixies’ Surfer Rosa, and PJ Harvey’s Rid of Me, capture the feeling of being in a room with a band while they play (quite loudly, it would appear). A personal fave, Wedding Present’s Seamonsters saved me in a way that no other record has. The emotion of the songs just pours out of the speakers. His recordings of bands are honest; there’s not much in the way of Pro Tools fixing (he records to tape) or studio trickery (no autotune in sight!). It’s mostly just a band in a room with microphones, playing the songs, and that appeals to us at this point. We’ve always felt like we could deliver live, so why not record the band live?”
Toadies have more than 25 years, countless shows and seven studio albums behind them. The Rubberneck track “Possum Kingdom” appeared on Guitar Hero 2 and was featured in a Beavis and Butthead episode. They have played Lollapalooza and ACL, graced the cover of Marvel Comics, released five signature beers with Martin House Brewing, a signature coffee with Full City Rooster, have had a “Toadies Day” declared by their hometown of Fort Worth along with hosting ten Dia De Los Toadies, their festival that launched in 2008 honoring Texas musicians and beyond.
Supporting Acts
About the Venue
Upgrades: A limited amount of VIP seating upgrades are available for select shows. Contact the box office to purchase or check availability: boxoffice@hifiindy.com.
Ticket Support: Box Office opens 1 hour before published door time. For ticket related questions please email boxoffice@hifiindy.com.
Parking: Street Parking, Bike Parking