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Tuesday May 30

Jess Williamson

$20 - $22
HI-FI
Indianapolis, IN
May 30
Tuesday
7:00 PM
Doors Open

More about this event

Learn More About This Show
Add to Calendar 05/30/2023 08:00 PM05/30/2023 11:00 PMJess WilliamsonMore Information: https://mokbpresents.com/event/jess-williamson/HI-FI
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ARTIST PROFILE | Jess Williamson

Americana/FolkSinger/SongwriterRoots

Endless prairies and ocean waves; long drives and highway expanse; dancing, smoke, sex, and physical desire – the core images of Jess Williamson’s new album Time Ain’t Accidental revel in the earthly and the carnal. After a protracted breakup with a romantic partner and longtime musical collaborator who left Williamson and their home in Los Angeles at the start of the pandemic, the album’s reckoning with loss, isolation, romance, and personal reclamation signals a tectonic shift for Williamson as a person and as an artist: from someone who once accommodated and made herself small to a woman emboldened by her power as an individual.

A daringly personal but inevitable evolution for the Texas-born, Los Angeles-based singer, songwriter, and multi-instrumentalist, Time Ain’t Accidental is evocative of iconic Western landscapes, tear-in-beer anthems, and a wholly modern take on country music that is completely her own. Above everything, sonically and thematically, this album is about Williamson’s voice, crystalline and acrobatic in its range, standing front and center. Think Linda Rondstadt turned minimalist, The Chicks gone indie or even Emmylou Harris’ work with Daniel Lanois. Ringing boldly and unobscured, it’s the sound of a woman running into her life and art head-on, unambiguously, and on her own terms for the first time.

Last year, Williamson and Katie Crutchfield of Waxahatchee released I Walked With You A Ways under the name Plains; a critically acclaimed record filled to the whiskey-barreled brim with feminine confidence, camaraderie, and straight-up country bangers and ballads. After past records Cosmic Wink (2018) and Sorceress (2020), both released on Mexican Summer, Williamson felt primed to shift in a new direction. Revisiting what she loved growing up, simplifying her process, and making music with a friend proved to be the best step forward for Williamson.

In early 2020, while getting used to the new estrangement and in quarantine with her thoughts, Williamson wrote and recorded the stripped-back standalone single “Pictures of Flowers” by herself at home. This experience became the foundation on which Time Ain’t Accidental was built. The song's lyrical themes were terrestrial and plain-spoken, with Williamson’s voice set against a drum machine and paired with textural guitar by her friend Meg Duffy (Hand Habits). Soon, Williamson realized that musically she was just as good—better, even—on her own. Tours with Weyes Blood, Kevin Morby and Hamilton Leithauser, and José González bolstered this newfound self-assurance, letting her voice ring out in rooms the size of which she hadn’t played before.

Amidst the uncertainty of the pandemic, Williamson began dating in Los Angeles and tracking demos centered on the realness of those experiences, filled with excitement, anxiety, and disappointment. The drum machine stuck around (this time in the form of an iPhone app), as did her determination to forge a new path as a truly solo singer and songwriter; as a woman finding the sound of herself without anyone else’s input. It was a lonely, but revelatory, period.

The core essence of that time is summed up in the opening line of “Hunter.” “I’ve been thrown to the wolves and they ate me raw,” Williamson sings, clear-eyed and with resolve, having come out the other side. Though tumultuous, the process of dating in LA revealed the album’s North Star, which anchors the song’s chorus and the album’s underlying sentiment more broadly: “I’m a hunter for the real thing.”

This theme comes up on the vivid torch song “Chasing Spirits,” when she sings, over whispers of steel guitar, that “the difference between us is when I sing it I really mean it.” The same energy resurfaces on “God in Everything”, with Williamson turning to the supernatural as a way of rising above the earthly realities of dating and rejection. “Being in lockdown alone, fresh out of a breakup, was a real hard time for me,” she remembers. “What I’m grateful for is having a period of stillness and desperation that forced me to turn inward and find comfort in a power greater than myself”.

In the album liner notes, Williamson too included a quote from Carl Jung that was sent to her by a close friend during this era of uncertainty and upheaval. It reads: “To this day God is the name by which I designate all things which cross my willful path violently and recklessly, all things which upset my subjective views, plans, and intentions, and change the course of my life for better or worse.”

After many months spent alone and searching, Williamson finally found the realness she’d been longing for. First came the idea of Plains and the subsequent writing and recording sessions. Then, on one of her regular drives between her adopted home in southern California and her native Texas, Williamson found and rescued her dog, Nana, who had been abandoned and was running alongside a desert highway in New Mexico.

But all good things come in threes, and she soon found new love with an old acquaintance in Marfa, Texas, addressed straightforwardly in the title track “Time Ain’t Accidental.” “We fell for each other when I was out in West Texas visiting a friend, but then I left to go back to LA,” Williamson explains. “I wasn’t sure if or when we’d see each other again, but I felt so full of love and I hadn’t felt that way in a very long time. I wrote this song the day I got back home. It’s really the story of a day together—we flirted by a hotel pool bar and went on a drive, we had a sweet night—and then I had to go, neither of us really knowing what, if anything, would come next.”

Williamson brought the suite of demos and her newfound assurance to Brad Cook (who’d produced Plains) in Durham, North Carolina. The familiar setting fostered a safe environment for the deeply personal material, and Williamson unleashed her voice with total unselfconsciousness. They tracked her vocals in just a couple of takes for each song. “I kept thinking, ‘my voice feels different now – it’s been liberated,’” Williamson reflects. Cook encouraged Williamson to keep the iPhone app drum machine beats she’d programmed for some of the demos, then married it with banjos and steel guitars for an evident sense of old-meets-new.

Williamson now splits her time between Marfa, Texas and Los Angeles. Time Ain’t Accidental, with its synthesis of traditional country instrumentation with digital effects and modern sounds, unequivocally embodies the energy of the two very different places that she calls home. The album’s artwork, subtly menacing and neon in awareness and strength, displays, in Williamson’s words, “that supernatural forces are acting all around us, that we can trust that we will be in the right place at the right time.”

While Time Ain’t Accidental is remarkable for its bare confidence born of searching and longing for something real, Williamson also recognizes the mysterious whims of time that bricked her path (and she memorialized them on the title track). Ultimately, these unseen forces lured the singer back into her own. The timing was, indeed, no accident.

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Supporting Acts

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About HI-FI | Indianapolis, IN

HI-FI is located inside the historic Murphy Arts Center in the heart of Fountain Square.  HI-FI shows virtually every night of the week and is known for finding new artists on the rise. The venue is acoustically one of the best sounding venues in the Midwest. The entrance is located at the front of the building on Virginia Ave and the Indianapolis Cultural Trail.

 

Box Office: 317-986-7101
Main: 317-986-9701

Getting Around the Venue

1043 Virginia Ave #4,
Indianapolis, IN 46203
Hours: Mon. thru Fri. 10 am to 6 pm
Doors: 1 hour before doors

Frequently Asked Questions About HI-FI | Indianapolis, IN

What are the age restrictions at this venue?

Most of our gigs are open to those 18 years and older, though there are a few exceptions. We’re also rolling out more all-ages shows to accommodate younger fans, but double-check our website for specific age requirements before getting your tickets. We’ve made it super easy to spot the age restrictions on each event listing.

If you are going to indulge in a seating upgrade in our VIP area, all guests must be 21 years of age or older.

HI-FI requires a valid ID for admission. For guests who will be consuming alcoholic beverages, a valid state or government issues ID is required. Everyone will be carded during check-in. Expired and temporary ID’s are not accepted.

Can I upgrade my to VIP seating?

HI-FI proudly offers our VIP Deck, situated at the rear of the venue. This elevated section features table seating and provides convenient access to the bar. Please be advised that all guests in this area must be 21 years of age or older. For seating upgrade inquiries, please contact the box office at boxoffice@hifiindy.com

What items are permitted or prohibited at this venue?

At our venues, we strive to ensure a safe and enjoyable experience for all guests. While specific rules may vary slightly depending on the event location, the following list generally applies across all venues.

Any illegal items found will be confiscated immediately. Guests discovered with prohibited items inside the venue may face ejection, and those attempting to enter with such items may be denied entry.

We appreciate your cooperation in adhering to these guidelines to ensure everyone’s safety and enjoyment during our events.

Permitted Items Include:

  • All bags and possessions are subject to search and may be subject to metal detection. No backpacks are permitted at any of our venues.
  • Clear tote or bag made from plastic, vinyl or PVC that does not exceed 14” x 14” in size.
  • Personal purse, fanny pack or handbag so long as it does not exceed 14” x 14” in size
  • A warm heart and smiles

Prohibited items include:

  • Weapons of any kind: Firearms (with or without permit), knives (any size), multi-tools
  • Pepper Spray or Mace
  • Flares or Fireworks
  • Oversized bags (Bag larger than 12” x 12”, including all backpacks, briefcases, luggage, or duffle bags)
  • Illegal Substances
  • Outside Beverages
  • Laser Pointers
  • Removable lens cameras or flash photography, tripods, monopods, selfie-sticks (unless pre-approved by Event Manager)
  • Audio or Video recording devices (unless pre-approved by Event Manager)
  • Signs larger than 11” x 17” or any sign attached to a stick or pole
  • Skateboards, hoverboards, rollerblades, scooters, or bicycles
  • Hula hoops, spray paint, silly string
  • Noise Making devices (i.e. Air Horns, drums, whistles)
  • Coolers or Ice Chests
  • Animals/Pets (Except Service Animals)

HI-FI reserves the right to prohibit any item, including items not listed above, from entering the premises if deemed hazardous or disruptive to the event.

Can I bring a bag into the show?

Yes! You’re welcome to bring personal purse, fanny pack or handbag so long as it does not exceed 14” x 14” in size. No backpacks are permitted at any time.

What’s the parking situation like?

Depending on the day and time, finding a spot can be tricky. On busy show days we advise arriving early to ensure you get a good spot.

Parking is free on all of the surrounding streets in Fountain Square and most parking lots.

The LAZ pay lot directly across from the Murphy Arts Building (on Prospect St) offers paid parking by the hour and is the closest public parking to the venue.

We advise against traveling down St. Patrick St on show days, as it can become congested one-way with traffic coming from both directions.

Bike parking is available at any of the bike racks on Virginia Ave in front of HI-FI.

What is the camera/photo policy for this venue?

Our photo policy varies for each event and is at the discretion of the artist performing that night. This policy can change from night to night.

As a general guideline, we typically do not permit professional photography unless it has been pre-approved by either HI-FI or the Artist Management.

For approved photographers, you’re welcome to snap photos during the first three songs of the performance. However, please refrain from using flash.

Media personnel and professional photographers interested in covering our events can reach out to us at marketing@hifiindy.com to request media credentials.

Is there food and drink at this venue?

Absolutely! We’ve got you covered for some tasty bites to fuel your night.

Our very own Easy Rider Diner is your go-to spot on most show nights, serving up mouthwatering dishes right next door to HI-FI. With a convenient connection door open for most shows, you can easily hop back and forth without missing a beat. We highly recommend making a reservation in advance, as show nights tend to get busy. Please note that Easy Rider is closed on Mondays and Tuesdays, but fear not – you can still grab some chips, candy, or snacks at HI-FI’s bar.

View seating maps for this venue

Check your show listing for information on the show’s seating configuration. The majority of HI-FI shows are general admission, standing-room-only. Depending on the show, there are a handful of tables available to those who arrive early. There is a limited amount of seating upgrades available on the VIP deck. Contact the box office to secure a seating upgrade for your show at boxoffice@hifiindy.com. Shows that are reserved or partially reserved seating configurations will have information or purchase options directly on the event listing.

Can I leave and re-enter the venue?

Re-entry is allowed for HI-FI shows once you’ve been stamped or wristbanded by a member of our staff.

Do you offer ADA, handicap or special needs options?

There are 2 handicapped parking spots in the lot located across Prospect St. closest to El Arado Mexican Grill. The box office handles any special needs or ADA seating requests at boxoffice@hifiindy.com.

Where is the box office located?

Getting tickets to our shows is super easy! You have a few options, depending on how you like to roll:

Online: Grab your tickets in advance from our official websites, hifiindy.com and mokbpresents.com, or through our trusted ticketing partners tixr.com and seetickets.us.

In Person: Swing by one of our convenient box office locations around the Murphy Arts Center building and grab tickets with no service fees:

Main Box Office at Virginia Ave Mercantile: Located at 1043 Virginia Ave Suite 2 (between Easy Rider and La Margarita). Open Monday through Friday from 10 am to 6 pm and Saturdays from 9 am to 5 pm.

HI-FI Box Office: Found at 1043 Virginia Ave Suite 4 (at the main entrance to HI-FI). Open only on show nights, starting 1 hour before published show times until 10 pm.

I lost something at the show. Who do I contact?

Have you misplaced something during one of our events? Don’t worry, we’re here to help reunite you with your belongings! While we can’t take responsibility for lost or stolen items, we’re committed to assisting you in any way we can.

Found items are securely stored at our Virginia Ave Mercantile & Box Office until they’re claimed. Please note that items lost during late-night events might take until the next morning to reach our lost and found. We know you might be eager to retrieve your belongings (like that phone you’re pinging outside our door at 6 am), but our team typically wraps up late-night events and may not be available until later in the morning.

For lost items, please follow the outlined process rather than popping into Easy Rider in the early hours. They’re open early, but our restaurant team is busy during weekends and can’t assist with lost items during busy service hours.

To inquire about lost items, shoot us an email at boxoffice@hifiindy.com. Mercantile hours are Monday through Friday, 10 am to 6 pm, and Saturdays from 9 am to 5 pm.

Let’s work together to get your goods back to you as quickly as possible!

What is your refund policy?

What’s Your Refund Policy for Postponed Shows?

If a show gets postponed, don’t sweat it! We’ll shoot you an email to let you know about the change, and if you’re cool with the new date, no further action is needed on your part.We’ll be working diligently to find a new date for the show, and we’ll keep you updated every step of the way. But if you can’t make it to the rescheduled gig, we’ve got your back. You’ll have a generous 30-day window following the announcement of the new date to request a refund.

For those who paid with cash at our box office, just drop us a line at boxoffice@hifiindy.com for further instructions on processing your refund.

Please bear with us as we explore rescheduling options with the tour. Your patience is much appreciated as we work to present the best possible show experience for you.

What’s the Refund Policy for Canceled Shows?

In the unfortunate event of a canceled show, don’t fret! If you purchased your tickets online, your refund will be processed automatically. Just sit tight and allow 3-5 business days for the refund to appear in your bank account.
No need to lift a finger! However, there are a few scenarios where you might need to reach out to our box office:

  • If you paid cash at our box office.
  • If you’ve received a new or different card since your original purchase.
  • If you haven’t seen the refund in your account after 5 business days.

What Happens if a Show Gets Rescheduled?

No worries! If a show you’ve already grabbed tickets for gets rescheduled, your tickets will still be valid for the new date. We’ll shoot you an email to let you know about the change, and if you’re good to go for the new date, no further action is needed on your part.

However, if you can’t make it to the rescheduled gig, we’ve got you covered. You’ll have a generous 30 days from the announcement of the new date to request a refund. Just reach out directly to our box office to kickstart the process.

Beware of counterfeit tickets. How do I tell if my ticket is valid?

It’s crucial for all buyers to exercise caution when purchasing tickets from unauthorized sites and ticket resellers. Tixr and SeeTickets are the only two ticket vendors supported at our venues. Unfortunately, this is a widespread issue affecting venues nationwide, and true fans often find themselves at a loss. Regrettably, there’s little we can do in such situations. Since the original transaction didn’t occur through our authorized ticketing partners, we lack the necessary information to assist. It’s disheartening to witness fans being taken advantage of, especially on platforms like Craigslist, Facebook, StubHub, VividSeats, SeatGeek, and others. We are only obligated to honor valid tickets purchased through our approved channels.

Can I purchase tickets in person without fees?

Yes. HI-FI box office is located at the main entrance off of Virginia Avenue. The box office is open 1 hour prior to the published door time. Additionally, our new and primary box office is located two doors down from HI-FI in Suite 2. This box office is open Monday through Friday 10 am to 6 pm and Saturdays from 9 am to 5 pm for fee-free ticket purchases. HI-FI accepts cash as well as all major credit cards for ticket purchases.

Do you have free WI-FI?

Yes. HI-FI offers free WI-FI during all shows. Simply select the HI-FI Free WI-FI network and you are all set!

18+
May 30

Jess Williamson

HI-FI
$20 - $22
Presented By: Upland Brewing Co., MOKB Presents
Doors: 7:00 PM
Start Time: 8:00 pm

Learn More About This Show
Add to Calendar 05/30/2023 08:00 PM05/30/2023 11:00 PMJess WilliamsonMore Information: https://mokbpresents.com/event/jess-williamson/HI-FI

Buy Tickets

ARTIST PROFILE | Jess Williamson

Americana/FolkSinger/SongwriterRoots

Endless prairies and ocean waves; long drives and highway expanse; dancing, smoke, sex, and physical desire – the core images of Jess Williamson’s new album Time Ain’t Accidental revel in the earthly and the carnal. After a protracted breakup with a romantic partner and longtime musical collaborator who left Williamson and their home in Los Angeles at the start of the pandemic, the album’s reckoning with loss, isolation, romance, and personal reclamation signals a tectonic shift for Williamson as a person and as an artist: from someone who once accommodated and made herself small to a woman emboldened by her power as an individual.

A daringly personal but inevitable evolution for the Texas-born, Los Angeles-based singer, songwriter, and multi-instrumentalist, Time Ain’t Accidental is evocative of iconic Western landscapes, tear-in-beer anthems, and a wholly modern take on country music that is completely her own. Above everything, sonically and thematically, this album is about Williamson’s voice, crystalline and acrobatic in its range, standing front and center. Think Linda Rondstadt turned minimalist, The Chicks gone indie or even Emmylou Harris’ work with Daniel Lanois. Ringing boldly and unobscured, it’s the sound of a woman running into her life and art head-on, unambiguously, and on her own terms for the first time.

Last year, Williamson and Katie Crutchfield of Waxahatchee released I Walked With You A Ways under the name Plains; a critically acclaimed record filled to the whiskey-barreled brim with feminine confidence, camaraderie, and straight-up country bangers and ballads. After past records Cosmic Wink (2018) and Sorceress (2020), both released on Mexican Summer, Williamson felt primed to shift in a new direction. Revisiting what she loved growing up, simplifying her process, and making music with a friend proved to be the best step forward for Williamson.

In early 2020, while getting used to the new estrangement and in quarantine with her thoughts, Williamson wrote and recorded the stripped-back standalone single “Pictures of Flowers” by herself at home. This experience became the foundation on which Time Ain’t Accidental was built. The song's lyrical themes were terrestrial and plain-spoken, with Williamson’s voice set against a drum machine and paired with textural guitar by her friend Meg Duffy (Hand Habits). Soon, Williamson realized that musically she was just as good—better, even—on her own. Tours with Weyes Blood, Kevin Morby and Hamilton Leithauser, and José González bolstered this newfound self-assurance, letting her voice ring out in rooms the size of which she hadn’t played before.

Amidst the uncertainty of the pandemic, Williamson began dating in Los Angeles and tracking demos centered on the realness of those experiences, filled with excitement, anxiety, and disappointment. The drum machine stuck around (this time in the form of an iPhone app), as did her determination to forge a new path as a truly solo singer and songwriter; as a woman finding the sound of herself without anyone else’s input. It was a lonely, but revelatory, period.

The core essence of that time is summed up in the opening line of “Hunter.” “I’ve been thrown to the wolves and they ate me raw,” Williamson sings, clear-eyed and with resolve, having come out the other side. Though tumultuous, the process of dating in LA revealed the album’s North Star, which anchors the song’s chorus and the album’s underlying sentiment more broadly: “I’m a hunter for the real thing.”

This theme comes up on the vivid torch song “Chasing Spirits,” when she sings, over whispers of steel guitar, that “the difference between us is when I sing it I really mean it.” The same energy resurfaces on “God in Everything”, with Williamson turning to the supernatural as a way of rising above the earthly realities of dating and rejection. “Being in lockdown alone, fresh out of a breakup, was a real hard time for me,” she remembers. “What I’m grateful for is having a period of stillness and desperation that forced me to turn inward and find comfort in a power greater than myself”.

In the album liner notes, Williamson too included a quote from Carl Jung that was sent to her by a close friend during this era of uncertainty and upheaval. It reads: “To this day God is the name by which I designate all things which cross my willful path violently and recklessly, all things which upset my subjective views, plans, and intentions, and change the course of my life for better or worse.”

After many months spent alone and searching, Williamson finally found the realness she’d been longing for. First came the idea of Plains and the subsequent writing and recording sessions. Then, on one of her regular drives between her adopted home in southern California and her native Texas, Williamson found and rescued her dog, Nana, who had been abandoned and was running alongside a desert highway in New Mexico.

But all good things come in threes, and she soon found new love with an old acquaintance in Marfa, Texas, addressed straightforwardly in the title track “Time Ain’t Accidental.” “We fell for each other when I was out in West Texas visiting a friend, but then I left to go back to LA,” Williamson explains. “I wasn’t sure if or when we’d see each other again, but I felt so full of love and I hadn’t felt that way in a very long time. I wrote this song the day I got back home. It’s really the story of a day together—we flirted by a hotel pool bar and went on a drive, we had a sweet night—and then I had to go, neither of us really knowing what, if anything, would come next.”

Williamson brought the suite of demos and her newfound assurance to Brad Cook (who’d produced Plains) in Durham, North Carolina. The familiar setting fostered a safe environment for the deeply personal material, and Williamson unleashed her voice with total unselfconsciousness. They tracked her vocals in just a couple of takes for each song. “I kept thinking, ‘my voice feels different now – it’s been liberated,’” Williamson reflects. Cook encouraged Williamson to keep the iPhone app drum machine beats she’d programmed for some of the demos, then married it with banjos and steel guitars for an evident sense of old-meets-new.

Williamson now splits her time between Marfa, Texas and Los Angeles. Time Ain’t Accidental, with its synthesis of traditional country instrumentation with digital effects and modern sounds, unequivocally embodies the energy of the two very different places that she calls home. The album’s artwork, subtly menacing and neon in awareness and strength, displays, in Williamson’s words, “that supernatural forces are acting all around us, that we can trust that we will be in the right place at the right time.”

While Time Ain’t Accidental is remarkable for its bare confidence born of searching and longing for something real, Williamson also recognizes the mysterious whims of time that bricked her path (and she memorialized them on the title track). Ultimately, these unseen forces lured the singer back into her own. The timing was, indeed, no accident.

READ MORE >>READ LESS >>
CONNECT:

Supporting Acts

About the Venue

HI-FI is located inside the historic Murphy Arts Center in the heart of Fountain Square.  HI-FI shows virtually every night of the week and is known for finding new artists on the rise. The venue is acoustically one of the best sounding venues in the Midwest. The entrance is located at the front of the building on Virginia Ave and the Indianapolis Cultural Trail.

 
Amenities: Live Music, Premium Sound, Full Bar, 24 Draft Beers On Tap, VIP Seating, Street-Level Box Office

Upgrades: A limited amount of VIP seating upgrades (21+) are available for select shows.  Contact the box office to purchase or check availability: boxoffice@hifiindy.com.

Ticket Support: Box Office opens 1 hour before published door time. For ticket related questions please email boxoffice@hifiindy.com.

Parking: Street Parking, Bike Parking
Refund Policy: All tickets are non-transferable and non-refundable unless the show is canceled.  Shows affected by Covid-19 pandemic will be handled on a case-by-case basis. Contact the box office with any questions: boxoffice@hifiindy.com.
1043 Virginia Ave #4 Indianapolis, IN 46203

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