Parker Millsap
More about this event
Download the Bindle Mobile Health App and verify your vaccination and/or test status to expedite entry to the venue.
Holler on the Square is a festival-like series of concerts at HI-FI and HI-FI Annex spanning September 12-19, 2021. Join us for 8 days of live music with performances taking place in both venues, all week. Check out the daily schedule, full lineup and get your tickets now. All shows are individually ticketed.
ARTIST PROFILE | Parker Millsap
The fifth album from Oklahoma-bred singer/songwriter Parker Millsap, Be Here Instead emerged from a wild alchemy of instinct, ingenuity, and joyfully determined rule-breaking. In a departure from the guitar-and-notebook-based approach to songwriting that shaped his earlier work, the Nashville-based artist followed his curiosity to countless other modes of expression, experimenting with everything from piano to effects pedals to old-school drum machines (a fascination partly inspired by the early-’70s innovations of Sly Stone and J.J. Cale). As those explorations deepened and broadened his musical vision, Millsap soon arrived at a body of work touched with both unbridled imagination and lucid insight into the search for presence in a chaotic world.
Produced by John Agnello (Kurt Vile, Sonic Youth, Waxahatchee) and mainly recorded live with Millsap’s full band, Be Here Instead marks a stylistic shift from the gritty and high-energy folk of his previous output, including 2018’s acclaimed Other Arrangements and 2016’s The Very Last Day (an Americana Music Association Awards nominee for Album of the Year). With its adventurous yet immaculately detailed sonic palette, the album warps genres to glorious effect, at one point offering up what Millsap aptly refers to as a “disco-Americana showtune.” In another creative breakthrough, Be Here Instead forgoes the character-driven storytelling of his past in favor of a more introspective and endlessly revelatory form of lyricism, an element he traces back to the charmed nature of his songwriting process. “Because the lyrics were appearing seemingly out of nowhere and with no prior intent, some of them started to feel like transmissions from my subconscious, rather than the preconceived linear stories or waking thoughts of my earlier songs,” says Millsap. “They feel like words I needed to hear from myself, and not just things I wanted to say to someone else.”
On “The Real Thing”—the luminous lead single to Be Here Instead—Millsap presents a brilliant introduction to the album’s kaleidoscopic sound, merging the song’s cascading guitar lines and potent grooves with a tender statement of devotion (e.g., “I been through your roses, honey/I don’t mind the thorns”). Sparked from an experiment in open tuning and featuring guest vocals from Erin Rae, the track gracefully transforms a moment of private longing into a bit of prescient commentary. “I wrote ‘The Real Thing’ when I was touring and missing my wife, and hating how being on FaceTime doesn’t feel anything like being in the same room,” says Millsap. “But then as 2020 happened, the lyrics grew new teeth—now it’s much more of a reflection of how hard it is to experience any spontaneous interaction when everything happens on livestreams and Zoom.”
In its candid meditation on the intricacies of connection, Be Here Instead also delivers standouts like “Vulnerable,” a lushly textured piece of psychedelic soul threaded with elegantly simple wisdom. “I wrote that one when I was newly married,” says Millsap. “Something about standing in front of a room of people and saying ‘This is the one’ gave everything an extra weight, and made me think about how I’m still learning to openly communicate what I’m feeling. Because if you hold back instead of just being honest, eventually it’s going to come out in some other way. So the best practice is just to be vulnerable—it’s never really worth it to try to be tough.”
Another track demonstrating the sheer power of Millsap’s artistic impulse, “Dammit” began as a complex and slow-paced ballad, then evolved into a kinetic two-chord anthem (thanks in part to a failed attempt at creating a U2-like number, as per Agnello’s suggestion). One of the album’s most majestic moments, “Dammit” unfolds as an unlikely epic that perfectly captures the nuances of existential frustration (“It’s hard to be a dancer, baby, when you’re living in your head”) while working up a furious momentum that’s nothing less than exhilarating.
Although Be Here Instead often finds Millsap wandering into new terrain, the album remains firmly grounded in the sophisticated musicianship he began honing as a kid growing up in the small town of Purcell. Raised on Texas singer/songwriters like Townes Van Zandt, he started writing songs on acoustic guitar in his early teens, then made his debut at the age of 19 with the 2012 album Palisade. With his self-titled sophomore effort arriving in 2014, Millsap released both The Very Last Day and Other Arrangements to widespread praise, with famed rock critic Ann Powers dubbing him a “star in the making” and Rolling Stone stating that the latter album “mingle[s] the sacred and profane to rollicking effect.” Through the years, he’s also made his name as a captivating live act, opening for the likes of Jason Isbell, Patty Griffin, and Lucinda Williams and taking the stage at major festivals like Bonnaroo, Austin City Limits, and Newport Folk Fest. And in a particularly memorable turn of events, Millsap joined singer/songwriter Sarah Jarosz for a 2016 show in Atlanta and drew raves from none other than Sir Elton John, who hailed the performance as “one of the best concerts I have ever seen” and noted that the night “restored my faith in music.”
In looking back on the making of Be Here Instead, Millsap points out that his recently discovered love of painting also informed the free-flowing creativity he brought to the album. “My wife’s grandfather was an artist who did watercolor paintings, and a few years ago I decided I wanted to try it,” he says. “I very quickly found out that watercolors are really hard to work with: you have to embrace your mistakes, and then let them guide you along. It’s made me think about how when you mess up, you’re basically revealing your humanity, which is what music’s all about. When I listen to records, I love when Ray Charles’s voice cracks, or when you hear the squeaking of the kick-drum pedal on a Led Zeppelin song. Anything that shows the living, breathing quality of the whole thing—that’s always wonderful. That’s what we’re here for. So don’t be afraid to let it happen.”
READ MORE >>Supporting Acts
SHOW BY SIMILAR ARTISTS
About HI-FI Annex | Indianapolis, IN
HI-FI Annex is an open-air ALL AGES venue located in the back parking lot of The Murphy Arts Center. The main entrance to the venue is located on St. Patrick Street across from the church. All shows end by 10 pm.
Getting Around the Venue
Frequently Asked Questions About HI-FI Annex | Indianapolis, IN
What are the age restrictions at this venue?
HI-FI Annex shows are always all ages, with a handful of exceptions when a 21+ restriction is in place. Bring the whole family!
Check the individual show listings at hifiindy.com to view if there are age restrictions for your show.
HI-FI Annex requires a valid ID for admission. For guests who will be consuming alcoholic beverages, a valid state or government issues ID is required. Everyone will be carded during check-in. Expired and temporary ID’s are not accepted.
Can I upgrade my to VIP seating?
The Sidestage Lounge VIP access offers a premium exclusive viewing location with an up-close and personal view of the stage. It features a private bar with a full selection of cocktails, beer, and wine. While the Sidestage Lounge is an all-ages area, you must be 21+ with a valid ID to visit the bar. Additionally, it provides a comfortable seating area with tables and couches, as well as dedicated outdoor restrooms for your convenience. Click here to reserve your spot in the Sidestage Lounge.
What items are permitted or prohibited at this venue?
Our security staff performs a thorough screening of all bodies, purses and bags entering the venue. All guests will go through security screening to ensure no weapons or non-permitted items enter the venue. Screening may include metal detection and/or wanding.
Permitted and restricted items may vary by show. Below is a general list of permitted and non-permitted items and activities. Ticket buyers will receive information prior to the show with any updates.
Permitted Items
- Small purse/fanny pack/diaper bag – subject to security inspection
- Umbrellas – small, handheld only
- Strollers
- To-go food from local restaurants
- (1) factory sealed bottle of water or (1) empty, refillable water bottle
- A warm heart & smiles
- Lawn chairs & blankets are only permitted for a select few shows and in designated areas
Non-Permitted Items
For safety reasons, guests are refused entry if they are in possession of prohibited items. Illegal items will be confiscated. If a guest is found inside the venue with a prohibited item, the item will be confiscated and the guest may be ejected from the facility. HI-FI reserves the right to prohibit any item, including items not listed here, from entering the premises if deemed hazardous or disruptive to the event.
- No weapons of any kind: including firearms (with or without permit), knives, multi-tools
- Pepper spray/mace
- Fireworks or flares
- No outside beverages or coolers
- No oversized bags (larger than 12″ x 12″) including backpacks, duffle bags, camelbacks, briefcases luggage etc.
- No drugs or illegal substances
- No laser pointers
- No glass
- No smoking or vaping in venue, designated smoking area outside venue
- No pets or animals – with the exception of documented service animals
- No removable lens cameras or flash photography, tripods, monopods, selfie sticks – unless pre-approved by Event Manager
- No audio or video recording devices – unless pre-approved by Event Manager
- Skateboards, hoverboards, rollerblades, bicycles, scooters – bike parking available outside the venue
- Signs large than 11″ x 17″ or any sign attached to a stick
- Hula hoops, spray paint, silly string
Can I bring a bag into the show?
Yes! You are allowed to bring a small purse or fanny pack, but it may be subject to security inspection.
What’s the parking situation like?
Depending on the day and time, finding a spot can be tricky. On busy show days we advise arriving early to ensure you get a good spot.
Parking is free on all of the surrounding streets in Fountain Square and most parking lots.
The LAZ pay lot directly across from HI-FI Annex (on Prospect St) offers paid parking by the hour and is the closest public parking to the venue.
Rideshare and guest drop-off should take place on the corner of Prospect St and St. Patrick St.
We advise against traveling down St. Patrick St on show days, as it can become congested one-way with traffic coming from both directions.
Bike parking is available outside the HI-FI Annex box office as well as at any of the bike racks on Virginia Ave in front of HI-FI.
What is the camera/photo policy for this venue?
The photo policy for each night is posted at the band’s discretion. This policy can change on a nightly basis. As a general rule HI-FI Annex does not allow any professional photography unless pre-approved by the band. For approved photographers, Photos permitted for the first three songs only. No flash. Media and professional photographers can contact marketing@hifiindy.com to submit a request for photo credentials.
Is there food and drink at this venue?
HI-FI Annex offers a variety of food, snacks and drinks for guests of all ages. Any guest consuming alcoholic beverages must provide a government issued ID and be 21 years of age or older.
Easy Rider Diner accepts pre-show reservations if you are looking for a sit-down meal before the show. Easy Rider Diner is our restaurant connected to HI-FI. Guests who make advance reservations will be treated to a free show poster from that nights show. Posters can be picked up in the diner by asking your server.
Snack Shack
Snack Shack is a concession stand for guests of all ages. Choose from several hot and ready food times from Easy Rider Diner including hamburgers, chicken nuggets, vegan burritos and much more. In addition, Snack Shack offers popcorn, slushies, candy, sodas and water. Snack Shack also doubles as a HI-FI merchandise store where you can pickup t-shirts, hats, hoodies, stickers and more from our venues.
Main Bar
Main Bar is located to your right when you enter the venue. It’s the largest container in the venue and serves up the largest selection of beer, wine, spirits, specialty cocktails and boozie slushies. Guests must be 21+ to enter this area.
Stage Bar
Stage Bar is located on the left when you enter the venue, and is the bar closest to the stage. This location serves a selection of beer, wine and cocktails and is the only bar in the venue that serves draft beer.
Sidestage Lounge Bar
This bar is tucked away on the end of Stage Bar, inside of our VIP area known as Sidestage Lounge. This location serves the same options you will find at Stage Bar, but in a private intimate setting.
View seating maps for this venue
The majority of HI-FI Annex shows are general admission, standing-room-only. There is a limited amount of seating upgrades available in Sidestage Lounge. Contact the box office to secure a seating upgrade for your show at boxoffice@hifiindy.com. Shows that are reserved or partially reserved seating configurations will have information or purchase options directly on the event listing.
Can I leave and re-enter the venue?
No. Re-entry is not permitted at this venue with the exception of the external smoking area.
Do you offer ADA, handicap or special needs options?
There are 2 handicapped parking spots in the lot located across Prospect St. closest to El Arado Mexican Grill. The box office handles any special needs or ADA seating requests at boxoffice@hifiindy.com.
Where is the box office located?
Getting tickets to our shows is super easy! You have a few options, depending on how you like to roll:
Online: Grab your tickets in advance from our official websites, hifiindy.com and mokbpresents.com, or through our trusted ticketing partners tixr.com and seetickets.us.
In Person: Swing by one of our three convenient box office locations around the Murphy Arts Center building and grab tickets with no service fees:
HI-FI Annex Box Office: The box office is located at the front entrance off of St. Patrick St.
Main Box Office at Virginia Ave Mercantile: Located at 1043 Virginia Ave Suite 2 (between Easy Rider and La Margarita). Open Monday through Friday from 10 am to 6 pm and Saturdays from 9 am to 5 pm.
HI-FI Box Office: Found at 1043 Virginia Ave Suite 4 (at the main entrance to HI-FI). Open only on show nights, starting 1 hour before published show times until 10 pm.
I lost something at the show. Who do I contact?
Have you misplaced something during one of our events? Don’t worry, we’re here to help reunite you with your belongings! While we can’t take responsibility for lost or stolen items, we’re committed to assisting you in any way we can.
Found items are securely stored at our Virginia Ave Mercantile & Box Office until they’re claimed. Please note that items lost during late-night events might take until the next morning to reach our lost and found. We know you might be eager to retrieve your belongings (like that phone you’re pinging outside our door at 6 am), but our team typically wraps up late-night events and may not be available until later in the morning.
For lost items, please follow the outlined process rather than popping into Easy Rider in the early hours. They’re open early, but our restaurant team is busy during weekends and can’t assist with lost items during busy service hours.
To inquire about lost items, shoot us an email at boxoffice@hifiindy.com. Mercantile hours are Monday through Friday, 10 am to 6 pm, and Saturdays from 9 am to 5 pm.
Let’s work together to get your goods back to you as quickly as possible!
What is your refund policy?
What’s Your Refund Policy for Postponed Shows?
If a show gets postponed, don’t sweat it! We’ll shoot you an email to let you know about the change, and if you’re cool with the new date, no further action is needed on your part.We’ll be working diligently to find a new date for the show, and we’ll keep you updated every step of the way. But if you can’t make it to the rescheduled gig, we’ve got your back. You’ll have a generous 30-day window following the announcement of the new date to request a refund.
For those who paid with cash at our box office, just drop us a line at boxoffice@hifiindy.com for further instructions on processing your refund.
Please bear with us as we explore rescheduling options with the tour. Your patience is much appreciated as we work to present the best possible show experience for you.
What’s the Refund Policy for Canceled Shows?
In the unfortunate event of a canceled show, don’t fret! If you purchased your tickets online, your refund will be processed automatically. Just sit tight and allow 3-5 business days for the refund to appear in your bank account.
No need to lift a finger! However, there are a few scenarios where you might need to reach out to our box office:
- If you paid cash at our box office.
- If you’ve received a new or different card since your original purchase.
- If you haven’t seen the refund in your account after 5 business days.
What Happens if a Show Gets Rescheduled?
No worries! If a show you’ve already grabbed tickets for gets rescheduled, your tickets will still be valid for the new date. We’ll shoot you an email to let you know about the change, and if you’re good to go for the new date, no further action is needed on your part.
However, if you can’t make it to the rescheduled gig, we’ve got you covered. You’ll have a generous 30 days from the announcement of the new date to request a refund. Just reach out directly to our box office to kickstart the process.
Beware of counterfeit tickets. How do I tell if my ticket is valid?
It’s crucial for all buyers to exercise caution when purchasing tickets from unauthorized sites and ticket resellers. Tixr and SeeTickets are the only two ticket vendors supported at our venues. Unfortunately, this is a widespread issue affecting venues nationwide, and true fans often find themselves at a loss. Regrettably, there’s little we can do in such situations. Since the original transaction didn’t occur through our authorized ticketing partners, we lack the necessary information to assist. It’s disheartening to witness fans being taken advantage of, especially on platforms like Craigslist, Facebook, StubHub, VividSeats, SeatGeek, and others. We are only obligated to honor valid tickets purchased through our approved channels.
Can I purchase tickets in person without fees?
Yes. HI-FI Annex box office is located at the main entrance off of St. Patrick St. The box office is open 1 hour prior to the published door time. Additionally, the new and primary box office is located two doors down from HI-FI Annex in Suite 2. This box office is open Monday through Friday 10am – 6pm for fee-free ticket purchases. HI-FI Annex accepts cash as well as all major credit cards for ticket purchases.
Do you have free WI-FI?
Yes. HI-FI Annex offers free WI-FI during all shows. Simply select the HI-FI Free WI-FI network and you are all set.
Parker Millsap
Start Time: 6:25 pm
HEALTH CHECK REQUIRED: Proof of full COVID-19 vaccination or negative COVID-19 PCR test within 72 hours or negative Antigen test with 6 hours.
Download the Bindle Mobile Health App and verify your vaccination and/or test status to expedite entry to the venue.
Holler on the Square is a festival-like series of concerts at HI-FI and HI-FI Annex spanning September 12-19, 2021. Join us for 8 days of live music with performances taking place in both venues, all week. Check out the daily schedule, full lineup and get your tickets now. All shows are individually ticketed.
Buy Tickets
ARTIST PROFILE | Parker Millsap
The fifth album from Oklahoma-bred singer/songwriter Parker Millsap, Be Here Instead emerged from a wild alchemy of instinct, ingenuity, and joyfully determined rule-breaking. In a departure from the guitar-and-notebook-based approach to songwriting that shaped his earlier work, the Nashville-based artist followed his curiosity to countless other modes of expression, experimenting with everything from piano to effects pedals to old-school drum machines (a fascination partly inspired by the early-’70s innovations of Sly Stone and J.J. Cale). As those explorations deepened and broadened his musical vision, Millsap soon arrived at a body of work touched with both unbridled imagination and lucid insight into the search for presence in a chaotic world.
Produced by John Agnello (Kurt Vile, Sonic Youth, Waxahatchee) and mainly recorded live with Millsap’s full band, Be Here Instead marks a stylistic shift from the gritty and high-energy folk of his previous output, including 2018’s acclaimed Other Arrangements and 2016’s The Very Last Day (an Americana Music Association Awards nominee for Album of the Year). With its adventurous yet immaculately detailed sonic palette, the album warps genres to glorious effect, at one point offering up what Millsap aptly refers to as a “disco-Americana showtune.” In another creative breakthrough, Be Here Instead forgoes the character-driven storytelling of his past in favor of a more introspective and endlessly revelatory form of lyricism, an element he traces back to the charmed nature of his songwriting process. “Because the lyrics were appearing seemingly out of nowhere and with no prior intent, some of them started to feel like transmissions from my subconscious, rather than the preconceived linear stories or waking thoughts of my earlier songs,” says Millsap. “They feel like words I needed to hear from myself, and not just things I wanted to say to someone else.”
On “The Real Thing”—the luminous lead single to Be Here Instead—Millsap presents a brilliant introduction to the album’s kaleidoscopic sound, merging the song’s cascading guitar lines and potent grooves with a tender statement of devotion (e.g., “I been through your roses, honey/I don’t mind the thorns”). Sparked from an experiment in open tuning and featuring guest vocals from Erin Rae, the track gracefully transforms a moment of private longing into a bit of prescient commentary. “I wrote ‘The Real Thing’ when I was touring and missing my wife, and hating how being on FaceTime doesn’t feel anything like being in the same room,” says Millsap. “But then as 2020 happened, the lyrics grew new teeth—now it’s much more of a reflection of how hard it is to experience any spontaneous interaction when everything happens on livestreams and Zoom.”
In its candid meditation on the intricacies of connection, Be Here Instead also delivers standouts like “Vulnerable,” a lushly textured piece of psychedelic soul threaded with elegantly simple wisdom. “I wrote that one when I was newly married,” says Millsap. “Something about standing in front of a room of people and saying ‘This is the one’ gave everything an extra weight, and made me think about how I’m still learning to openly communicate what I’m feeling. Because if you hold back instead of just being honest, eventually it’s going to come out in some other way. So the best practice is just to be vulnerable—it’s never really worth it to try to be tough.”
Another track demonstrating the sheer power of Millsap’s artistic impulse, “Dammit” began as a complex and slow-paced ballad, then evolved into a kinetic two-chord anthem (thanks in part to a failed attempt at creating a U2-like number, as per Agnello’s suggestion). One of the album’s most majestic moments, “Dammit” unfolds as an unlikely epic that perfectly captures the nuances of existential frustration (“It’s hard to be a dancer, baby, when you’re living in your head”) while working up a furious momentum that’s nothing less than exhilarating.
Although Be Here Instead often finds Millsap wandering into new terrain, the album remains firmly grounded in the sophisticated musicianship he began honing as a kid growing up in the small town of Purcell. Raised on Texas singer/songwriters like Townes Van Zandt, he started writing songs on acoustic guitar in his early teens, then made his debut at the age of 19 with the 2012 album Palisade. With his self-titled sophomore effort arriving in 2014, Millsap released both The Very Last Day and Other Arrangements to widespread praise, with famed rock critic Ann Powers dubbing him a “star in the making” and Rolling Stone stating that the latter album “mingle[s] the sacred and profane to rollicking effect.” Through the years, he’s also made his name as a captivating live act, opening for the likes of Jason Isbell, Patty Griffin, and Lucinda Williams and taking the stage at major festivals like Bonnaroo, Austin City Limits, and Newport Folk Fest. And in a particularly memorable turn of events, Millsap joined singer/songwriter Sarah Jarosz for a 2016 show in Atlanta and drew raves from none other than Sir Elton John, who hailed the performance as “one of the best concerts I have ever seen” and noted that the night “restored my faith in music.”
In looking back on the making of Be Here Instead, Millsap points out that his recently discovered love of painting also informed the free-flowing creativity he brought to the album. “My wife’s grandfather was an artist who did watercolor paintings, and a few years ago I decided I wanted to try it,” he says. “I very quickly found out that watercolors are really hard to work with: you have to embrace your mistakes, and then let them guide you along. It’s made me think about how when you mess up, you’re basically revealing your humanity, which is what music’s all about. When I listen to records, I love when Ray Charles’s voice cracks, or when you hear the squeaking of the kick-drum pedal on a Led Zeppelin song. Anything that shows the living, breathing quality of the whole thing—that’s always wonderful. That’s what we’re here for. So don’t be afraid to let it happen.”
READ MORE >>Supporting Acts
About the Venue
Upgrades: The Sidestage Lounge VIP access offers a premium exclusive viewing location with an up-close and personal view of the stage. It features a private bar, a comfortable seating area, as well as dedicated outdoor restrooms. Click here to reserve your spot in Sidestage Lounge.
Ticket Support: Box Office opens 1 hour before published door time. For ticket related questions please email boxoffice@hifiindy.com.
Parking: Street Parking, Bike Parking