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Monday Sep 20

Shakey Graves

$32 - $35
HI-FI Annex
Indianapolis, IN
Sep 20
Monday
6:00 PM
Doors Open
New DateHealth Check: Vax or TestBuy Tickets

More about this event

HEALTH CHECK REQUIRED: Proof of full COVID-19 vaccination or negative COVID-19 PCR test within 72 hours or negative Antigen test with 6 hours.

Download the Bindle Mobile Health App and verify your vaccination and/or test status to expedite entry to the venue.

Holler on the Square is a festival-like series of concerts at HI-FI and HI-FI Annex spanning September 12-19, 2021. Join us for 8 days of live music with performances taking place in both venues, all week. Check out the daily schedule, full lineup and get your tickets now. All shows are individually ticketed.
Learn More About This Show
Add to Calendar 09/20/2021 06:00 PM09/20/2021 10:00 PMShakey GravesMore Information: https://mokbpresents.com/event/shakey-graves/HI-FI Annex
Jump to Venue Details

ARTIST PROFILE | Shakey Graves

Americana/FolkCountry

The prehistory of Shakey Graves exists in two overstuffed folders. Inside them, artifacts document an immense era of anonymous DIY creativity, from 2007 through 2010 -- the three years before Roll The Bones came out and changed his life.

There are stencils, lyrics, drawings, prototypes for concert posters, and even a zine. The latter, which Graves -- aka Alejandro Rose-Garcia -- wrote and illustrated, tells the tale of a once-courageous, now retired mouse who must journey to the moon to save his sweetheart. At the time, he envisioned the photocopied storybook as a potential vessel for releasing his music.

"There was a lot of conceptualizing going on -- trying to figure out what I wanted stuff to look like, sound like, and be like," Rose-Garcia recalls, shuffling through the physical files on his second-story deck in South Austin. "And, honestly, a lot of trying to keep myself from going crazy."

In this lode of unreleased ephemera, CD-Rs are the most bountiful element. There are dozens of burned discs with widely varying track lists, loosely resembling what would become the Austin native's 2011 breakout debut Roll the Bones. For Rose-Garcia, who's long loved the incongruous art form of sequencing strange mixtapes for friends, his own record was subject to change every time he burned a disc for somebody. Consistency didn't matter, he asserts, because there was no demand or expectations.

Thus Roll the Bones was by no means a Big Bang creation story, rather a years long process of metamorphosis where literally hundreds of tracks were winnowed down into ten. As the album took shape, he began manufacturing one-off editions of the CD, stapled to self-destruct in brown paper, with black and white photographs glued upon them, and an ink pen marking of the artist's enduring logo: a skull struck by an arrow.

"I liked that if they were opened, you couldn't close them again," he smiles. "Sometimes I'd spray paint the CD so they looked good and people would stick them in their car stereo and it would fuse in and never come out. They'd tell me, 'You're lucky I like this record because it's the last one I'll ever be able to listen to in my car.'"

In the shadows self-doubt that surrounds any artists first record, Rose-Garcia had a fantasy: he releases Roll the Bones, only ten people hear it, it's rediscovered a decade later by Numero Group, hailed as before-its-time, and finds an audience as a lost treasure. He still plays that scenario through his mind like an alternative reality.

Of course, that's far from what actually materialized. Roll the Bones was released on the first day of 2011 without a lick of promotion advancing it. It was simply thrust into the world as a decapod of perplexingly memorable, narrative-wrapped songs with a mysterious cover and no information about the artist... only available on the relatively new platform of Bandcamp.

That year, an editor at Bandcamp made it a featured album for a month and from there it stayed in the website's top selling folk albums evermore. The record has since seen well over 100,000 units sold -- even while being available for free download. In the "Supported By" section of the Roll the Bones Bandcamp page, you can endlessly click "more" and squares of avatars will keep showing up until you grow tired and stop.

"If you discover something for yourself, it will always hold more water because it's tied to memory and coincidence," Rose-Garcia reasons as to why he never pushed Roll the Bones onto a wider marketplace. "It gives you a sense of ownership as a listener."

Now fans can obtain Roll the Bones as their own physical artifact. Through Dualtone Records, Shakey Graves will release a Ten Year Special Edition double LP with a black and gold foil re-arting of the taxidermied cow head cover. Separate iterations, hitting record collections on April 2, offer the 180g vinyl in a black and gold combination or two marbled "galaxy gold" discs. The lovingly assembled packaging includes handwritten deep explanations of every song, offset with original photography.

Along with its deluxe vinyl emergence, Roll the Bones today becomes available through all digital service providers -- Spotify, Apple Music, YouTube, et all. For the last decade, the songs have lived exclusively on Bandcamp. This full-spectrum digital release arrives concurrent with Shakey Graves Day, which was minted on February 9, 2012 by Austin Mayor Steve Adler. Year one, Rose-Garcia spent what he calls his "alter ego's birthday," as an excuse to go play laser tag. Ever since, he's used it as an occasion to stage intimate pop-up shows and open up the attics of his discography -- making all of his albums, plus hundreds of unheard songs temporarily available for free.

"I've used Shakey Graves Day as a challenge to myself," he assesses. "I make so many random songs throughout the year that I either forget about or I'm too nervous to put on an album and it becomes a clearinghouse for that. It surprises me when people tell me that something released that day is their favorite of my stuff. In a larger sense, it builds off what I initially did with Roll the Bones - which is give it away for free."

Accompanying Roll the Bones anniversary pressing are 15 additional tracks comprising an Odds + Ends LP, which stands as an essential document of Grave's early era. Highlights include the mandolin imbued "Chinatown," which sounds like it could be dubbed off a 1930's silver screen soundtrack, and "Saving Face" -- a seminal version of what would become Roll the Bones title cut. The crown jewel, however, may be a the first ever proper recording of the trifling love song "Late July," a version that's drastically different than the live rendition that's racked 14 million views on YouTube.

Prepping Roll the Bones thoughtful 2021 edition gave Rose-Garcia an opportunity to take a new look at the person.

"I hear someone who felt really trapped," he reveals. "In a lot of ways it was a breakup record. My first serious relationship had fallen apart and I was wanting to break up with my life -- run away, be transient, and figure out who I was in the world. I can hear myself blaming the girl and trying to support myself, like maybe it's okay to be dirty and crazy and have blinders on. Then, at the end, everything's zooming back in and I'm saying 'I guess I just got hurt and I'm in a bit of pain and, you know, it's going to be okay.'"

Claiming he's "further confused" listeners with each release, Rose-Garcia believes this purge of early output will provide some needed framing for his discography. It's his genesis story, before he had the studio time to make the shiny And the War Came or the full-band cohesion to make the painstakingly dense Can't Wake Up. To him, it's a scrappy effort, but the most intentional work he's ever produced -- and, a decade later, he wouldn't change a thing.

"It's a record that sounds like my years of exploration and influence, funneled through my abilities at the time -- and it all became something bigger," he muses. "If you would've offered to me: 'Let's do exactly what you want, right now" Roll the Bones wouldn't have come out like this... and I'm happy that's the case. Total control is an unhealthy myth, it leaves out the emotional side of how all the accidents come together. This record's a period of time smashed into a single product and, in my own heart, it's a moral compass: to always get back to feeling like this about the songs I make."

CONNECT:

Supporting Acts

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About HI-FI Annex | Indianapolis, IN

HI-FI Annex is an open-air ALL AGES venue located in the back parking lot of The Murphy Arts Center. The main entrance to the venue is located on St. Patrick Street across from the church.  All shows end by 10:00 pm.

Box Office: 317-986-7101
Main: 317-986-7101

Getting Around the Venue

1065 St. Patrick St,
Indianapolis, IN 46203
Hours: Mon. thru Fri. 10 a.m. to 6 p.m.
Doors: 1 hour before doors

Frequently Asked Questions About HI-FI Annex | Indianapolis, IN

What are the age restrictions at this venue?

HI-FI Annex shows are always all ages, with a handful of exceptions when a 21+ restriction is in place. Bring the whole family!

Check the individual show listings at hifiindy.com to view if there are age restrictions for your show.

HI-FI Annex requires a valid ID for admission. For guests who will be consuming alcoholic beverages, a valid state or government issues ID is required. Eveyone will be carded during check-in. Expired and temporary ID’s are not accepted.

Can I upgrade my to VIP seating?

HI-FI Annex seating consists of picnic tables that seat up to six. This seating area is nestled in front of our Main Bar, with easy access for guests – perfect for grabbing a bucket of beer and sharing with the table! Seating is $100, flat, in addition to your general admission ticket(s). These tables are sold on a first come, first served basis.

What items are permitted or prohibited at this venue?

PERMITTED ITEMS:

Lawn chairs (select shows only) – Check show listing for updates
Small Purse / Fanny Pack – subject to security inspection
To-go food from local restaurants
(1) factory sealed bottle of water
A warm heart & smiles

NON-PERMITTED ITEMS

No outside beverages
No weapons of any kind
No drugs or illegal substances
No coolers
No glass
No smoking or vaping in venue, designated smoking area outside venue
No backpacks
No pets
No bad attitudes

Can I bring a bag into the show?

Yes! You are allowed to bring a small purse or fanny pack, but it may be subject to security inspection.

What’s the parking situation like?

There is free street parking all around the building and on the side streets. The day of the week and the popularity of the show will impact how easy it will be to park. If you are biking in, HI-FI Annex offers bike parking in front of the building which sits directly on the Indianapolis Cultural Trail.

What is the camera/photo policy for this venue?

The photo policy for each night is posted at the band’s discretion. This policy can change on a nightly basis. As a general rule HI-FI Annex does not allow any professional photography unless pre-approved by the band. For approved photographers, Photos permitted for the first three songs only. No flash. Media and professional photographers can contact marketing@hifiindy.com to submit a request for photo credentials.

Is there food and drink at this venue?

Yes, HI-FI Annex has a bar and snack station.

View seating maps for this venue

The majority of HI-FI Annex shows are general admission, standing-room-only. There is a limited amount of seating upgrades available on the VIP deck. Contact the box office to secure a seating upgrade for your show at boxoffice@hifiindy.com. Shows that are reserved or partially reserved seating configurations will have information or purchase options directly on the event listing.

Can I leave and re-enter the venue?

No. Re-entry is not permitted at this venue with the exception of the external smoking area.

Do you offer ADA, handicap or special needs options?

There are 2 handicapped parking spots in the lot located across Prospect St. closest to El Arado Mexican Grill. The box office handles any special needs or ADA seating requests at boxoffice@hifiindy.com.

Where is the box office located?

The box office is located at the front entrance off of St. Patrick St.

I lost something at the show. Who do I contact?

To inquire about lost items including credit cards, clothing, phones, wallets, etc, contact boxoffice@hifiindy.com. Found items are available for pickup in our office (Suite 2) Monday-Friday 10:00 a.m. to 6:00 p.m.

What is your refund policy?

If a show is postponed, ticket holders will be notified of the change via email, and no other action is needed if you would like to keep your tickets. HI-FI Annex will work to find a new date for the show and provide updates as they become available. If you are unable to attend the rescheduled date, refunds will be offered at point of purchase for 30 days following the rescheduled date. If you paid with cash at the box office for your tickets, you will need to contact boxoffice@hifiindy.com for further instructions to process your refund.

Tickets purchased online will be automatically refunded in the event of a cancelled show. Please allow 3-5 business days for the refund to post to your bank. No action is required and you should only need to contact the box office if you 1.) paid cash at our box office, 2.) have received a new/different card than the one you originally purchased with, or 3.) if you do not see the refund in your account after 5 business days.

Beware of counterfeit tickets. How do I tell if my ticket is valid?

All buyers should be aware when purchasing tickets through non-authorized sites and ticket resellers. There have been multiple instances of fans being taken advantage of on Craig’s List, Facebook, StubHub, and other online sites. HI-FI Annex is only required to honor valid tickets. Tickets for HI-FI Annex are only available on See Tickets. In the event a show sells out, you can join the waitlist via the official See Tickets link, which will notify you if any tickets become available. When in doubt, you can always reach out to our box office at boxoffice@hifiindy.com.

Can I purchase tickets in person without fees?

Yes. HI-FI Annex box office is located at the main entrance off of St. Patrick St. The box office is open 1 hour prior to the published door time. Additionally, the new and primary box office is located two doors down from HI-FI Annex in Suite 2. This box office is open Monday through Friday 10am – 6pm for fee-free ticket purchases. HI-FI Annex accepts cash as well as all major credit cards for ticket purchases.

Do you have free WI-FI?

Yes. HI-FI Annex offers free WI-FI during all shows. Simply select the HI-FI Free WI-FI network and you are all set.

New DateHealth Check: Vax or Test
Sep 20

Shakey Graves

HI-FI Annex
$32 - $35
Presented By: Sun King Brewery, MOKB Presents
Doors: 6:00 PM
Start Time: 7:00 pm

HEALTH CHECK REQUIRED: Proof of full COVID-19 vaccination or negative COVID-19 PCR test within 72 hours or negative Antigen test with 6 hours.

Download the Bindle Mobile Health App and verify your vaccination and/or test status to expedite entry to the venue.

Holler on the Square is a festival-like series of concerts at HI-FI and HI-FI Annex spanning September 12-19, 2021. Join us for 8 days of live music with performances taking place in both venues, all week. Check out the daily schedule, full lineup and get your tickets now. All shows are individually ticketed.
Learn More About This Show
Add to Calendar 09/20/2021 06:00 PM09/20/2021 10:00 PMShakey GravesMore Information: https://mokbpresents.com/event/shakey-graves/HI-FI Annex

Buy Tickets

ARTIST PROFILE | Shakey Graves

Americana/FolkCountry

The prehistory of Shakey Graves exists in two overstuffed folders. Inside them, artifacts document an immense era of anonymous DIY creativity, from 2007 through 2010 -- the three years before Roll The Bones came out and changed his life.

There are stencils, lyrics, drawings, prototypes for concert posters, and even a zine. The latter, which Graves -- aka Alejandro Rose-Garcia -- wrote and illustrated, tells the tale of a once-courageous, now retired mouse who must journey to the moon to save his sweetheart. At the time, he envisioned the photocopied storybook as a potential vessel for releasing his music.

"There was a lot of conceptualizing going on -- trying to figure out what I wanted stuff to look like, sound like, and be like," Rose-Garcia recalls, shuffling through the physical files on his second-story deck in South Austin. "And, honestly, a lot of trying to keep myself from going crazy."

In this lode of unreleased ephemera, CD-Rs are the most bountiful element. There are dozens of burned discs with widely varying track lists, loosely resembling what would become the Austin native's 2011 breakout debut Roll the Bones. For Rose-Garcia, who's long loved the incongruous art form of sequencing strange mixtapes for friends, his own record was subject to change every time he burned a disc for somebody. Consistency didn't matter, he asserts, because there was no demand or expectations.

Thus Roll the Bones was by no means a Big Bang creation story, rather a years long process of metamorphosis where literally hundreds of tracks were winnowed down into ten. As the album took shape, he began manufacturing one-off editions of the CD, stapled to self-destruct in brown paper, with black and white photographs glued upon them, and an ink pen marking of the artist's enduring logo: a skull struck by an arrow.

"I liked that if they were opened, you couldn't close them again," he smiles. "Sometimes I'd spray paint the CD so they looked good and people would stick them in their car stereo and it would fuse in and never come out. They'd tell me, 'You're lucky I like this record because it's the last one I'll ever be able to listen to in my car.'"

In the shadows self-doubt that surrounds any artists first record, Rose-Garcia had a fantasy: he releases Roll the Bones, only ten people hear it, it's rediscovered a decade later by Numero Group, hailed as before-its-time, and finds an audience as a lost treasure. He still plays that scenario through his mind like an alternative reality.

Of course, that's far from what actually materialized. Roll the Bones was released on the first day of 2011 without a lick of promotion advancing it. It was simply thrust into the world as a decapod of perplexingly memorable, narrative-wrapped songs with a mysterious cover and no information about the artist... only available on the relatively new platform of Bandcamp.

That year, an editor at Bandcamp made it a featured album for a month and from there it stayed in the website's top selling folk albums evermore. The record has since seen well over 100,000 units sold -- even while being available for free download. In the "Supported By" section of the Roll the Bones Bandcamp page, you can endlessly click "more" and squares of avatars will keep showing up until you grow tired and stop.

"If you discover something for yourself, it will always hold more water because it's tied to memory and coincidence," Rose-Garcia reasons as to why he never pushed Roll the Bones onto a wider marketplace. "It gives you a sense of ownership as a listener."

Now fans can obtain Roll the Bones as their own physical artifact. Through Dualtone Records, Shakey Graves will release a Ten Year Special Edition double LP with a black and gold foil re-arting of the taxidermied cow head cover. Separate iterations, hitting record collections on April 2, offer the 180g vinyl in a black and gold combination or two marbled "galaxy gold" discs. The lovingly assembled packaging includes handwritten deep explanations of every song, offset with original photography.

Along with its deluxe vinyl emergence, Roll the Bones today becomes available through all digital service providers -- Spotify, Apple Music, YouTube, et all. For the last decade, the songs have lived exclusively on Bandcamp. This full-spectrum digital release arrives concurrent with Shakey Graves Day, which was minted on February 9, 2012 by Austin Mayor Steve Adler. Year one, Rose-Garcia spent what he calls his "alter ego's birthday," as an excuse to go play laser tag. Ever since, he's used it as an occasion to stage intimate pop-up shows and open up the attics of his discography -- making all of his albums, plus hundreds of unheard songs temporarily available for free.

"I've used Shakey Graves Day as a challenge to myself," he assesses. "I make so many random songs throughout the year that I either forget about or I'm too nervous to put on an album and it becomes a clearinghouse for that. It surprises me when people tell me that something released that day is their favorite of my stuff. In a larger sense, it builds off what I initially did with Roll the Bones - which is give it away for free."

Accompanying Roll the Bones anniversary pressing are 15 additional tracks comprising an Odds + Ends LP, which stands as an essential document of Grave's early era. Highlights include the mandolin imbued "Chinatown," which sounds like it could be dubbed off a 1930's silver screen soundtrack, and "Saving Face" -- a seminal version of what would become Roll the Bones title cut. The crown jewel, however, may be a the first ever proper recording of the trifling love song "Late July," a version that's drastically different than the live rendition that's racked 14 million views on YouTube.

Prepping Roll the Bones thoughtful 2021 edition gave Rose-Garcia an opportunity to take a new look at the person.

"I hear someone who felt really trapped," he reveals. "In a lot of ways it was a breakup record. My first serious relationship had fallen apart and I was wanting to break up with my life -- run away, be transient, and figure out who I was in the world. I can hear myself blaming the girl and trying to support myself, like maybe it's okay to be dirty and crazy and have blinders on. Then, at the end, everything's zooming back in and I'm saying 'I guess I just got hurt and I'm in a bit of pain and, you know, it's going to be okay.'"

Claiming he's "further confused" listeners with each release, Rose-Garcia believes this purge of early output will provide some needed framing for his discography. It's his genesis story, before he had the studio time to make the shiny And the War Came or the full-band cohesion to make the painstakingly dense Can't Wake Up. To him, it's a scrappy effort, but the most intentional work he's ever produced -- and, a decade later, he wouldn't change a thing.

"It's a record that sounds like my years of exploration and influence, funneled through my abilities at the time -- and it all became something bigger," he muses. "If you would've offered to me: 'Let's do exactly what you want, right now" Roll the Bones wouldn't have come out like this... and I'm happy that's the case. Total control is an unhealthy myth, it leaves out the emotional side of how all the accidents come together. This record's a period of time smashed into a single product and, in my own heart, it's a moral compass: to always get back to feeling like this about the songs I make."

CONNECT:

Supporting Acts

About the Venue

HI-FI Annex is an open-air ALL AGES venue located in the back parking lot of The Murphy Arts Center. The main entrance to the venue is located on St. Patrick Street across from the church.  All shows end by 10:00 pm.
Amenities: Live Music, Outdoors, All Ages (Children 5 & under free w/ adult), Premium Sound, Limited Picnic Table Seating, Full Bar, Snack Bar, Street-Level Box Office

Upgrades: A limited amount of VIP seating upgrades are available for select shows.  Contact the box office to purchase or check availability: boxoffice@hifiindy.com.

Ticket Support: Box Office opens 1 hour before published door time. For ticket related questions please email boxoffice@hifiindy.com.

Parking: Street Parking, Bike Parking
Refund Policy: All tickets are non-transferable and non-refundable unless the show is canceled.  Shows affected by Covid-19 pandemic will be handled on a case-by-case basis. Contact the box office with any questions: boxoffice@hifiindy.com.
1065 St. Patrick St Indianapolis, IN 46203

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