Shakey Graves
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Download the Bindle Mobile Health App and verify your vaccination and/or test status to expedite entry to the venue.
Holler on the Square is a festival-like series of concerts at HI-FI and HI-FI Annex spanning September 12-19, 2021. Join us for 8 days of live music with performances taking place in both venues, all week. Check out the daily schedule, full lineup and get your tickets now. All shows are individually ticketed.
ARTIST PROFILE | Shakey Graves
The prehistory of Shakey Graves exists in two overstuffed folders. Inside them, artifacts document an immense era of anonymous DIY creativity, from 2007 through 2010 -- the three years before Roll The Bones came out and changed his life.
There are stencils, lyrics, drawings, prototypes for concert posters, and even a zine. The latter, which Graves -- aka Alejandro Rose-Garcia -- wrote and illustrated, tells the tale of a once-courageous, now retired mouse who must journey to the moon to save his sweetheart. At the time, he envisioned the photocopied storybook as a potential vessel for releasing his music.
"There was a lot of conceptualizing going on -- trying to figure out what I wanted stuff to look like, sound like, and be like," Rose-Garcia recalls, shuffling through the physical files on his second-story deck in South Austin. "And, honestly, a lot of trying to keep myself from going crazy."
In this lode of unreleased ephemera, CD-Rs are the most bountiful element. There are dozens of burned discs with widely varying track lists, loosely resembling what would become the Austin native's 2011 breakout debut Roll the Bones. For Rose-Garcia, who's long loved the incongruous art form of sequencing strange mixtapes for friends, his own record was subject to change every time he burned a disc for somebody. Consistency didn't matter, he asserts, because there was no demand or expectations.
Thus Roll the Bones was by no means a Big Bang creation story, rather a years long process of metamorphosis where literally hundreds of tracks were winnowed down into ten. As the album took shape, he began manufacturing one-off editions of the CD, stapled to self-destruct in brown paper, with black and white photographs glued upon them, and an ink pen marking of the artist's enduring logo: a skull struck by an arrow.
"I liked that if they were opened, you couldn't close them again," he smiles. "Sometimes I'd spray paint the CD so they looked good and people would stick them in their car stereo and it would fuse in and never come out. They'd tell me, 'You're lucky I like this record because it's the last one I'll ever be able to listen to in my car.'"
In the shadows self-doubt that surrounds any artists first record, Rose-Garcia had a fantasy: he releases Roll the Bones, only ten people hear it, it's rediscovered a decade later by Numero Group, hailed as before-its-time, and finds an audience as a lost treasure. He still plays that scenario through his mind like an alternative reality.
Of course, that's far from what actually materialized. Roll the Bones was released on the first day of 2011 without a lick of promotion advancing it. It was simply thrust into the world as a decapod of perplexingly memorable, narrative-wrapped songs with a mysterious cover and no information about the artist... only available on the relatively new platform of Bandcamp.
That year, an editor at Bandcamp made it a featured album for a month and from there it stayed in the website's top selling folk albums evermore. The record has since seen well over 100,000 units sold -- even while being available for free download. In the "Supported By" section of the Roll the Bones Bandcamp page, you can endlessly click "more" and squares of avatars will keep showing up until you grow tired and stop.
"If you discover something for yourself, it will always hold more water because it's tied to memory and coincidence," Rose-Garcia reasons as to why he never pushed Roll the Bones onto a wider marketplace. "It gives you a sense of ownership as a listener."
Now fans can obtain Roll the Bones as their own physical artifact. Through Dualtone Records, Shakey Graves will release a Ten Year Special Edition double LP with a black and gold foil re-arting of the taxidermied cow head cover. Separate iterations, hitting record collections on April 2, offer the 180g vinyl in a black and gold combination or two marbled "galaxy gold" discs. The lovingly assembled packaging includes handwritten deep explanations of every song, offset with original photography.
Along with its deluxe vinyl emergence, Roll the Bones today becomes available through all digital service providers -- Spotify, Apple Music, YouTube, et all. For the last decade, the songs have lived exclusively on Bandcamp. This full-spectrum digital release arrives concurrent with Shakey Graves Day, which was minted on February 9, 2012 by Austin Mayor Steve Adler. Year one, Rose-Garcia spent what he calls his "alter ego's birthday," as an excuse to go play laser tag. Ever since, he's used it as an occasion to stage intimate pop-up shows and open up the attics of his discography -- making all of his albums, plus hundreds of unheard songs temporarily available for free.
"I've used Shakey Graves Day as a challenge to myself," he assesses. "I make so many random songs throughout the year that I either forget about or I'm too nervous to put on an album and it becomes a clearinghouse for that. It surprises me when people tell me that something released that day is their favorite of my stuff. In a larger sense, it builds off what I initially did with Roll the Bones - which is give it away for free."
Accompanying Roll the Bones anniversary pressing are 15 additional tracks comprising an Odds + Ends LP, which stands as an essential document of Grave's early era. Highlights include the mandolin imbued "Chinatown," which sounds like it could be dubbed off a 1930's silver screen soundtrack, and "Saving Face" -- a seminal version of what would become Roll the Bones title cut. The crown jewel, however, may be a the first ever proper recording of the trifling love song "Late July," a version that's drastically different than the live rendition that's racked 14 million views on YouTube.
Prepping Roll the Bones thoughtful 2021 edition gave Rose-Garcia an opportunity to take a new look at the person.
"I hear someone who felt really trapped," he reveals. "In a lot of ways it was a breakup record. My first serious relationship had fallen apart and I was wanting to break up with my life -- run away, be transient, and figure out who I was in the world. I can hear myself blaming the girl and trying to support myself, like maybe it's okay to be dirty and crazy and have blinders on. Then, at the end, everything's zooming back in and I'm saying 'I guess I just got hurt and I'm in a bit of pain and, you know, it's going to be okay.'"
Claiming he's "further confused" listeners with each release, Rose-Garcia believes this purge of early output will provide some needed framing for his discography. It's his genesis story, before he had the studio time to make the shiny And the War Came or the full-band cohesion to make the painstakingly dense Can't Wake Up. To him, it's a scrappy effort, but the most intentional work he's ever produced -- and, a decade later, he wouldn't change a thing.
"It's a record that sounds like my years of exploration and influence, funneled through my abilities at the time -- and it all became something bigger," he muses. "If you would've offered to me: 'Let's do exactly what you want, right now" Roll the Bones wouldn't have come out like this... and I'm happy that's the case. Total control is an unhealthy myth, it leaves out the emotional side of how all the accidents come together. This record's a period of time smashed into a single product and, in my own heart, it's a moral compass: to always get back to feeling like this about the songs I make."
Supporting Acts
SHOW BY SIMILAR ARTISTS
About HI-FI Annex | Indianapolis, IN
HI-FI Annex is an open-air ALL AGES venue located in the back parking lot of The Murphy Arts Center. The main entrance to the venue is located on St. Patrick Street across from the church. All shows end by 10 pm.
Getting Around the Venue
Frequently Asked Questions About HI-FI Annex | Indianapolis, IN
What are the age restrictions at this venue?
HI-FI Annex shows are always all ages, with a handful of exceptions when a 21+ restriction is in place. Bring the whole family!
Check the individual show listings at hifiindy.com to view if there are age restrictions for your show.
HI-FI Annex requires a valid ID for admission. For guests who will be consuming alcoholic beverages, a valid state or government issues ID is required. Everyone will be carded during check-in. Expired and temporary ID’s are not accepted.
Can I upgrade my to VIP seating?
The Sidestage Lounge VIP access offers a premium exclusive viewing location with an up-close and personal view of the stage. It features a private bar with a full selection of cocktails, beer, and wine. While the Sidestage Lounge is an all-ages area, you must be 21+ with a valid ID to visit the bar. Additionally, it provides a comfortable seating area with tables and couches, as well as dedicated outdoor restrooms for your convenience. Click here to reserve your spot in the Sidestage Lounge.
What items are permitted or prohibited at this venue?
Our security staff performs a thorough screening of all bodies, purses and bags entering the venue. All guests will go through security screening to ensure no weapons or non-permitted items enter the venue. Screening may include metal detection and/or wanding.
Permitted and restricted items may vary by show. Below is a general list of permitted and non-permitted items and activities. Ticket buyers will receive information prior to the show with any updates.
Permitted Items
- Small purse/fanny pack/diaper bag – subject to security inspection
- Umbrellas – small, handheld only
- Strollers
- To-go food from local restaurants
- (1) factory sealed bottle of water or (1) empty, refillable water bottle
- A warm heart & smiles
- Lawn chairs & blankets are only permitted for a select few shows and in designated areas
Non-Permitted Items
For safety reasons, guests are refused entry if they are in possession of prohibited items. Illegal items will be confiscated. If a guest is found inside the venue with a prohibited item, the item will be confiscated and the guest may be ejected from the facility. HI-FI reserves the right to prohibit any item, including items not listed here, from entering the premises if deemed hazardous or disruptive to the event.
- No weapons of any kind: including firearms (with or without permit), knives, multi-tools
- Pepper spray/mace
- Fireworks or flares
- No outside beverages or coolers
- No oversized bags (larger than 12″ x 12″) including backpacks, duffle bags, camelbacks, briefcases luggage etc.
- No drugs or illegal substances
- No laser pointers
- No glass
- No smoking or vaping in venue, designated smoking area outside venue
- No pets or animals – with the exception of documented service animals
- No removable lens cameras or flash photography, tripods, monopods, selfie sticks – unless pre-approved by Event Manager
- No audio or video recording devices – unless pre-approved by Event Manager
- Skateboards, hoverboards, rollerblades, bicycles, scooters – bike parking available outside the venue
- Signs large than 11″ x 17″ or any sign attached to a stick
- Hula hoops, spray paint, silly string
Can I bring a bag into the show?
Yes! You are allowed to bring a small purse or fanny pack, but it may be subject to security inspection.
What’s the parking situation like?
Depending on the day and time, finding a spot can be tricky. On busy show days we advise arriving early to ensure you get a good spot.
Parking is free on all of the surrounding streets in Fountain Square and most parking lots.
The LAZ pay lot directly across from HI-FI Annex (on Prospect St) offers paid parking by the hour and is the closest public parking to the venue.
Rideshare and guest drop-off should take place on the corner of Prospect St and St. Patrick St.
We advise against traveling down St. Patrick St on show days, as it can become congested one-way with traffic coming from both directions.
Bike parking is available outside the HI-FI Annex box office as well as at any of the bike racks on Virginia Ave in front of HI-FI.
What is the camera/photo policy for this venue?
The photo policy for each night is posted at the band’s discretion. This policy can change on a nightly basis. As a general rule HI-FI Annex does not allow any professional photography unless pre-approved by the band. For approved photographers, Photos permitted for the first three songs only. No flash. Media and professional photographers can contact marketing@hifiindy.com to submit a request for photo credentials.
Is there food and drink at this venue?
HI-FI Annex offers a variety of food, snacks and drinks for guests of all ages. Any guest consuming alcoholic beverages must provide a government issued ID and be 21 years of age or older.
Easy Rider Diner accepts pre-show reservations if you are looking for a sit-down meal before the show. Easy Rider Diner is our restaurant connected to HI-FI. Guests who make advance reservations will be treated to a free show poster from that nights show. Posters can be picked up in the diner by asking your server.
Snack Shack
Snack Shack is a concession stand for guests of all ages. Choose from several hot and ready food times from Easy Rider Diner including hamburgers, chicken nuggets, vegan burritos and much more. In addition, Snack Shack offers popcorn, slushies, candy, sodas and water. Snack Shack also doubles as a HI-FI merchandise store where you can pickup t-shirts, hats, hoodies, stickers and more from our venues.
Main Bar
Main Bar is located to your right when you enter the venue. It’s the largest container in the venue and serves up the largest selection of beer, wine, spirits, specialty cocktails and boozie slushies. Guests must be 21+ to enter this area.
Stage Bar
Stage Bar is located on the left when you enter the venue, and is the bar closest to the stage. This location serves a selection of beer, wine and cocktails and is the only bar in the venue that serves draft beer.
Sidestage Lounge Bar
This bar is tucked away on the end of Stage Bar, inside of our VIP area known as Sidestage Lounge. This location serves the same options you will find at Stage Bar, but in a private intimate setting.
View seating maps for this venue
The majority of HI-FI Annex shows are general admission, standing-room-only. There is a limited amount of seating upgrades available in Sidestage Lounge. Contact the box office to secure a seating upgrade for your show at boxoffice@hifiindy.com. Shows that are reserved or partially reserved seating configurations will have information or purchase options directly on the event listing.
Can I leave and re-enter the venue?
No. Re-entry is not permitted at this venue with the exception of the external smoking area.
Do you offer ADA, handicap or special needs options?
There are 2 handicapped parking spots in the lot located across Prospect St. closest to El Arado Mexican Grill. The box office handles any special needs or ADA seating requests at boxoffice@hifiindy.com.
Where is the box office located?
Getting tickets to our shows is super easy! You have a few options, depending on how you like to roll:
Online: Grab your tickets in advance from our official websites, hifiindy.com and mokbpresents.com, or through our trusted ticketing partners tixr.com and seetickets.us.
In Person: Swing by one of our three convenient box office locations around the Murphy Arts Center building and grab tickets with no service fees:
HI-FI Annex Box Office: The box office is located at the front entrance off of St. Patrick St.
Main Box Office at Virginia Ave Mercantile: Located at 1043 Virginia Ave Suite 2 (between Easy Rider and La Margarita). Open Monday through Friday from 10 am to 6 pm and Saturdays from 9 am to 5 pm.
HI-FI Box Office: Found at 1043 Virginia Ave Suite 4 (at the main entrance to HI-FI). Open only on show nights, starting 1 hour before published show times until 10 pm.
I lost something at the show. Who do I contact?
Have you misplaced something during one of our events? Don’t worry, we’re here to help reunite you with your belongings! While we can’t take responsibility for lost or stolen items, we’re committed to assisting you in any way we can.
Found items are securely stored at our Virginia Ave Mercantile & Box Office until they’re claimed. Please note that items lost during late-night events might take until the next morning to reach our lost and found. We know you might be eager to retrieve your belongings (like that phone you’re pinging outside our door at 6 am), but our team typically wraps up late-night events and may not be available until later in the morning.
For lost items, please follow the outlined process rather than popping into Easy Rider in the early hours. They’re open early, but our restaurant team is busy during weekends and can’t assist with lost items during busy service hours.
To inquire about lost items, shoot us an email at boxoffice@hifiindy.com. Mercantile hours are Monday through Friday, 10 am to 6 pm, and Saturdays from 9 am to 5 pm.
Let’s work together to get your goods back to you as quickly as possible!
What is your refund policy?
What’s Your Refund Policy for Postponed Shows?
If a show gets postponed, don’t sweat it! We’ll shoot you an email to let you know about the change, and if you’re cool with the new date, no further action is needed on your part.We’ll be working diligently to find a new date for the show, and we’ll keep you updated every step of the way. But if you can’t make it to the rescheduled gig, we’ve got your back. You’ll have a generous 30-day window following the announcement of the new date to request a refund.
For those who paid with cash at our box office, just drop us a line at boxoffice@hifiindy.com for further instructions on processing your refund.
Please bear with us as we explore rescheduling options with the tour. Your patience is much appreciated as we work to present the best possible show experience for you.
What’s the Refund Policy for Canceled Shows?
In the unfortunate event of a canceled show, don’t fret! If you purchased your tickets online, your refund will be processed automatically. Just sit tight and allow 3-5 business days for the refund to appear in your bank account.
No need to lift a finger! However, there are a few scenarios where you might need to reach out to our box office:
- If you paid cash at our box office.
- If you’ve received a new or different card since your original purchase.
- If you haven’t seen the refund in your account after 5 business days.
What Happens if a Show Gets Rescheduled?
No worries! If a show you’ve already grabbed tickets for gets rescheduled, your tickets will still be valid for the new date. We’ll shoot you an email to let you know about the change, and if you’re good to go for the new date, no further action is needed on your part.
However, if you can’t make it to the rescheduled gig, we’ve got you covered. You’ll have a generous 30 days from the announcement of the new date to request a refund. Just reach out directly to our box office to kickstart the process.
Beware of counterfeit tickets. How do I tell if my ticket is valid?
It’s crucial for all buyers to exercise caution when purchasing tickets from unauthorized sites and ticket resellers. Tixr and SeeTickets are the only two ticket vendors supported at our venues. Unfortunately, this is a widespread issue affecting venues nationwide, and true fans often find themselves at a loss. Regrettably, there’s little we can do in such situations. Since the original transaction didn’t occur through our authorized ticketing partners, we lack the necessary information to assist. It’s disheartening to witness fans being taken advantage of, especially on platforms like Craigslist, Facebook, StubHub, VividSeats, SeatGeek, and others. We are only obligated to honor valid tickets purchased through our approved channels.
Can I purchase tickets in person without fees?
Yes. HI-FI Annex box office is located at the main entrance off of St. Patrick St. The box office is open 1 hour prior to the published door time. Additionally, the new and primary box office is located two doors down from HI-FI Annex in Suite 2. This box office is open Monday through Friday 10am – 6pm for fee-free ticket purchases. HI-FI Annex accepts cash as well as all major credit cards for ticket purchases.
Do you have free WI-FI?
Yes. HI-FI Annex offers free WI-FI during all shows. Simply select the HI-FI Free WI-FI network and you are all set.
Shakey Graves
Start Time: 7:00 pm
HEALTH CHECK REQUIRED: Proof of full COVID-19 vaccination or negative COVID-19 PCR test within 72 hours or negative Antigen test with 6 hours.
Download the Bindle Mobile Health App and verify your vaccination and/or test status to expedite entry to the venue.
Holler on the Square is a festival-like series of concerts at HI-FI and HI-FI Annex spanning September 12-19, 2021. Join us for 8 days of live music with performances taking place in both venues, all week. Check out the daily schedule, full lineup and get your tickets now. All shows are individually ticketed.
Buy Tickets
ARTIST PROFILE | Shakey Graves
The prehistory of Shakey Graves exists in two overstuffed folders. Inside them, artifacts document an immense era of anonymous DIY creativity, from 2007 through 2010 -- the three years before Roll The Bones came out and changed his life.
There are stencils, lyrics, drawings, prototypes for concert posters, and even a zine. The latter, which Graves -- aka Alejandro Rose-Garcia -- wrote and illustrated, tells the tale of a once-courageous, now retired mouse who must journey to the moon to save his sweetheart. At the time, he envisioned the photocopied storybook as a potential vessel for releasing his music.
"There was a lot of conceptualizing going on -- trying to figure out what I wanted stuff to look like, sound like, and be like," Rose-Garcia recalls, shuffling through the physical files on his second-story deck in South Austin. "And, honestly, a lot of trying to keep myself from going crazy."
In this lode of unreleased ephemera, CD-Rs are the most bountiful element. There are dozens of burned discs with widely varying track lists, loosely resembling what would become the Austin native's 2011 breakout debut Roll the Bones. For Rose-Garcia, who's long loved the incongruous art form of sequencing strange mixtapes for friends, his own record was subject to change every time he burned a disc for somebody. Consistency didn't matter, he asserts, because there was no demand or expectations.
Thus Roll the Bones was by no means a Big Bang creation story, rather a years long process of metamorphosis where literally hundreds of tracks were winnowed down into ten. As the album took shape, he began manufacturing one-off editions of the CD, stapled to self-destruct in brown paper, with black and white photographs glued upon them, and an ink pen marking of the artist's enduring logo: a skull struck by an arrow.
"I liked that if they were opened, you couldn't close them again," he smiles. "Sometimes I'd spray paint the CD so they looked good and people would stick them in their car stereo and it would fuse in and never come out. They'd tell me, 'You're lucky I like this record because it's the last one I'll ever be able to listen to in my car.'"
In the shadows self-doubt that surrounds any artists first record, Rose-Garcia had a fantasy: he releases Roll the Bones, only ten people hear it, it's rediscovered a decade later by Numero Group, hailed as before-its-time, and finds an audience as a lost treasure. He still plays that scenario through his mind like an alternative reality.
Of course, that's far from what actually materialized. Roll the Bones was released on the first day of 2011 without a lick of promotion advancing it. It was simply thrust into the world as a decapod of perplexingly memorable, narrative-wrapped songs with a mysterious cover and no information about the artist... only available on the relatively new platform of Bandcamp.
That year, an editor at Bandcamp made it a featured album for a month and from there it stayed in the website's top selling folk albums evermore. The record has since seen well over 100,000 units sold -- even while being available for free download. In the "Supported By" section of the Roll the Bones Bandcamp page, you can endlessly click "more" and squares of avatars will keep showing up until you grow tired and stop.
"If you discover something for yourself, it will always hold more water because it's tied to memory and coincidence," Rose-Garcia reasons as to why he never pushed Roll the Bones onto a wider marketplace. "It gives you a sense of ownership as a listener."
Now fans can obtain Roll the Bones as their own physical artifact. Through Dualtone Records, Shakey Graves will release a Ten Year Special Edition double LP with a black and gold foil re-arting of the taxidermied cow head cover. Separate iterations, hitting record collections on April 2, offer the 180g vinyl in a black and gold combination or two marbled "galaxy gold" discs. The lovingly assembled packaging includes handwritten deep explanations of every song, offset with original photography.
Along with its deluxe vinyl emergence, Roll the Bones today becomes available through all digital service providers -- Spotify, Apple Music, YouTube, et all. For the last decade, the songs have lived exclusively on Bandcamp. This full-spectrum digital release arrives concurrent with Shakey Graves Day, which was minted on February 9, 2012 by Austin Mayor Steve Adler. Year one, Rose-Garcia spent what he calls his "alter ego's birthday," as an excuse to go play laser tag. Ever since, he's used it as an occasion to stage intimate pop-up shows and open up the attics of his discography -- making all of his albums, plus hundreds of unheard songs temporarily available for free.
"I've used Shakey Graves Day as a challenge to myself," he assesses. "I make so many random songs throughout the year that I either forget about or I'm too nervous to put on an album and it becomes a clearinghouse for that. It surprises me when people tell me that something released that day is their favorite of my stuff. In a larger sense, it builds off what I initially did with Roll the Bones - which is give it away for free."
Accompanying Roll the Bones anniversary pressing are 15 additional tracks comprising an Odds + Ends LP, which stands as an essential document of Grave's early era. Highlights include the mandolin imbued "Chinatown," which sounds like it could be dubbed off a 1930's silver screen soundtrack, and "Saving Face" -- a seminal version of what would become Roll the Bones title cut. The crown jewel, however, may be a the first ever proper recording of the trifling love song "Late July," a version that's drastically different than the live rendition that's racked 14 million views on YouTube.
Prepping Roll the Bones thoughtful 2021 edition gave Rose-Garcia an opportunity to take a new look at the person.
"I hear someone who felt really trapped," he reveals. "In a lot of ways it was a breakup record. My first serious relationship had fallen apart and I was wanting to break up with my life -- run away, be transient, and figure out who I was in the world. I can hear myself blaming the girl and trying to support myself, like maybe it's okay to be dirty and crazy and have blinders on. Then, at the end, everything's zooming back in and I'm saying 'I guess I just got hurt and I'm in a bit of pain and, you know, it's going to be okay.'"
Claiming he's "further confused" listeners with each release, Rose-Garcia believes this purge of early output will provide some needed framing for his discography. It's his genesis story, before he had the studio time to make the shiny And the War Came or the full-band cohesion to make the painstakingly dense Can't Wake Up. To him, it's a scrappy effort, but the most intentional work he's ever produced -- and, a decade later, he wouldn't change a thing.
"It's a record that sounds like my years of exploration and influence, funneled through my abilities at the time -- and it all became something bigger," he muses. "If you would've offered to me: 'Let's do exactly what you want, right now" Roll the Bones wouldn't have come out like this... and I'm happy that's the case. Total control is an unhealthy myth, it leaves out the emotional side of how all the accidents come together. This record's a period of time smashed into a single product and, in my own heart, it's a moral compass: to always get back to feeling like this about the songs I make."
Supporting Acts
About the Venue
Upgrades: The Sidestage Lounge VIP access offers a premium exclusive viewing location with an up-close and personal view of the stage. It features a private bar, a comfortable seating area, as well as dedicated outdoor restrooms. Click here to reserve your spot in Sidestage Lounge.
Ticket Support: Box Office opens 1 hour before published door time. For ticket related questions please email boxoffice@hifiindy.com.
Parking: Street Parking, Bike Parking