The Bones of J.R. Jones
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ARTIST PROFILE | The Bones of J.R. Jones
“There was no ‘a-ha’ moment,” says Jonathon Linaberry, “no life-changing revelation, no singular flash of inspiration. It was just a fierce, steady, undeniable energy, a force of nature I had to wrestle and wrangle with for years until I could harness it.”
It’s easy to understand, then, why Linaberry—better known as The Bones Of J.R. Jones—would call his mesmerizing new album Slow Lightning. As its title would suggest, the collection is raw and visceral, pulsating with an understated electrical current that flows just beneath its seemingly placid surface. The songs are restless and unsettled here, often grappling with doubt and desire in the face of nature and fate, and frequent collaborator Kiyoshi Matsuyama’s production is eerily hypnotic to match, with haunting synthesizers, vintage drum machines, and ghostly guitars fleshing out Linaberry’s already-cinematic brand of roots noir. The result is a moody, ominous work that’s equal parts Southern Gothic and transcendentalist meditation, an instinctual slice of piercing self-reflection that hints at everything from Bruce Springsteen and Bon Iver to James Murphy and J.J. Cale as it searches for meaning and purpose in a world without easy answers.
“I felt very lost at the time I was writing these songs,” Linaberry confesses. “It was a moment of deep crisis and anxiety, but I knew the only way out was through, which meant I just had to bring myself to the table every day and put in the work.”
Linaberry’s no stranger to putting in the work. Born and raised in central New York, he got his start playing in hardcore and punk bands before becoming enamored with the field recordings of Alan Lomax, who documented rural American blues, folk, and gospel musicians throughout the 1930s and ’40s. Inspired by the unvarnished honesty of those vintage performances, Linaberry launched The Bones of J.R. Jones in 2012 and, operating as a fully independent artist over the course of the ensuing decade, released three critically acclaimed albums along with a trio of similarly well received EPs; landed his songs in a slew of films and television series including Suits, Daredevil, Longmire, and Graceland; and toured the US and Europe countless times over as a one-man-band, playing guitar or banjo while simultaneously stomping a modified drum kit everywhere from Telluride Blues to Savannah Stopover. Along the way, Linaberry also shared bills with the likes of The Wallflowers, G. Love, and The Devil Makes Three, soundtracked an Amazon commercial helmed by Oscar-winning director Taika Waititi, and earned praise from Billboard, American Songwriter, and Under the Radar, among others.
After living in constant motion for the better part of ten years, though, Linaberry found himself at an unexpected standstill in 2021. At the time, he and his wife had recently relocated from Brooklyn to an old farmhouse in the Catskills, and the change of pace was both rewarding and challenging all at once.
“It’s a pretty remote, rural area we moved to,” Linabery explains, “the kind of place where spring is just a continuation of the cold, grey, muddy, brown of winter. I was exhausted by the seasons, working on songs nine hours a day in the attic, and it all felt very isolated and insular.”
Where the most recent Bones of J.R. Jones release, 2021’s A Celebration, drew inspiration from a trip into the vast, desert expanses of the American southwest, the songs that began taking shape in upstate New York this time around were more difficult to pin down, seeming to come and go of their own accord.
“That’s where the notion of ‘slow lightning’ was born,” Linaberry explains. “It’s about a power you can’t control, a force that’s bigger than you and follows its own path no matter how badly you want to mold or direct it. That’s what this record felt like, and it’s something I had to figure out how to embrace.”
That kind of all-consuming power is palpable from the start on Slow Lightning, which begins with the boisterous “Animals.” Gritty and insistent, the track taps into something primal and uninhibited, learning to trust its gut and make peace with aiming high and sometimes falling short. “Well my heart’s just trying to kill me,” Linaberry sings over roiling guitars and drums. “It always vibrates above / With always grand notions / But it plays in the mud.” Like so much of the album, it’s a testament to resilience, to letting go of failure and pressing on even when things feel hopeless. The bittersweet title track explores tenacity in the face of disenchantment, while the lo-fi “Blue Skies” insists on reaching for hope regardless of the cost, and “The Flood” conjures up a wistful portrait of survival and loss as it builds from a dreamy blur into a searing crescendo.
“I remember lying in bed in the dark hearing the coyotes laughing out in the field behind our house just before they killed something,” Linaberry recalls. “It was so haunting and eerie, but at the same time, you’re just so totally in awe of what’s happening right outside your window, this elemental moment of life and death all wrapped up together.”
Despite the looming sense of danger that permeates the album, Slow Lightning still manages to find moments of humor and levity. The darkly romantic “I’ll See You In Hell” revels in a love so strong it carries on through eternal damnation; the sardonic “I Ain’t Through With You” gets high on an addictively toxic relationship; and the relentlessly taut “Heaven Help Me” surrenders to overwhelming infatuation, with Linaberry recalling, “Love is the kind of thing that will keep you warm / That's what she said / As she was burning down my home.”
In the end, though, it’s perhaps the breezy “Salt Sour Sweet” that best encapsulates the spirit of the record, with Linaberry looking back on a lifetime of love and heartbreak, dreams and disappointment, success and failure, and ultimately recognizing that it’s the grand sum of them all that make us who we are. “It’s the salt sour and sweet / That holds,” he sings in an airy falsetto. Call it maturity, call it self-awareness; it’s the kind of wisdom that can only arrive on a bolt of Slow Lightning.
READ MORE >>Supporting Acts
SHOW BY SIMILAR ARTISTS
About HI-FI | Indianapolis, IN
HI-FI is located inside the historic Murphy Arts Center in the heart of Fountain Square. HI-FI shows virtually every night of the week and is known for finding new artists on the rise. The venue is acoustically one of the best sounding venues in the Midwest. The entrance is located at the front of the building on Virginia Ave and the Indianapolis Cultural Trail.
Getting Around the Venue
Frequently Asked Questions About HI-FI | Indianapolis, IN
What are the age restrictions at this venue?
Most of our gigs are open to those 18 years and older, though there are a few exceptions. We’re also rolling out more all-ages shows to accommodate younger fans, but double-check our website for specific age requirements before getting your tickets. We’ve made it super easy to spot the age restrictions on each event listing.
If you are going to indulge in a seating upgrade in our VIP area, all guests must be 21 years of age or older.
HI-FI requires a valid ID for admission. For guests who will be consuming alcoholic beverages, a valid state or government issues ID is required. Everyone will be carded during check-in. Expired and temporary ID’s are not accepted.
Can I upgrade my to VIP seating?
HI-FI proudly offers our VIP Deck, situated at the rear of the venue. This elevated section features table seating and provides convenient access to the bar. Please be advised that all guests in this area must be 21 years of age or older. For seating upgrade inquiries, please contact the box office at boxoffice@hifiindy.com
What items are permitted or prohibited at this venue?
At our venues, we strive to ensure a safe and enjoyable experience for all guests. While specific rules may vary slightly depending on the event location, the following list generally applies across all venues.
Any illegal items found will be confiscated immediately. Guests discovered with prohibited items inside the venue may face ejection, and those attempting to enter with such items may be denied entry.
We appreciate your cooperation in adhering to these guidelines to ensure everyone’s safety and enjoyment during our events.
Permitted Items Include:
- All bags and possessions are subject to search and may be subject to metal detection. No backpacks are permitted at any of our venues.
- Clear tote or bag made from plastic, vinyl or PVC that does not exceed 14” x 14” in size.
- Personal purse, fanny pack or handbag so long as it does not exceed 14” x 14” in size
- A warm heart and smiles
Prohibited items include:
- Weapons of any kind: Firearms (with or without permit), knives (any size), multi-tools
- Pepper Spray or Mace
- Flares or Fireworks
- Oversized bags (Bag larger than 12” x 12”, including all backpacks, briefcases, luggage, or duffle bags)
- Illegal Substances
- Outside Beverages
- Laser Pointers
- Removable lens cameras or flash photography, tripods, monopods, selfie-sticks (unless pre-approved by Event Manager)
- Audio or Video recording devices (unless pre-approved by Event Manager)
- Signs larger than 11” x 17” or any sign attached to a stick or pole
- Skateboards, hoverboards, rollerblades, scooters, or bicycles
- Hula hoops, spray paint, silly string
- Noise Making devices (i.e. Air Horns, drums, whistles)
- Coolers or Ice Chests
- Animals/Pets (Except Service Animals)
HI-FI reserves the right to prohibit any item, including items not listed above, from entering the premises if deemed hazardous or disruptive to the event.
Can I bring a bag into the show?
Yes! You’re welcome to bring personal purse, fanny pack or handbag so long as it does not exceed 14” x 14” in size. No backpacks are permitted at any time.
What’s the parking situation like?
Depending on the day and time, finding a spot can be tricky. On busy show days we advise arriving early to ensure you get a good spot.
Parking is free on all of the surrounding streets in Fountain Square and most parking lots.
The LAZ pay lot directly across from the Murphy Arts Building (on Prospect St) offers paid parking by the hour and is the closest public parking to the venue.
We advise against traveling down St. Patrick St on show days, as it can become congested one-way with traffic coming from both directions.
Bike parking is available at any of the bike racks on Virginia Ave in front of HI-FI.
What is the camera/photo policy for this venue?
Our photo policy varies for each event and is at the discretion of the artist performing that night. This policy can change from night to night.
As a general guideline, we typically do not permit professional photography unless it has been pre-approved by either HI-FI or the Artist Management.
For approved photographers, you’re welcome to snap photos during the first three songs of the performance. However, please refrain from using flash.
Media personnel and professional photographers interested in covering our events can reach out to us at marketing@hifiindy.com to request media credentials.
Is there food and drink at this venue?
Absolutely! We’ve got you covered for some tasty bites to fuel your night.
Our very own Easy Rider Diner is your go-to spot on most show nights, serving up mouthwatering dishes right next door to HI-FI. With a convenient connection door open for most shows, you can easily hop back and forth without missing a beat. We highly recommend making a reservation in advance, as show nights tend to get busy. Please note that Easy Rider is closed on Mondays and Tuesdays, but fear not – you can still grab some chips, candy, or snacks at HI-FI’s bar.
View seating maps for this venue
Check your show listing for information on the show’s seating configuration. The majority of HI-FI shows are general admission, standing-room-only. Depending on the show, there are a handful of tables available to those who arrive early. There is a limited amount of seating upgrades available on the VIP deck. Contact the box office to secure a seating upgrade for your show at boxoffice@hifiindy.com. Shows that are reserved or partially reserved seating configurations will have information or purchase options directly on the event listing.
Can I leave and re-enter the venue?
Re-entry is allowed for HI-FI shows once you’ve been stamped or wristbanded by a member of our staff.
Do you offer ADA, handicap or special needs options?
There are 2 handicapped parking spots in the lot located across Prospect St. closest to El Arado Mexican Grill. The box office handles any special needs or ADA seating requests at boxoffice@hifiindy.com.
Where is the box office located?
Getting tickets to our shows is super easy! You have a few options, depending on how you like to roll:
Online: Grab your tickets in advance from our official websites, hifiindy.com and mokbpresents.com, or through our trusted ticketing partners tixr.com and seetickets.us.
In Person: Swing by one of our convenient box office locations around the Murphy Arts Center building and grab tickets with no service fees:
Main Box Office at Virginia Ave Mercantile: Located at 1043 Virginia Ave Suite 2 (between Easy Rider and La Margarita). Open Monday through Friday from 10 am to 6 pm and Saturdays from 9 am to 5 pm.
HI-FI Box Office: Found at 1043 Virginia Ave Suite 4 (at the main entrance to HI-FI). Open only on show nights, starting 1 hour before published show times until 10 pm.
I lost something at the show. Who do I contact?
Have you misplaced something during one of our events? Don’t worry, we’re here to help reunite you with your belongings! While we can’t take responsibility for lost or stolen items, we’re committed to assisting you in any way we can.
Found items are securely stored at our Virginia Ave Mercantile & Box Office until they’re claimed. Please note that items lost during late-night events might take until the next morning to reach our lost and found. We know you might be eager to retrieve your belongings (like that phone you’re pinging outside our door at 6 am), but our team typically wraps up late-night events and may not be available until later in the morning.
For lost items, please follow the outlined process rather than popping into Easy Rider in the early hours. They’re open early, but our restaurant team is busy during weekends and can’t assist with lost items during busy service hours.
To inquire about lost items, shoot us an email at boxoffice@hifiindy.com. Mercantile hours are Monday through Friday, 10 am to 6 pm, and Saturdays from 9 am to 5 pm.
Let’s work together to get your goods back to you as quickly as possible!
What is your refund policy?
What’s Your Refund Policy for Postponed Shows?
If a show gets postponed, don’t sweat it! We’ll shoot you an email to let you know about the change, and if you’re cool with the new date, no further action is needed on your part.We’ll be working diligently to find a new date for the show, and we’ll keep you updated every step of the way. But if you can’t make it to the rescheduled gig, we’ve got your back. You’ll have a generous 30-day window following the announcement of the new date to request a refund.
For those who paid with cash at our box office, just drop us a line at boxoffice@hifiindy.com for further instructions on processing your refund.
Please bear with us as we explore rescheduling options with the tour. Your patience is much appreciated as we work to present the best possible show experience for you.
What’s the Refund Policy for Canceled Shows?
In the unfortunate event of a canceled show, don’t fret! If you purchased your tickets online, your refund will be processed automatically. Just sit tight and allow 3-5 business days for the refund to appear in your bank account.
No need to lift a finger! However, there are a few scenarios where you might need to reach out to our box office:
- If you paid cash at our box office.
- If you’ve received a new or different card since your original purchase.
- If you haven’t seen the refund in your account after 5 business days.
What Happens if a Show Gets Rescheduled?
No worries! If a show you’ve already grabbed tickets for gets rescheduled, your tickets will still be valid for the new date. We’ll shoot you an email to let you know about the change, and if you’re good to go for the new date, no further action is needed on your part.
However, if you can’t make it to the rescheduled gig, we’ve got you covered. You’ll have a generous 30 days from the announcement of the new date to request a refund. Just reach out directly to our box office to kickstart the process.
Beware of counterfeit tickets. How do I tell if my ticket is valid?
It’s crucial for all buyers to exercise caution when purchasing tickets from unauthorized sites and ticket resellers. Tixr and SeeTickets are the only two ticket vendors supported at our venues. Unfortunately, this is a widespread issue affecting venues nationwide, and true fans often find themselves at a loss. Regrettably, there’s little we can do in such situations. Since the original transaction didn’t occur through our authorized ticketing partners, we lack the necessary information to assist. It’s disheartening to witness fans being taken advantage of, especially on platforms like Craigslist, Facebook, StubHub, VividSeats, SeatGeek, and others. We are only obligated to honor valid tickets purchased through our approved channels.
Can I purchase tickets in person without fees?
Yes. HI-FI box office is located at the main entrance off of Virginia Avenue. The box office is open 1 hour prior to the published door time. Additionally, our new and primary box office is located two doors down from HI-FI in Suite 2. This box office is open Monday through Friday 10 am to 6 pm and Saturdays from 9 am to 5 pm for fee-free ticket purchases. HI-FI accepts cash as well as all major credit cards for ticket purchases.
Do you have free WI-FI?
Yes. HI-FI offers free WI-FI during all shows. Simply select the HI-FI Free WI-FI network and you are all set!
The Bones of J.R. Jones
Start Time: 8:00 pm
Buy Tickets
ARTIST PROFILE | The Bones of J.R. Jones
“There was no ‘a-ha’ moment,” says Jonathon Linaberry, “no life-changing revelation, no singular flash of inspiration. It was just a fierce, steady, undeniable energy, a force of nature I had to wrestle and wrangle with for years until I could harness it.”
It’s easy to understand, then, why Linaberry—better known as The Bones Of J.R. Jones—would call his mesmerizing new album Slow Lightning. As its title would suggest, the collection is raw and visceral, pulsating with an understated electrical current that flows just beneath its seemingly placid surface. The songs are restless and unsettled here, often grappling with doubt and desire in the face of nature and fate, and frequent collaborator Kiyoshi Matsuyama’s production is eerily hypnotic to match, with haunting synthesizers, vintage drum machines, and ghostly guitars fleshing out Linaberry’s already-cinematic brand of roots noir. The result is a moody, ominous work that’s equal parts Southern Gothic and transcendentalist meditation, an instinctual slice of piercing self-reflection that hints at everything from Bruce Springsteen and Bon Iver to James Murphy and J.J. Cale as it searches for meaning and purpose in a world without easy answers.
“I felt very lost at the time I was writing these songs,” Linaberry confesses. “It was a moment of deep crisis and anxiety, but I knew the only way out was through, which meant I just had to bring myself to the table every day and put in the work.”
Linaberry’s no stranger to putting in the work. Born and raised in central New York, he got his start playing in hardcore and punk bands before becoming enamored with the field recordings of Alan Lomax, who documented rural American blues, folk, and gospel musicians throughout the 1930s and ’40s. Inspired by the unvarnished honesty of those vintage performances, Linaberry launched The Bones of J.R. Jones in 2012 and, operating as a fully independent artist over the course of the ensuing decade, released three critically acclaimed albums along with a trio of similarly well received EPs; landed his songs in a slew of films and television series including Suits, Daredevil, Longmire, and Graceland; and toured the US and Europe countless times over as a one-man-band, playing guitar or banjo while simultaneously stomping a modified drum kit everywhere from Telluride Blues to Savannah Stopover. Along the way, Linaberry also shared bills with the likes of The Wallflowers, G. Love, and The Devil Makes Three, soundtracked an Amazon commercial helmed by Oscar-winning director Taika Waititi, and earned praise from Billboard, American Songwriter, and Under the Radar, among others.
After living in constant motion for the better part of ten years, though, Linaberry found himself at an unexpected standstill in 2021. At the time, he and his wife had recently relocated from Brooklyn to an old farmhouse in the Catskills, and the change of pace was both rewarding and challenging all at once.
“It’s a pretty remote, rural area we moved to,” Linabery explains, “the kind of place where spring is just a continuation of the cold, grey, muddy, brown of winter. I was exhausted by the seasons, working on songs nine hours a day in the attic, and it all felt very isolated and insular.”
Where the most recent Bones of J.R. Jones release, 2021’s A Celebration, drew inspiration from a trip into the vast, desert expanses of the American southwest, the songs that began taking shape in upstate New York this time around were more difficult to pin down, seeming to come and go of their own accord.
“That’s where the notion of ‘slow lightning’ was born,” Linaberry explains. “It’s about a power you can’t control, a force that’s bigger than you and follows its own path no matter how badly you want to mold or direct it. That’s what this record felt like, and it’s something I had to figure out how to embrace.”
That kind of all-consuming power is palpable from the start on Slow Lightning, which begins with the boisterous “Animals.” Gritty and insistent, the track taps into something primal and uninhibited, learning to trust its gut and make peace with aiming high and sometimes falling short. “Well my heart’s just trying to kill me,” Linaberry sings over roiling guitars and drums. “It always vibrates above / With always grand notions / But it plays in the mud.” Like so much of the album, it’s a testament to resilience, to letting go of failure and pressing on even when things feel hopeless. The bittersweet title track explores tenacity in the face of disenchantment, while the lo-fi “Blue Skies” insists on reaching for hope regardless of the cost, and “The Flood” conjures up a wistful portrait of survival and loss as it builds from a dreamy blur into a searing crescendo.
“I remember lying in bed in the dark hearing the coyotes laughing out in the field behind our house just before they killed something,” Linaberry recalls. “It was so haunting and eerie, but at the same time, you’re just so totally in awe of what’s happening right outside your window, this elemental moment of life and death all wrapped up together.”
Despite the looming sense of danger that permeates the album, Slow Lightning still manages to find moments of humor and levity. The darkly romantic “I’ll See You In Hell” revels in a love so strong it carries on through eternal damnation; the sardonic “I Ain’t Through With You” gets high on an addictively toxic relationship; and the relentlessly taut “Heaven Help Me” surrenders to overwhelming infatuation, with Linaberry recalling, “Love is the kind of thing that will keep you warm / That's what she said / As she was burning down my home.”
In the end, though, it’s perhaps the breezy “Salt Sour Sweet” that best encapsulates the spirit of the record, with Linaberry looking back on a lifetime of love and heartbreak, dreams and disappointment, success and failure, and ultimately recognizing that it’s the grand sum of them all that make us who we are. “It’s the salt sour and sweet / That holds,” he sings in an airy falsetto. Call it maturity, call it self-awareness; it’s the kind of wisdom that can only arrive on a bolt of Slow Lightning.
READ MORE >>Supporting Acts
About the Venue
Upgrades: A limited amount of VIP seating upgrades (21+) are available for select shows. Contact the box office to purchase or check availability: boxoffice@hifiindy.com.
Ticket Support: Box Office opens 1 hour before published door time. For ticket related questions please email boxoffice@hifiindy.com.
Parking: Street Parking, Bike Parking
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