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Thursday Nov 18

Todd Snider

$30 - $35
The Vogue
Indianapolis, IN
Nov 18
Thursday
7:00 PM
Doors Open
New DateHealth Check: Vax or TestBuy Tickets

More about this event

PARTIALLY SEATED SHOW, GENERAL ADMISSION - SEATING IS LIMITED (first come, first serve)

HEALTH CHECK REQUIRED: Proof of full COVID-19 vaccination or negative COVID-19 PCR test within 72 hours or negative Antigen test within 6 hours. Face coverings are strongly encouraged for all attendees.

Download the Bindle Mobile Health App and verify your vaccination status to expedite entry to the venue.

If these requirements prevent you from attending, contact our Box Office for refund options prior to the show.
Learn More About This Show
Add to Calendar 11/18/2021 08:00 PM11/18/2021 11:30 PMTodd SniderMore Information: https://mokbpresents.com/event/todd-snider/The Vogue
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ARTIST PROFILE | Todd Snider

Americana/FolkSinger/SongwriterAlt-Country

Troubadour, meaning an itinerant singer of songs, is a word that dates back centuries, and comes from the French verb “trouver,” which is to find. These musical wanderers would find and invent stories humorous and intellectual, romantic and earthy, performing them as they went from town to town. Troubadour is also the word that acclaimed musician-raconteur Todd Snider leans on to describe himself and his latest release, Live: Return of the Storyteller.

“I think my first thought with this record was I wanted to remind people really quickly that I'm a troubadour,” says Snider. “Playing live is the only chance for me to show, 'This is what I really do.' I've never thought of myself as a recording artist. I'm someone who gets over by traveling around, telling stories, making up new songs and singing them alone on stage.”

Before he even made his professional debut with Songs For The Daily Planet in 1994, Snider already knew that he wanted to be part of this time-honored tradition. “I like the romantic notion of drifting around and laughing your way through life,” he says. “Like Jim Croce or Mark Twain. I felt like I was half-doing that anyway. When I was 19, I was a real drifter and a sofa circuit person. Then when I first saw Jerry Jeff Walker and John Prine play, I became obsessed. I followed them both around like The Grateful Dead. I saw that the difference between a free spirit and a freeloader was three chords.” 

“And as soon as I figured that out, I knew that it would help me as a person who didn't have a plan. Just to be a busker. I didn't want to sign up for normal life. I wanted to do another thing, and then it turned into a real gig. I was really surprised. It's still funny to be getting away with it.”

That speaks to Snider's modesty about his singular talent and deep catalog of songs of every emotional stripe. Rolling Stone has called him “America's sharpest musical storyteller” while the New York Times described him as “a wryly quotable phrasemaker and worthy antagonist.” Live: Return of the Storyteller – his third live album and nineteenth overall - plays like a masterclass by one man with a guitar and a freewheeling imagination. Threading his husky-voiced phrasing through a likable cosmic cowboy manner, he invites you on a tour of tunes humorous (“Big Finish,” and the have-meets- have-not “In Between Jobs”),  Proustian (“Play a Train Song,” “Too Soon To Tell,” and the lump-in-the-throat snapshot of John Prine on “Handsome John”) and heart-worn (“Like a Force of Nature,” “The Very Last Time,” “Roman Candles”). As the fifteen-song set unfolds, you can feel a tangible bond building between Snider and his fans. 

But the songs are only half of what makes the connection so compelling. 

Acting as palate cleansers and putty, the stories between numbers offer colorful glimpses into Snider's interior life. Whether he's talking about being mistaken for a homeless guy in a nice hotel, searching for a song in the woods while tripping or the poetry of one of his heroes dying on stage, his spoken interludes are delivered with both meandering charm and deadly comic timing. 

Snider credits an unlikely source of inspiration for both. “The comedian Richard Lewis is a friend and a mentor, and we talk almost every day,” Snider says. “We met about six or seven years ago through a drummer who's a mutual friend, and really hit it off. I feel like since I've known him, my storytelling has evolved. I don't know that I've gotten better, but a lot of the ways I approach my shows is from learning things from Richard. Especially this idea of being able to go on and on without just going on and on. To ramble without getting boring.”

Snider is also mindful about not repeating himself when he's returning to a familiar venue, which can add a tightrope quality to his performances. “On this record, when I left Nashville, I didn't know what I was going to say,” he admits. “I just knew that it couldn't be the same shit that I've said.  I was going to have to have some new stories to tell. That's how it's been for years. Then one night, I'll get up there and open my mouth and something new comes out. And then I'll just keep telling it and refining it. It happens under pressure.” 

The timing of Live: Return of the Storyteller's release has extra resonance in our post-pandemic era. Snider says, “I'm glad I recorded the tour last year, because that was the sound of the country getting to see live music again. It was unique and it won't happen again. Everyone just hugs at the start of a concert - you can tell that they're glad to see each other, and then they get more excited than they used to be about just being out and seeing music. I'm sure that it will go back to normal, but it hasn't yet.” 

While the album captures what Snider laughingly calls his “second tour - because I went out on the road in '94 and never went home until the pandemic” - it acts as both a summing up of a thirty-year career and a look ahead. 

“I always think that being a recording artist isn't something that I've thrived at,” he says. “I have fun with it and try all different kinds of music and try to learn more and more, but the only reason I get to do it is because of the main thing I do - which is travel around by myself and sing and tell stories. That thing works. Since I was twenty, that thing has worked. People come to see me do it and I love to do it.”

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Supporting Acts

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About The Vogue | Indianapolis, IN

The Vogue, located in the Broad Ripple neighborhood of Indianapolis, is one of the most popular and storied (21+ only) music venues in the Midwest. The Vogue originally opened as a movie theater on June 18, 1938, and today is considered the top destination for live music in Indianapolis, winning countless awards and earning the accolades of local musicians, industry leading DJ’s, and nationally touring artists.

Box Office: 317-259-7029
Main: 317-259-7029

Getting Around the Venue

6259 N. College Ave,
Indianapolis, IN 46220
Hours: Tue. thru Fri. 12pm to 5pm
Doors: 1 hour prior to published door time

Frequently Asked Questions About The Vogue | Indianapolis, IN

What are the age restrictions at this venue?

The Vogue is strictly a 21+ only venue. No exceptions.

Can I upgrade my to VIP seating?

Yes. For premium upgrades and seating, visit this page. Purchase tickets for your show and watch for your premium invitation.

What items are permitted or prohibited at this venue?

Visit the venue’s FAQ page for more information on permitted items for shows at The Vogue

Can I bring a bag into the show?

The Vogue allows small bags/purses only. No backpacks or larger bags are permitted unless they are required for medical purposes.

What’s the parking situation like?

Paid parking is available in the parking lot behind The Vogue off Carrollton Ave, adjacent to The Vogue on Broad Ripple Ave, or across the street from The Vogue on College Ave.

What is the camera/photo policy for this venue?

No professional cameras. Contact The Vogue if you are interested in securing media credentials for the show.

Is there food and drink at this venue?

There are chips available for purchase but do not sell any other type of food at the venue. There are several great local restaurants within walking distance of The Vogue in the Broad Ripple neighborhood.

View seating maps for this venue

Yes! VIP seating is offered as an upgrade to your GA Ticket through the premium ugrades program. After you purchase a ticket you will receive an email inviting you to upgrade to premium seating. You can also reach out to info@thevogue.com or call 317-259-7029 to receive assistance with upgrading your ticket.

Can I leave and re-enter the venue?

No. Re-entry is not permitted at this venue with the exception of the external smoking area.

Do you offer ADA, handicap or special needs options?

Yes, there is limited ADA seating available on a first-come, first-served basis. To guarantee ADA seating, call 317-259-7029, or email info@thevogue.com.

Where is the box office located?

Tickets can be purchased to any shows at The Vogue via the venue’s website. You can also avoid the fees and purchase tickets in person at the box office which is located at the front entrance of the venue on College Ave. The box office is open Tuesday – Friday from 12pm – 5pm and during all events.

Beware of counterfeit tickets. How do I tell if my ticket is valid?

The Vogue uses OpenDate as its exclusive ticketing provider. All valid tickets will be issued through OpenDate. Customers are discouraged against purchasing tickets from the secondary ticket market and should do so at your own risk. If you would like to check the validity of a ticket please contact info@thevogue.com

Can I purchase tickets in person without fees?

Yes, you can avoid service fees and purchase tickets in person at the box office which is located at the front entrance of the venue on College Ave. The box office is open Tuesday – Friday from 12pm – 5pm and during all events.

New DateHealth Check: Vax or Test
Nov 18

Todd Snider

The Vogue
$30 - $35
Presented By: WTTS, MOKB Presents
Doors: 7:00 PM
Start Time: 8:00 pm

PARTIALLY SEATED SHOW, GENERAL ADMISSION - SEATING IS LIMITED (first come, first serve)

HEALTH CHECK REQUIRED: Proof of full COVID-19 vaccination or negative COVID-19 PCR test within 72 hours or negative Antigen test within 6 hours. Face coverings are strongly encouraged for all attendees.

Download the Bindle Mobile Health App and verify your vaccination status to expedite entry to the venue.

If these requirements prevent you from attending, contact our Box Office for refund options prior to the show.
Learn More About This Show
Add to Calendar 11/18/2021 08:00 PM11/18/2021 11:30 PMTodd SniderMore Information: https://mokbpresents.com/event/todd-snider/The Vogue

Buy Tickets

ARTIST PROFILE | Todd Snider

Americana/FolkSinger/SongwriterAlt-Country

Troubadour, meaning an itinerant singer of songs, is a word that dates back centuries, and comes from the French verb “trouver,” which is to find. These musical wanderers would find and invent stories humorous and intellectual, romantic and earthy, performing them as they went from town to town. Troubadour is also the word that acclaimed musician-raconteur Todd Snider leans on to describe himself and his latest release, Live: Return of the Storyteller.

“I think my first thought with this record was I wanted to remind people really quickly that I'm a troubadour,” says Snider. “Playing live is the only chance for me to show, 'This is what I really do.' I've never thought of myself as a recording artist. I'm someone who gets over by traveling around, telling stories, making up new songs and singing them alone on stage.”

Before he even made his professional debut with Songs For The Daily Planet in 1994, Snider already knew that he wanted to be part of this time-honored tradition. “I like the romantic notion of drifting around and laughing your way through life,” he says. “Like Jim Croce or Mark Twain. I felt like I was half-doing that anyway. When I was 19, I was a real drifter and a sofa circuit person. Then when I first saw Jerry Jeff Walker and John Prine play, I became obsessed. I followed them both around like The Grateful Dead. I saw that the difference between a free spirit and a freeloader was three chords.” 

“And as soon as I figured that out, I knew that it would help me as a person who didn't have a plan. Just to be a busker. I didn't want to sign up for normal life. I wanted to do another thing, and then it turned into a real gig. I was really surprised. It's still funny to be getting away with it.”

That speaks to Snider's modesty about his singular talent and deep catalog of songs of every emotional stripe. Rolling Stone has called him “America's sharpest musical storyteller” while the New York Times described him as “a wryly quotable phrasemaker and worthy antagonist.” Live: Return of the Storyteller – his third live album and nineteenth overall - plays like a masterclass by one man with a guitar and a freewheeling imagination. Threading his husky-voiced phrasing through a likable cosmic cowboy manner, he invites you on a tour of tunes humorous (“Big Finish,” and the have-meets- have-not “In Between Jobs”),  Proustian (“Play a Train Song,” “Too Soon To Tell,” and the lump-in-the-throat snapshot of John Prine on “Handsome John”) and heart-worn (“Like a Force of Nature,” “The Very Last Time,” “Roman Candles”). As the fifteen-song set unfolds, you can feel a tangible bond building between Snider and his fans. 

But the songs are only half of what makes the connection so compelling. 

Acting as palate cleansers and putty, the stories between numbers offer colorful glimpses into Snider's interior life. Whether he's talking about being mistaken for a homeless guy in a nice hotel, searching for a song in the woods while tripping or the poetry of one of his heroes dying on stage, his spoken interludes are delivered with both meandering charm and deadly comic timing. 

Snider credits an unlikely source of inspiration for both. “The comedian Richard Lewis is a friend and a mentor, and we talk almost every day,” Snider says. “We met about six or seven years ago through a drummer who's a mutual friend, and really hit it off. I feel like since I've known him, my storytelling has evolved. I don't know that I've gotten better, but a lot of the ways I approach my shows is from learning things from Richard. Especially this idea of being able to go on and on without just going on and on. To ramble without getting boring.”

Snider is also mindful about not repeating himself when he's returning to a familiar venue, which can add a tightrope quality to his performances. “On this record, when I left Nashville, I didn't know what I was going to say,” he admits. “I just knew that it couldn't be the same shit that I've said.  I was going to have to have some new stories to tell. That's how it's been for years. Then one night, I'll get up there and open my mouth and something new comes out. And then I'll just keep telling it and refining it. It happens under pressure.” 

The timing of Live: Return of the Storyteller's release has extra resonance in our post-pandemic era. Snider says, “I'm glad I recorded the tour last year, because that was the sound of the country getting to see live music again. It was unique and it won't happen again. Everyone just hugs at the start of a concert - you can tell that they're glad to see each other, and then they get more excited than they used to be about just being out and seeing music. I'm sure that it will go back to normal, but it hasn't yet.” 

While the album captures what Snider laughingly calls his “second tour - because I went out on the road in '94 and never went home until the pandemic” - it acts as both a summing up of a thirty-year career and a look ahead. 

“I always think that being a recording artist isn't something that I've thrived at,” he says. “I have fun with it and try all different kinds of music and try to learn more and more, but the only reason I get to do it is because of the main thing I do - which is travel around by myself and sing and tell stories. That thing works. Since I was twenty, that thing has worked. People come to see me do it and I love to do it.”

READ MORE >>READ LESS >>
CONNECT:

Supporting Acts

About the Venue

The Vogue, located in the Broad Ripple neighborhood of Indianapolis, is one of the most popular and storied (21+ only) music venues in the Midwest. The Vogue originally opened as a movie theater on June 18, 1938, and today is considered the top destination for live music in Indianapolis, winning countless awards and earning the accolades of local musicians, industry leading DJ’s, and nationally touring artists.
Amenities: 21+ Bar, Premium dedicated seating, Dedicated server, express entry.

Upgrades: To upgrade your experience please visit this link.


Parking: Street Parking, Garage Parking
6259 N. College Ave Indianapolis, IN 46220

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