Saturday May 17
Low Cut Connie
$25 - $30
HI-FI
Indianapolis, IN
May 17
Saturday
8:00 PM
Doors Open
All AgesBuy Tickets
More about this event
Learn More About This Show
Add to Calendar 05/17/2025 09:00 PM05/17/2025 11:00 PMLow Cut ConnieMore Information: https://mokbpresents.com/event/low-cut-connie/HI-FI
RSVP on FacebookARTIST PROFILE | Low Cut Connie
IndieR&B/Funk/Soul
“This record is all kink and no shame,” says Adam Weiner of ART DEALERS, the tough, sexy and tender new album coming from Low Cut Connie. “With Low Cut Connie, I try to create a safe space for you to just absolutely get your freak on.”
For years now, Low Cut Connie has built its grassroots coalition of oddballs, underdogs, and fun-loving weirdos with songs that celebrate life on the fringes of polite society. The band’s infamously wild, passionate live shows provide a total release - of stress, of inhibition, of shame - working up a primordial rock n roll sweat for fans to get blissfully soaked in. The new album, and its full-length companion film, sizzle with that same cathartic sweat, reminding us that it's time to get dirty again, and to feel alive. ART DEALERS sits at the intersection of sleazy and soulful - a collection of risky, romantic, life-affirming anthems, all dedicated to you.
“I think rock n roll exists to be a red-blooded, countercultural medium,” says Weiner, who has performed under the Low Cut Connie moniker for over a decade, "You're supposed to get your hair messed-up." That imperative comes through in the adults-only tone of songs like the opening “Tell Me Something I Don’t Know,” a sinuous, lurid rocker that sounds like walking through depraved Times Square in 1978 - neon-lit and nasty with a snapping beat. The speedy, fuzzed-up garage-rocker “Whips and Chains" calls out Trump and the current wave of neo-fascism, without ever losing its boogie rhythm section.
But there’s also tenderness behind the curtain here, as on the yearning first single "Are You Gonna Run?" and "Call Out My Name", which evoke the sweet sad love that punky boys like the New York Dolls and the Ramones used to have for tough girls like the Ronettes and the Shangri-La's.
The sounds throughout the record comprise a grimy modern urban landscape, a soulful but broken place that Weiner and his band (including rock n roll guitar hero, Will Donnelly, in his 9th year in Low Cut Connie) have been gravitating towards throughout the band's history. Weiner grew up amid the lawns and strip malls of suburban New Jersey, and his own teen dreams were lit up by the beacon of the big city, where he could shed his skin like so many artists before. “If you think about it, so many great artists who we associate with the city were actually bridge and tunnel people,” Adam said. “Patti Smith, Lou Reed, Springsteen. Debbie Harry, Robert Mapplethorpe. People who came from the burbs had this vision of what they could achieve in the city, what attracted them to this art life, who they could turn into and what impressions they could make - if they could just get there.” ART DEALERS is in many ways a tribute to that feeling at the pumping heart of the city - that enlightened buzz that can come in a packed hothouse of creativity and free expression. Songs like the Grace Jones styled "Take Me to the Place" and the penetrating title song point to all the people who cross those bridges, who choose the art life, who find their liberation on the edges of propriety.
ART DEALERS isn’t constrained by a gender binary, either. “When I’m onstage, I am the freest, most uninhibited version of myself,” Weiner explains. “It's total freedom of spirit and body. Over the years, that freedom has given me more confidence to write songs from a perspective that isn't necessarily male. I’ve slowly been walking toward a more gender-fluid voice with Low Cut Connie." Weiner's first steady gig at age 21 was as a piano-player in a drag karaoke bar in Manhattan called Pegasus, a seedy place where trans people, gay, straight and otherwise would gather around Weiner's piano in a benevolent yet fully debauched array. "There are so many songs that came out of that bar for me. Things like 'Shake It Little Tina [the single off of Low Cut Connie's Hi Honey album]" But it wasn't until ART DEALERS that he fully allowed himself to let the gender binary go so completely on songs like the upcoming single "Don't Get Fresh With Me," "Wonderful Boy," and "Sleaze Me On" (with its sweet refrain "Treat me like a modern girl!"). Says Weiner, "I have no idea the gender identity of those songs. And that feels real comfy for me, the 'not knowing'."
ART DEALERS goes out to all the outsiders. On the no-fucks-to-give anthem "King of the Jews," Weiner gets deep in the weeds of his personal and ethnic outsider identity. “There are just so many entry points these days to antisemitism, so my absolute unapologetic full-frontal Jewiness feels more needed now, I guess,” he says. “My Jewiness gives me an outsider perspective and humor that I wouldn't trade for any goddamn thing, and the minute I start hiding that, I'm dishonoring myself. Shedding shame is a key element of Low Cut Connie.”
Weiner feels like a certain dark prince of rock n roll was a companion to him on this whole album and film project. “I felt like Lou Reed was riding with me the whole time I was making Art Dealers,” he said. “Lou was the toughest motherfucker out there, a subversive Jew like me - but he had a real rock n’roll heart underneath it all."
ART DEALERS comes on the heels of a few very busy years for Low Cut Connie. During the height of COVID lockdowns, Adam and Low Cut Connie guitarist Will Donnelly did the near-impossible with their “Tough Cookies” live-streaming rock and soul variety shows. Even in a bathrobe, from his South Philly guest bedroom, Adam managed to generate the electricity of a live show - twice a week, no less - earning him the New Yorker’s newly-minted laurel of “Pandemic Person of the Year” in 2020. The broadcasts drew hundreds of thousands of viewers from more than forty countries, who joined previous appreciators like Bruce Springsteen (who invited Weiner backstage on Broadway in 2018) Barack Obama (an early adopter, who included the band on his official Spotify favorites playlist in 2015) and Elton John (who both praised the band from his own concert stage and featured Weiner as a guest, twice, on his satellite radio show) in Low Cut Connie’s de facto fan club.
In the midst of all this, Low Cut Connie also released 2020's acclaimed PRIVATE LIVES album. The album's title track finished the year in the top 20 nationally for non-commercial radio and was praised by NPR as "the freak anthem we need right now." PRIVATE LIVES was praised for the vivid interiority and intimate detail of its songwriting and was included on many best-of-the-year lists that year (Rolling Stone, NPR/Fresh Air, PopMatters, Glide, AllMusic, etc). For that album and ART DEALERS, Weiner sat solo in the producer's chair.
Further exploring new media, Weiner co-directed (with filmmaker Roy Power) an 80 minute feature film that will premiere late this year as a companion piece to ART DEALERS. The film is a hybrid-genre documentary that combines a stellar run of NYC concerts from 2022 shot at Sony Hall and the Blue Note, as well as 15 years of performance footage and musical and personal misadventures that led up to ART DEALERS. Low Cut Connie released the critically acclaimed LP ART DEALERS in Fall 2023, with a full-length companion film to be released in theaters across the US in September 2024, and on-demand streaming on Oct 1, 2024.
Ahead of the release of this new album and film, Adam Weiner aka Low Cut Connie explains what motivates him to keep pushing deeper into art life.
“I'm always trying to get back to the heart and soul of things with the intention of my music and my performances,” says Adam. “I don't know what's hip. I don't know what's in fashion. I don't know what I'm supposed to be doing to be accepted by whatever's popular or trending. I have no idea - I don't care anymore. I just want to turn people on with what I do. The world is a dirty and broken place… we might as well live it the fuck up while we’re here.”
Supporting Acts
SHOW BY SIMILAR ARTISTS
About HI-FI | Indianapolis, IN
HI-FI is located inside the historic Murphy Arts Center in the heart of Fountain Square. HI-FI shows virtually every night of the week and is known for finding new artists on the rise. The venue is acoustically one of the best sounding venues in the Midwest. The entrance is located at the front of the building on Virginia Ave and the Indianapolis Cultural Trail.
Box Office: 317-986-7101
Main: 317-986-9701
Getting Around the Venue
1043 Virginia Ave #4,
Indianapolis, IN 46203
Hours: Mon. thru Fri. 10 am to 6 pm
Doors: 1 hour before doors
Frequently Asked Questions About HI-FI | Indianapolis, IN
What are the age restrictions at this venue?
Most of our gigs are open to those 18 years and older, though there are a few exceptions. We’re also rolling out more all-ages shows to accommodate younger fans, but double-check our website for specific age requirements before getting your tickets. We’ve made it super easy to spot the age restrictions on each event listing.
If you are going to indulge in a seating upgrade in our VIP area, all guests must be 21 years of age or older.
HI-FI requires a valid ID for admission. For guests who will be consuming alcoholic beverages, a valid state or government issues ID is required. Everyone will be carded during check-in. Expired and temporary ID’s are not accepted.
Can I upgrade my to VIP seating?
HI-FI proudly offers our VIP Deck, situated at the rear of the venue. This elevated section features table seating and provides convenient access to the bar. Please be advised that all guests in this area must be 21 years of age or older. For seating upgrade inquiries, please contact the box office at boxoffice@hifiindy.com
What items are permitted or prohibited at this venue?
At our venues, we strive to ensure a safe and enjoyable experience for all guests. While specific rules may vary slightly depending on the event location, the following list generally applies across all venues.
Any illegal items found will be confiscated immediately. Guests discovered with prohibited items inside the venue may face ejection, and those attempting to enter with such items may be denied entry.
We appreciate your cooperation in adhering to these guidelines to ensure everyone’s safety and enjoyment during our events.
Permitted Items Include:
- All bags and possessions are subject to search and may be subject to metal detection. No backpacks are permitted at any of our venues.
- Clear tote or bag made from plastic, vinyl or PVC that does not exceed 14” x 14” in size.
- Personal purse, fanny pack or handbag so long as it does not exceed 14” x 14” in size
- A warm heart and smiles
Prohibited items include:
- Weapons of any kind: Firearms (with or without permit), knives (any size), multi-tools
- Pepper Spray or Mace
- Flares or Fireworks
- Oversized bags (Bag larger than 12” x 12”, including all backpacks, briefcases, luggage, or duffle bags)
- Illegal Substances
- Outside Beverages
- Laser Pointers
- Removable lens cameras or flash photography, tripods, monopods, selfie-sticks (unless pre-approved by Event Manager)
- Audio or Video recording devices (unless pre-approved by Event Manager)
- Signs larger than 11” x 17” or any sign attached to a stick or pole
- Skateboards, hoverboards, rollerblades, scooters, or bicycles
- Hula hoops, spray paint, silly string
- Noise Making devices (i.e. Air Horns, drums, whistles)
- Coolers or Ice Chests
- Animals/Pets (Except Service Animals)
HI-FI reserves the right to prohibit any item, including items not listed above, from entering the premises if deemed hazardous or disruptive to the event.
Can I bring a bag into the show?
Yes! You’re welcome to bring personal purse, fanny pack or handbag so long as it does not exceed 14” x 14” in size. No backpacks are permitted at any time.
What’s the parking situation like?
Depending on the day and time, finding a spot can be tricky. On busy show days we advise arriving early to ensure you get a good spot.
Parking is free on all of the surrounding streets in Fountain Square and most parking lots.
The LAZ pay lot directly across from the Murphy Arts Building (on Prospect St) offers paid parking by the hour and is the closest public parking to the venue.
We advise against traveling down St. Patrick St on show days, as it can become congested one-way with traffic coming from both directions.
Bike parking is available at any of the bike racks on Virginia Ave in front of HI-FI.
What is the camera/photo policy for this venue?
Our photo policy varies for each event and is at the discretion of the artist performing that night. This policy can change from night to night.
As a general guideline, we typically do not permit professional photography unless it has been pre-approved by either HI-FI or the Artist Management.
For approved photographers, you’re welcome to snap photos during the first three songs of the performance. However, please refrain from using flash.
Media personnel and professional photographers interested in covering our events can reach out to us at marketing@hifiindy.com to request media credentials.
Is there food and drink at this venue?
Absolutely! We’ve got you covered for some tasty bites to fuel your night.
Our very own Easy Rider Diner is your go-to spot on most show nights, serving up mouthwatering dishes right next door to HI-FI. With a convenient connection door open for most shows, you can easily hop back and forth without missing a beat. We highly recommend making a reservation in advance, as show nights tend to get busy. Please note that Easy Rider is closed on Mondays and Tuesdays, but fear not – you can still grab some chips, candy, or snacks at HI-FI’s bar.
View seating maps for this venue
Check your show listing for information on the show’s seating configuration. The majority of HI-FI shows are general admission, standing-room-only. Depending on the show, there are a handful of tables available to those who arrive early. There is a limited amount of seating upgrades available on the VIP deck. Contact the box office to secure a seating upgrade for your show at boxoffice@hifiindy.com. Shows that are reserved or partially reserved seating configurations will have information or purchase options directly on the event listing.
Can I leave and re-enter the venue?
Re-entry is allowed for HI-FI shows once you’ve been stamped or wristbanded by a member of our staff.
Do you offer ADA, handicap or special needs options?
There are 2 handicapped parking spots in the lot located across Prospect St. closest to El Arado Mexican Grill. The box office handles any special needs or ADA seating requests at boxoffice@hifiindy.com.
Where is the box office located?
Getting tickets to our shows is super easy! You have a few options, depending on how you like to roll:
Online: Grab your tickets in advance from our official websites, hifiindy.com and mokbpresents.com, or through our trusted ticketing partners tixr.com and seetickets.us.
In Person: Swing by one of our convenient box office locations around the Murphy Arts Center building and grab tickets with no service fees:
Main Box Office at Virginia Ave Mercantile: Located at 1043 Virginia Ave Suite 2 (between Easy Rider and La Margarita). Open Monday through Friday from 10 am to 6 pm and Saturdays from 9 am to 5 pm.
HI-FI Box Office: Found at 1043 Virginia Ave Suite 4 (at the main entrance to HI-FI). Open only on show nights, starting 1 hour before published show times until 10 pm.
I lost something at the show. Who do I contact?
Have you misplaced something during one of our events? Don’t worry, we’re here to help reunite you with your belongings! While we can’t take responsibility for lost or stolen items, we’re committed to assisting you in any way we can.
Found items are securely stored at our Virginia Ave Mercantile & Box Office until they’re claimed. Please note that items lost during late-night events might take until the next morning to reach our lost and found. We know you might be eager to retrieve your belongings (like that phone you’re pinging outside our door at 6 am), but our team typically wraps up late-night events and may not be available until later in the morning.
For lost items, please follow the outlined process rather than popping into Easy Rider in the early hours. They’re open early, but our restaurant team is busy during weekends and can’t assist with lost items during busy service hours.
To inquire about lost items, shoot us an email at boxoffice@hifiindy.com. Mercantile hours are Monday through Friday, 10 am to 6 pm, and Saturdays from 9 am to 5 pm.
Let’s work together to get your goods back to you as quickly as possible!
What is your refund policy?
What’s Your Refund Policy for Postponed Shows?
If a show gets postponed, don’t sweat it! We’ll shoot you an email to let you know about the change, and if you’re cool with the new date, no further action is needed on your part.We’ll be working diligently to find a new date for the show, and we’ll keep you updated every step of the way. But if you can’t make it to the rescheduled gig, we’ve got your back. You’ll have a generous 30-day window following the announcement of the new date to request a refund.
For those who paid with cash at our box office, just drop us a line at boxoffice@hifiindy.com for further instructions on processing your refund.
Please bear with us as we explore rescheduling options with the tour. Your patience is much appreciated as we work to present the best possible show experience for you.
What’s the Refund Policy for Canceled Shows?
In the unfortunate event of a canceled show, don’t fret! If you purchased your tickets online, your refund will be processed automatically. Just sit tight and allow 3-5 business days for the refund to appear in your bank account.
No need to lift a finger! However, there are a few scenarios where you might need to reach out to our box office:
- If you paid cash at our box office.
- If you’ve received a new or different card since your original purchase.
- If you haven’t seen the refund in your account after 5 business days.
What Happens if a Show Gets Rescheduled?
No worries! If a show you’ve already grabbed tickets for gets rescheduled, your tickets will still be valid for the new date. We’ll shoot you an email to let you know about the change, and if you’re good to go for the new date, no further action is needed on your part.
However, if you can’t make it to the rescheduled gig, we’ve got you covered. You’ll have a generous 30 days from the announcement of the new date to request a refund. Just reach out directly to our box office to kickstart the process.
Beware of counterfeit tickets. How do I tell if my ticket is valid?
It’s crucial for all buyers to exercise caution when purchasing tickets from unauthorized sites and ticket resellers. Tixr and SeeTickets are the only two ticket vendors supported at our venues. Unfortunately, this is a widespread issue affecting venues nationwide, and true fans often find themselves at a loss. Regrettably, there’s little we can do in such situations. Since the original transaction didn’t occur through our authorized ticketing partners, we lack the necessary information to assist. It’s disheartening to witness fans being taken advantage of, especially on platforms like Craigslist, Facebook, StubHub, VividSeats, SeatGeek, and others. We are only obligated to honor valid tickets purchased through our approved channels.
Can I purchase tickets in person without fees?
Yes. HI-FI box office is located at the main entrance off of Virginia Avenue. The box office is open 1 hour prior to the published door time. Additionally, our new and primary box office is located two doors down from HI-FI in Suite 2. This box office is open Monday through Friday 10 am to 6 pm and Saturdays from 9 am to 5 pm for fee-free ticket purchases. HI-FI accepts cash as well as all major credit cards for ticket purchases.
Do you have free WI-FI?
Yes. HI-FI offers free WI-FI during all shows. Simply select the HI-FI Free WI-FI network and you are all set!
All Ages
May 17
Low Cut Connie
HI-FI
$25 - $30
Presented By: MOKB Presents
Doors: 8:00 PM
Start Time: 9:00 pm
Start Time: 9:00 pm
Learn More About This Show
Add to Calendar 05/17/2025 09:00 PM05/17/2025 11:00 PMLow Cut ConnieMore Information: https://mokbpresents.com/event/low-cut-connie/HI-FI
RSVP on FacebookBuy Tickets
ARTIST PROFILE | Low Cut Connie
IndieR&B/Funk/Soul
“This record is all kink and no shame,” says Adam Weiner of ART DEALERS, the tough, sexy and tender new album coming from Low Cut Connie. “With Low Cut Connie, I try to create a safe space for you to just absolutely get your freak on.”
For years now, Low Cut Connie has built its grassroots coalition of oddballs, underdogs, and fun-loving weirdos with songs that celebrate life on the fringes of polite society. The band’s infamously wild, passionate live shows provide a total release - of stress, of inhibition, of shame - working up a primordial rock n roll sweat for fans to get blissfully soaked in. The new album, and its full-length companion film, sizzle with that same cathartic sweat, reminding us that it's time to get dirty again, and to feel alive. ART DEALERS sits at the intersection of sleazy and soulful - a collection of risky, romantic, life-affirming anthems, all dedicated to you.
“I think rock n roll exists to be a red-blooded, countercultural medium,” says Weiner, who has performed under the Low Cut Connie moniker for over a decade, "You're supposed to get your hair messed-up." That imperative comes through in the adults-only tone of songs like the opening “Tell Me Something I Don’t Know,” a sinuous, lurid rocker that sounds like walking through depraved Times Square in 1978 - neon-lit and nasty with a snapping beat. The speedy, fuzzed-up garage-rocker “Whips and Chains" calls out Trump and the current wave of neo-fascism, without ever losing its boogie rhythm section.
But there’s also tenderness behind the curtain here, as on the yearning first single "Are You Gonna Run?" and "Call Out My Name", which evoke the sweet sad love that punky boys like the New York Dolls and the Ramones used to have for tough girls like the Ronettes and the Shangri-La's.
The sounds throughout the record comprise a grimy modern urban landscape, a soulful but broken place that Weiner and his band (including rock n roll guitar hero, Will Donnelly, in his 9th year in Low Cut Connie) have been gravitating towards throughout the band's history. Weiner grew up amid the lawns and strip malls of suburban New Jersey, and his own teen dreams were lit up by the beacon of the big city, where he could shed his skin like so many artists before. “If you think about it, so many great artists who we associate with the city were actually bridge and tunnel people,” Adam said. “Patti Smith, Lou Reed, Springsteen. Debbie Harry, Robert Mapplethorpe. People who came from the burbs had this vision of what they could achieve in the city, what attracted them to this art life, who they could turn into and what impressions they could make - if they could just get there.” ART DEALERS is in many ways a tribute to that feeling at the pumping heart of the city - that enlightened buzz that can come in a packed hothouse of creativity and free expression. Songs like the Grace Jones styled "Take Me to the Place" and the penetrating title song point to all the people who cross those bridges, who choose the art life, who find their liberation on the edges of propriety.
ART DEALERS isn’t constrained by a gender binary, either. “When I’m onstage, I am the freest, most uninhibited version of myself,” Weiner explains. “It's total freedom of spirit and body. Over the years, that freedom has given me more confidence to write songs from a perspective that isn't necessarily male. I’ve slowly been walking toward a more gender-fluid voice with Low Cut Connie." Weiner's first steady gig at age 21 was as a piano-player in a drag karaoke bar in Manhattan called Pegasus, a seedy place where trans people, gay, straight and otherwise would gather around Weiner's piano in a benevolent yet fully debauched array. "There are so many songs that came out of that bar for me. Things like 'Shake It Little Tina [the single off of Low Cut Connie's Hi Honey album]" But it wasn't until ART DEALERS that he fully allowed himself to let the gender binary go so completely on songs like the upcoming single "Don't Get Fresh With Me," "Wonderful Boy," and "Sleaze Me On" (with its sweet refrain "Treat me like a modern girl!"). Says Weiner, "I have no idea the gender identity of those songs. And that feels real comfy for me, the 'not knowing'."
ART DEALERS goes out to all the outsiders. On the no-fucks-to-give anthem "King of the Jews," Weiner gets deep in the weeds of his personal and ethnic outsider identity. “There are just so many entry points these days to antisemitism, so my absolute unapologetic full-frontal Jewiness feels more needed now, I guess,” he says. “My Jewiness gives me an outsider perspective and humor that I wouldn't trade for any goddamn thing, and the minute I start hiding that, I'm dishonoring myself. Shedding shame is a key element of Low Cut Connie.”
Weiner feels like a certain dark prince of rock n roll was a companion to him on this whole album and film project. “I felt like Lou Reed was riding with me the whole time I was making Art Dealers,” he said. “Lou was the toughest motherfucker out there, a subversive Jew like me - but he had a real rock n’roll heart underneath it all."
ART DEALERS comes on the heels of a few very busy years for Low Cut Connie. During the height of COVID lockdowns, Adam and Low Cut Connie guitarist Will Donnelly did the near-impossible with their “Tough Cookies” live-streaming rock and soul variety shows. Even in a bathrobe, from his South Philly guest bedroom, Adam managed to generate the electricity of a live show - twice a week, no less - earning him the New Yorker’s newly-minted laurel of “Pandemic Person of the Year” in 2020. The broadcasts drew hundreds of thousands of viewers from more than forty countries, who joined previous appreciators like Bruce Springsteen (who invited Weiner backstage on Broadway in 2018) Barack Obama (an early adopter, who included the band on his official Spotify favorites playlist in 2015) and Elton John (who both praised the band from his own concert stage and featured Weiner as a guest, twice, on his satellite radio show) in Low Cut Connie’s de facto fan club.
In the midst of all this, Low Cut Connie also released 2020's acclaimed PRIVATE LIVES album. The album's title track finished the year in the top 20 nationally for non-commercial radio and was praised by NPR as "the freak anthem we need right now." PRIVATE LIVES was praised for the vivid interiority and intimate detail of its songwriting and was included on many best-of-the-year lists that year (Rolling Stone, NPR/Fresh Air, PopMatters, Glide, AllMusic, etc). For that album and ART DEALERS, Weiner sat solo in the producer's chair.
Further exploring new media, Weiner co-directed (with filmmaker Roy Power) an 80 minute feature film that will premiere late this year as a companion piece to ART DEALERS. The film is a hybrid-genre documentary that combines a stellar run of NYC concerts from 2022 shot at Sony Hall and the Blue Note, as well as 15 years of performance footage and musical and personal misadventures that led up to ART DEALERS. Low Cut Connie released the critically acclaimed LP ART DEALERS in Fall 2023, with a full-length companion film to be released in theaters across the US in September 2024, and on-demand streaming on Oct 1, 2024.
Ahead of the release of this new album and film, Adam Weiner aka Low Cut Connie explains what motivates him to keep pushing deeper into art life.
“I'm always trying to get back to the heart and soul of things with the intention of my music and my performances,” says Adam. “I don't know what's hip. I don't know what's in fashion. I don't know what I'm supposed to be doing to be accepted by whatever's popular or trending. I have no idea - I don't care anymore. I just want to turn people on with what I do. The world is a dirty and broken place… we might as well live it the fuck up while we’re here.”
Supporting Acts
About the Venue
HI-FI is located inside the historic Murphy Arts Center in the heart of Fountain Square. HI-FI shows virtually every night of the week and is known for finding new artists on the rise. The venue is acoustically one of the best sounding venues in the Midwest. The entrance is located at the front of the building on Virginia Ave and the Indianapolis Cultural Trail.
Amenities: Live Music, Premium Sound, Full Bar, 24 Draft Beers On Tap, VIP Seating, Street-Level Box Office
Upgrades: A limited amount of VIP seating upgrades (21+) are available for select shows. Contact the box office to purchase or check availability: boxoffice@hifiindy.com.
Ticket Support: Box Office opens 1 hour before published door time. For ticket related questions please email boxoffice@hifiindy.com.
Parking: Street Parking, Bike Parking
Upgrades: A limited amount of VIP seating upgrades (21+) are available for select shows. Contact the box office to purchase or check availability: boxoffice@hifiindy.com.
Ticket Support: Box Office opens 1 hour before published door time. For ticket related questions please email boxoffice@hifiindy.com.
Parking: Street Parking, Bike Parking
Refund Policy: All tickets are non-transferable and non-refundable unless the show is canceled. Shows affected by Covid-19 pandemic will be handled on a case-by-case basis. Contact the box office with any questions: boxoffice@hifiindy.com.
1043 Virginia Ave #4 Indianapolis, IN 46203
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