Carbon Leaf
More about this event
NO HEALTH CHECK REQUIRED
ARTIST PROFILE | Carbon Leaf
“The Gathering series is all about building community,” says Carbon Leaf frontman Barry Privett. “It’s a call to look inwards and find what matters, an invitation to reach out and embrace the gifts of human connection.”
That’s no mean feat given the deep divisions that have defined much of the past few years of American life, but Carbon Leaf has always punched above their weight, defying the odds at every turn and redefining what’s possible for a modern indie band in the process. The group’s extraordinary new mini-album, Gathering 2: The Hunting Ground, is no exception. Recorded at the band’s own studio in Richmond, VA, the collection marks the second installment of the group’s four-part Gathering series, which finds the long-running quintet stripping their sound back to its organic, acoustic core as they reckon with our ever-conflicting desires for unity and independence. The songs here are gutsy and probing, grappling with grief, loss, anger, and pain, and the arrangements are aggressive and insistent to match, fueled by layers of relentlessly strummed guitars, rolling banjo, and lush fiddle. The result is a moving, cathartic collection that’s unafraid to confront darkness and doubt head on, a poignant, revelatory record all about the power of self-reflection and the ties that bind.
“One of the big questions we found ourselves grappling with as a band was, ‘How do you actually make any kind of a difference in society today?’” says Privett. “And I don’t think you can do that without first looking inwards—to yourself, your family, your friends—and figuring out what your values truly are.”
Anyone who’s caught a Carbon Leaf show over the past three decades probably has a pretty good idea just what those values are: brotherhood, commitment, empathy, integrity, self-reliance. Founded at Randolph-Macon College in 1992, the group evolved from a houseparty cover band into something far more profound after graduation, when they moved to Richmond and made the shift to original music. The band’s first three albums helped build a devoted cult following, but it was 2001’s Echo Echo that truly brought Carbon Leaf to national attention, with lead single “The Boxer” earning the group a performance slot in front of millions of viewers at the American Music Awards. After nearly ten years of self-releasing and grinding it out on the road (both as headliners and as guests appearing on bills alongside the likes of Dave Matthews Band, O.A.R., Jason Mraz, Blues Traveler, and Guster, among others), the band signed with Vanguard Records in 2004 for their critical and commercial breakthrough, Indian Summer, which yielded a Top 5 hit at AAA radio and garnered rave reviews everywhere from The Washington Post to WXPN. While the band would go on to release two more similarly well-received albums with Vanguard, it soon became obvious to everyone that independence wasn’t simply an ideal for Carbon Leaf, but rather an integral part of their DNA, and so in 2010, the band parted ways with the label in order to return to their DIY roots and take complete and total control of their career. Acting as their own label, distributor, and manager, the band cut new versions of all three Vanguard albums in order to regain the rights to the recordings, launched their own festival, and began releasing a successful series of direct-to-fan concert films, livestreams, and studio records leading up to the first installment of the Gathering series in 2018.
“The initial idea for these Gathering albums was to get a bunch of our musical friends together in the studio for a weekend and make something really communal and collaborative,” explains Privett. “We had some of our pals from We Banjo 3 join in on Volume 1, but for the second installment we decided to strike out on our own because the songs just felt more personal and introspective.”
Though Carbon Leaf had traditionally embraced a wall of sound approach in the studio, this time around they went back to the basics, focusing on raw, acoustic arrangements that placed the storytelling front and center. With guitarist Terry Clark handling engineering duties, the band—Privett, Clark, stringed instrument wizard Carter Gravatt, bassist Jon Markel, and drummer Jesse Humphrey—captured performances on and off over the course of roughly six months, experimenting with a wide variety of instruments and mic placements to generate a series of immersive, transportive sonic landscapes.
“Space was a big thing for us when we were making these recordings,” says Clark. “Moving the microphones further away so we could really capture the room and the air helped add lot of the character and dimension these songs needed.”
While some of the tracks here began life as instrumental demos from Gravatt, others first took shape as a capella lyrical or melodic ideas from Privett. Regardless of where each tune began, though, the finished product would inevitably wind up bearing the unmistakable fingerprints of all five bandmates, whose infectious chemistry consistently yields more than the sum of its parts.
“We like to take a world-building approach in the studio,” says Privett. “We’ll stack things up and layer them on top of each other until we’ve got something that sounds way beyond just five guys in a room together.”
That alchemy is obvious from the outset on The Hunting Ground, which opens with the churning “Everything’s Alright Mama.” Mixing gritty Appalachian folk with lilting Celtic influences, the track begins with both feet on the ground and builds into a soaring work of bittersweet beauty, balancing the mundane and the magical in equal measure as it reaches out into the void for connection. Like much of the album, it’s a bright, uptempo tune, but dig beneath the surface and you’ll find an underlying sense of sadness that permeates the often-impressionistic lyrics. The driving “Her Father’s Pride,” for instance, grapples with division on both a personal and a communal scale, while the rollicking “Smokey Joe Of The Poconos” explores what happens to those left behind in the name of progress, and the mesmerizing “Pale Blue Dot” zooms out to contemplate our place and our purpose in the greater scheme of the universe. It’s perhaps the muscular title track, though, that best encapsulates the sense of questioning and longing that defines the collection, with Privett singing, “Is this all we have, the natural world? Is anyone around?”
“The idea of the hunting ground is that it’s this place where you’re searching for something out in the great wild unknown,” says Privett. ”How do you process grief? How do you fix your soul in the face of losing someone you care about? How do you carry on when life doesn’t go the way you’d planned?”
In the end, of course, there are no easy answers to these questions, and that’s precisely the point. The hunt is an endless one, but it doesn’t need to be lonely. We’re all in the search together, and after more than a year of distance and isolation, it’s hard to think of anything we need more than a good old fashioned gathering.
READ MORE >>Supporting Acts
SHOW BY SIMILAR ARTISTS
About HI-FI | Indianapolis, IN
HI-FI is located inside the historic Murphy Arts Center in the heart of Fountain Square. HI-FI shows virtually every night of the week and is known for finding new artists on the rise. The venue is acoustically one of the best sounding venues in the Midwest. The entrance is located at the front of the building on Virginia Ave and the Indianapolis Cultural Trail.
Getting Around the Venue
Frequently Asked Questions About HI-FI | Indianapolis, IN
What are the age restrictions at this venue?
Most of our gigs are open to those 18 years and older, though there are a few exceptions. We’re also rolling out more all-ages shows to accommodate younger fans, but double-check our website for specific age requirements before getting your tickets. We’ve made it super easy to spot the age restrictions on each event listing.
If you are going to indulge in a seating upgrade in our VIP area, all guests must be 21 years of age or older.
Can I upgrade my to VIP seating?
HI-FI offers a limited number of seating upgrades in designated viewing areas. The HI-FI VIP Deck is the elevated section near the back of the venue offers table seating with quick access to the bar. Please note that all guests in this area must be 21+. You can contact the box office to purchase a seating upgrade for your ticket at
boxoffice@hifiindy.com
What items are permitted or prohibited at this venue?
At our venues, we strive to ensure a safe and enjoyable experience for all guests. While specific rules may vary slightly depending on the event location, the following list generally applies across all venues.
Any illegal items found will be confiscated immediately. Guests discovered with prohibited items inside the venue may face ejection, and those attempting to enter with such items may be denied entry.
We appreciate your cooperation in adhering to these guidelines to ensure everyone’s safety and enjoyment during our events.
Permitted Items Include:
- All bags and possessions are subject to search and may be subject to metal detection. No backpacks are permitted at any of our venues.
- Clear tote or bag made from plastic, vinyl or PVC that does not exceed 14” x 14” in size.
- Personal purse, fanny pack or handbag so long as it does not exceed 14” x 14” in size
- A warm heart and smiles
Prohibited items include:
- Weapons of any kind: Firearms (with or without permit), knives (any size), multi-tools
- Pepper Spray or Mace
- Flares or Fireworks
- Oversized bags (Bag larger than 12” x 12”, including all backpacks, briefcases, luggage, or duffle bags)
- Illegal Substances
- Outside Beverages
- Laser Pointers
- Removable lens cameras or flash photography, tripods, monopods, selfie-sticks (unless pre-approved by Event Manager)
- Audio or Video recording devices (unless pre-approved by Event Manager)
- Signs larger than 11” x 17” or any sign attached to a stick or pole
- Skateboards, hoverboards, rollerblades, scooters, or bicycles
- Hula hoops, spray paint, silly string
- Noise Making devices (i.e. Air Horns, drums, whistles)
- Coolers or Ice Chests
- Animals/Pets (Except Service Animals)
HI-FI reserves the right to prohibit any item, including items not listed above, from entering the premises if deemed hazardous or disruptive to the event.
Can I bring a bag into the show?
Yes! You’re welcome to bring personal purse, fanny pack or handbag so long as it does not exceed 14” x 14” in size. No backpacks are permitted at any time.
What’s the parking situation like?
Parking in Fountain Square can be difficult at times and we highly recommend you carpool, Uber, Lyft, or use public transportation when attending an event. Street and parking is available along Woodlawn Ave, Virginia Ave, and Prospect St. Bicycle parking is available in front of HI-FI on Virginia Ave and neighboring streets. Do not park in the Wine Market parking lot.
What is the camera/photo policy for this venue?
Our photo policy varies for each event and is at the discretion of the artist performing that night. This policy can change from night to night.
As a general guideline, we typically do not permit professional photography unless it has been pre-approved by either HI-FI or the Artist Management.
For approved photographers, you’re welcome to snap photos during the first three songs of the performance. However, please refrain from using flash.
Media personnel and professional photographers interested in covering our events can reach out to us at marketing@hifiindy.com to request media credentials.
Is there food and drink at this venue?
Absolutely! We’ve got you covered for some tasty bites to fuel your night.
Our very own Easy Rider Diner is your go-to spot on most show nights, serving up mouthwatering dishes right next door to HI-FI. With a convenient connection door open for most shows, you can easily hop back and forth without missing a beat. We highly recommend making a reservation in advance, as show nights tend to get busy. Please note that Easy Rider is closed on Mondays and Tuesdays, but fear not – you can still grab some chips, candy, or snacks at HI-FI’s bar.
View seating maps for this venue
Check your show listing for information on the show’s seating configuration. The majority of HI-FI shows are general admission, standing-room-only. Depending on the show, there are a handful of tables available to those who arrive early. There is a limited amount of seating upgrades available on the VIP deck. Contact the box office to secure a seating upgrade for your show at boxoffice@hifiindy.com. Shows that are reserved or partially reserved seating configurations will have information or purchase options directly on the event listing.
Can I leave and re-enter the venue?
Re-entry is allowed for HI-FI and LO-FI Lounge shows once you’ve been stamped or wristbanded by a member of our staff.
Do you offer ADA, handicap or special needs options?
There are 2 handicapped parking spots in the lot located across Prospect St. closest to El Arado Mexican Grill. Once inside HI-FI, there is no designated ADA seating section. The box office handles any special needs or ADA seating requests at boxoffice@hifiindy.com.
Where is the box office located?
Getting tickets to our shows is super easy! You have a few options, depending on how you like to roll:
Online: Grab your tickets in advance from our official websites, hifiindy.com and mokbpresents.com, or through our trusted ticketing partners tixr.com and seetickets.us.
In Person: Swing by one of our three convenient box office locations around the Murphy Arts Center building and grab tickets with no service fees:
Main Box Office at Virginia Ave Mercantile: Located at 1043 Virginia Ave Suite 2 (between Easy Rider and La Margarita). Open Monday through Friday from 10 a.m. to 6 p.m.
HI-FI Box Office: Found at 1043 Virginia Ave Suite 4 (at the main entrance to HI-FI). Open only on show nights, starting 1 hour before published show times until 10 p.m.
I lost something at the show. Who do I contact?
Have you misplaced something during one of our events? Don’t worry, we’re here to help reunite you with your belongings! While we can’t take responsibility for lost or stolen items, we’re committed to assisting you in any way we can.
Found items are securely stored at our Virginia Ave Mercantile & Box Office until they’re claimed. Please note that items lost during late-night events might take until the next morning to reach our lost and found. We know you might be eager to retrieve your belongings (like that phone you’re pinging outside our door at 6 am), but our team typically wraps up late-night events and may not be available until later in the morning.
For lost items, please follow the outlined process rather than popping into Easy Rider in the early hours. They’re open early, but our restaurant team is busy during weekends and can’t assist with lost items during busy service hours.
To inquire about lost items, shoot us an email at boxoffice@hifiindy.com. Mercantile hours are Monday through Friday, 10:00 a.m. to 6:00 p.m., and Saturdays from 12:00 p.m. to 7:00 p.m.
Let’s work together to get your goods back to you as quickly as possible!
What is your refund policy?
What’s Your Refund Policy for Postponed Shows?
If a show gets postponed, don’t sweat it! We’ll shoot you an email to let you know about the change, and if you’re cool with the new date, no further action is needed on your part.We’ll be working diligently to find a new date for the show, and we’ll keep you updated every step of the way. But if you can’t make it to the rescheduled gig, we’ve got your back. You’ll have a generous 30-day window following the announcement of the new date to request a refund.
For those who paid with cash at our box office, just drop us a line at boxoffice@hifiindy.com for further instructions on processing your refund.
Please bear with us as we explore rescheduling options with the tour. Your patience is much appreciated as we work to present the best possible show experience for you.
What’s the Refund Policy for Canceled Shows?
In the unfortunate event of a canceled show, don’t fret! If you purchased your tickets online, your refund will be processed automatically. Just sit tight and allow 3-5 business days for the refund to appear in your bank account.
No need to lift a finger! However, there are a few scenarios where you might need to reach out to our box office:
- If you paid cash at our box office.
- If you’ve received a new or different card since your original purchase.
- If you haven’t seen the refund in your account after 5 business days.
What Happens if a Show Gets Rescheduled?
No worries! If a show you’ve already grabbed tickets for gets rescheduled, your tickets will still be valid for the new date. We’ll shoot you an email to let you know about the change, and if you’re good to go for the new date, no further action is needed on your part.
However, if you can’t make it to the rescheduled gig, we’ve got you covered. You’ll have a generous 30 days from the announcement of the new date to request a refund. Just reach out directly to our box office to kickstart the process.
Beware of counterfeit tickets. How do I tell if my ticket is valid?
It’s crucial for all buyers to exercise caution when purchasing tickets from unauthorized sites and ticket resellers. Unfortunately, this is a widespread issue affecting venues nationwide, and true fans often find themselves at a loss. Regrettably, there’s little we can do in such situations. Since the original transaction didn’t occur through our authorized ticketing partners, we lack the necessary information to assist. It’s disheartening to witness fans being taken advantage of, especially on platforms like Craigslist, Facebook, StubHub, VividSeats, SeatGeek, and others. We are only obligated to honor valid tickets purchased through our approved channels. Valid tickets for HI-FI, HI-FI Annex, & LO-FI Lounge are exclusively available through the locations specified in the ‘How can I purchase tickets?’ section above. Tixr and SeeTickets are the only two ticket vendors supported at our venues. section above.
Can I purchase tickets in person without fees?
Yes. HI-FI box office is located at the main entrance off of Virginia Avenue. The box office is open 1 hour prior to the published door time. Additionally, the new and primary box office is located two doors down from HI-FI in Suite 2. This box office is open Monday through Friday 10am – 6pm for fee-free ticket purchases. HI-FI accepts cash as well as all major credit cards for ticket purchases.
Do you have free WI-FI?
Yes. HI-FI offers free WI-FI during all shows. Simply select the HI-FI Free WI-FI network and you are all set.
Carbon Leaf
Start Time: 8:00 pm
An Evening with Carbon Leaf
NO HEALTH CHECK REQUIRED
Buy Tickets
ARTIST PROFILE | Carbon Leaf
“The Gathering series is all about building community,” says Carbon Leaf frontman Barry Privett. “It’s a call to look inwards and find what matters, an invitation to reach out and embrace the gifts of human connection.”
That’s no mean feat given the deep divisions that have defined much of the past few years of American life, but Carbon Leaf has always punched above their weight, defying the odds at every turn and redefining what’s possible for a modern indie band in the process. The group’s extraordinary new mini-album, Gathering 2: The Hunting Ground, is no exception. Recorded at the band’s own studio in Richmond, VA, the collection marks the second installment of the group’s four-part Gathering series, which finds the long-running quintet stripping their sound back to its organic, acoustic core as they reckon with our ever-conflicting desires for unity and independence. The songs here are gutsy and probing, grappling with grief, loss, anger, and pain, and the arrangements are aggressive and insistent to match, fueled by layers of relentlessly strummed guitars, rolling banjo, and lush fiddle. The result is a moving, cathartic collection that’s unafraid to confront darkness and doubt head on, a poignant, revelatory record all about the power of self-reflection and the ties that bind.
“One of the big questions we found ourselves grappling with as a band was, ‘How do you actually make any kind of a difference in society today?’” says Privett. “And I don’t think you can do that without first looking inwards—to yourself, your family, your friends—and figuring out what your values truly are.”
Anyone who’s caught a Carbon Leaf show over the past three decades probably has a pretty good idea just what those values are: brotherhood, commitment, empathy, integrity, self-reliance. Founded at Randolph-Macon College in 1992, the group evolved from a houseparty cover band into something far more profound after graduation, when they moved to Richmond and made the shift to original music. The band’s first three albums helped build a devoted cult following, but it was 2001’s Echo Echo that truly brought Carbon Leaf to national attention, with lead single “The Boxer” earning the group a performance slot in front of millions of viewers at the American Music Awards. After nearly ten years of self-releasing and grinding it out on the road (both as headliners and as guests appearing on bills alongside the likes of Dave Matthews Band, O.A.R., Jason Mraz, Blues Traveler, and Guster, among others), the band signed with Vanguard Records in 2004 for their critical and commercial breakthrough, Indian Summer, which yielded a Top 5 hit at AAA radio and garnered rave reviews everywhere from The Washington Post to WXPN. While the band would go on to release two more similarly well-received albums with Vanguard, it soon became obvious to everyone that independence wasn’t simply an ideal for Carbon Leaf, but rather an integral part of their DNA, and so in 2010, the band parted ways with the label in order to return to their DIY roots and take complete and total control of their career. Acting as their own label, distributor, and manager, the band cut new versions of all three Vanguard albums in order to regain the rights to the recordings, launched their own festival, and began releasing a successful series of direct-to-fan concert films, livestreams, and studio records leading up to the first installment of the Gathering series in 2018.
“The initial idea for these Gathering albums was to get a bunch of our musical friends together in the studio for a weekend and make something really communal and collaborative,” explains Privett. “We had some of our pals from We Banjo 3 join in on Volume 1, but for the second installment we decided to strike out on our own because the songs just felt more personal and introspective.”
Though Carbon Leaf had traditionally embraced a wall of sound approach in the studio, this time around they went back to the basics, focusing on raw, acoustic arrangements that placed the storytelling front and center. With guitarist Terry Clark handling engineering duties, the band—Privett, Clark, stringed instrument wizard Carter Gravatt, bassist Jon Markel, and drummer Jesse Humphrey—captured performances on and off over the course of roughly six months, experimenting with a wide variety of instruments and mic placements to generate a series of immersive, transportive sonic landscapes.
“Space was a big thing for us when we were making these recordings,” says Clark. “Moving the microphones further away so we could really capture the room and the air helped add lot of the character and dimension these songs needed.”
While some of the tracks here began life as instrumental demos from Gravatt, others first took shape as a capella lyrical or melodic ideas from Privett. Regardless of where each tune began, though, the finished product would inevitably wind up bearing the unmistakable fingerprints of all five bandmates, whose infectious chemistry consistently yields more than the sum of its parts.
“We like to take a world-building approach in the studio,” says Privett. “We’ll stack things up and layer them on top of each other until we’ve got something that sounds way beyond just five guys in a room together.”
That alchemy is obvious from the outset on The Hunting Ground, which opens with the churning “Everything’s Alright Mama.” Mixing gritty Appalachian folk with lilting Celtic influences, the track begins with both feet on the ground and builds into a soaring work of bittersweet beauty, balancing the mundane and the magical in equal measure as it reaches out into the void for connection. Like much of the album, it’s a bright, uptempo tune, but dig beneath the surface and you’ll find an underlying sense of sadness that permeates the often-impressionistic lyrics. The driving “Her Father’s Pride,” for instance, grapples with division on both a personal and a communal scale, while the rollicking “Smokey Joe Of The Poconos” explores what happens to those left behind in the name of progress, and the mesmerizing “Pale Blue Dot” zooms out to contemplate our place and our purpose in the greater scheme of the universe. It’s perhaps the muscular title track, though, that best encapsulates the sense of questioning and longing that defines the collection, with Privett singing, “Is this all we have, the natural world? Is anyone around?”
“The idea of the hunting ground is that it’s this place where you’re searching for something out in the great wild unknown,” says Privett. ”How do you process grief? How do you fix your soul in the face of losing someone you care about? How do you carry on when life doesn’t go the way you’d planned?”
In the end, of course, there are no easy answers to these questions, and that’s precisely the point. The hunt is an endless one, but it doesn’t need to be lonely. We’re all in the search together, and after more than a year of distance and isolation, it’s hard to think of anything we need more than a good old fashioned gathering.
READ MORE >>Supporting Acts
About the Venue
Upgrades: A limited amount of VIP seating upgrades (21+) are available for select shows. Contact the box office to purchase or check availability: boxoffice@hifiindy.com.
Ticket Support: Box Office opens 1 hour before published door time. For ticket related questions please email boxoffice@hifiindy.com.
Parking: Street Parking, Bike Parking