
Austin Meade + Goodbye June
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ARTIST PROFILE | Austin Meade • Goodbye June

He’s an artist molded by red dirt, grunge, nostalgia, melody, and the raw spirit of vintage rock.
But there’s much more beneath the surface of his music.
Austin Meade doesn’t play dress-up. When he shows up in grease-streaked work clothes, it’s because that’s what he wears when he’s building his bus barn, fixing his house, or chasing his two toddlers around the yard. And when it comes to his music, he delivers songs as unfiltered asa voice memo—honest and confessional anthems for outsiders about the weird, beautiful chaos of real life.
“I don’t have time for anybody’s bullshit anymore,” Meade says. “If I’m not 100% in on something, I move on. I want every song to feel like the coolest thing I’ve ever done.”
Raised in small-town Texas by a Baptist preacher dad who took him to see AC/DC, Journey, and Judas Priest, Meade grew up immersed in guitar-driven storytelling across multiple genres. His voice carries that legacy—soulful, southern, and unmistakable—even as it swerves between styles.
There are echoes of heartland troubadours and Warped Tour vets in his songs. The fusion is uniquely his: rock n’ roll urgency delivered with the swagger of a dive-bar poet and the heart of a family man.
Meade earned his stripes by grinding it out across the Southwest—playing solo acoustic gigs in dimly lit restaurants, leading bar bands in a rotating cast of vans, and eventually joining diverse rock and country bills with acts like Sevendust and Treaty Oak Revival.
His 2021 breakout album, Black Sheep, served as a rallying cry and a mission statement for him.
2022’s Abstract Art of an Unstable Mind incorporated fuzzy guitars, emotional depth, and self aware cynicism. 2024’s Pretty Little Waist EP broke through rock radio with the Top 25 single “BLACKOUT.”
But it’s his latest album, ALMOST FAMOUS, that completes the picture—an anthemic, personal collection that shows who he is now: a young music veteran with plenty to say and nothing to prove.
The album opens with the title track, a loud, loose, and self-deprecating anthem that builds on the persona he crafted long before the Dallas Observer compared his looks to the guy from that movie.
The song is unrelated. “I’d be out somewhere and somebody would go, ‘Hey, are you Austin Meade—or do you just look like him?’” he laughs. “So, I started joking, ‘Yeah, I’m almost famous.’ Then we wrote the song, and it just poured out. It’s basically my whole life in three and a half minutes.”
Unfiltered to the point of hilarious, “ALMOST FAMOUS” skewers music industry ass-kissing, pokes fun at his rising fame, and name checks everything from his grandma to front porch Busch Light binges. The song’s music video roasts clueless record executives. But as always with Meade, the sarcasm is just one layer. Peel it back and there’s a deep-running thread of identity, anxiety, and purpose.
“My grandma’s the only one that knows I’m falling off,” he sings, halfway joking, halfway not. "I’m just a white trash, dive bar local favorite.” It’s funny. It’s raw. It’s real.
That emotional honesty deepens on tracks like “HONEY DO YA”—a breezy, harmony-soaked love song written with longtime collaborator David Willie and producer Riley Bria. The play on words (from “honey-do list” to “honey, do you want to do this forever?”) is classic Meade: heartfelt, clever, and vulnerable. It bridges the gap from his “Happier Alone” era to his current style of songwriting.
Throughout Almost Famous, Meade weaves musical and lyrical callbacks to his earlier albums, creating a kind of self-referential songbook. The voicemail from his wife at the end of “SHE LOVES ME NOT” bleeds into the opening of “HONEY DO YA.” The ending of “ALMOST FAMOUS” flows straight into “BAD DAYS,” a cathartic rocker about marital squabbles. The album’s closing track, “LIKE FATHER LIKE SON,” traces a generational through-line from his grandfather to his newborn baby.
“I’m trying to build the life I always wanted growing up,” he says. “My parents live ten minutes away. My dad helps me fix up the tour bus. I work my ass off so I can make music and still come home to my kids.”
Meade’s work ethic is part of what makes him stand out in a scene crowded with artists chasing trends. As SPIN noted after watching Meade perform at Louder Than Life, he brings an “in-the moment freedom” to his shows. “You don’t know the people five feet from you,” he said, “but a lot of times you’re singing the same damn song.” That shared electricity is what fuels him, from clubs to festivals.
For all the labels people have used to try to categorize him—country, rock, Red Dirt, alternative —Meade remains mostly uninterested in labels. “I think we’re just Southern alternative rock,” he shrugs.
“Some days we’re the country band at a rock fest, some days we’re the rock band at a country fest,” he says, with a good-natured laugh. “But we always sound like us.”
There’s no affectation. No costume. Just a hard-working songwriter with a beat-up guitar, a sharp tongue, and a big heart. Almost famous? Probably not for much longer.
READ MORE >>Supporting Acts
SHOW BY SIMILAR ARTISTS
About HI-FI | Indianapolis, IN
HI-FI is located inside the historic Murphy Arts Center in the heart of Fountain Square. HI-FI hosts shows virtually every night of the week and is known for finding new artists on the rise. The venue is acoustically one of the best sounding venues in the Midwest. The entrance is located at the front of the building on Virginia Ave and the Indianapolis Cultural Trail.
Getting Around the Venue
Frequently Asked Questions About HI-FI | Indianapolis, IN
What are the age restrictions at this venue?
Most of our gigs are open to those of all ages, though there are a few exceptions. Double-check our website for specific age requirements before getting your tickets. We’ve made it super easy to spot the age restrictions on each event listing.
If you are going to indulge in a seating upgrade in our VIP area, all guests must be 21 years of age or older.
HI-FI requires a valid ID for admission. For guests who will be consuming alcoholic beverages, a valid state or government issues ID is required. Everyone will be carded during check-in. Expired and temporary ID’s are not accepted.
Can I upgrade my to VIP seating?
HI-FI proudly offers our VIP Deck, situated at the rear of the venue. This elevated section features table seating and provides convenient access to the bar. Please be advised that all guests in this area must be 21 years of age or older. For seating upgrade inquiries, please contact the box office at boxoffice@hifiindy.com
What items are permitted or prohibited at this venue?
At our venues, we strive to ensure a safe and enjoyable experience for all guests. While specific rules may vary slightly depending on the event location, the following list generally applies across all venues.
Any illegal items found will be confiscated immediately. Guests discovered with prohibited items inside the venue may face ejection, and those attempting to enter with such items may be denied entry.
We appreciate your cooperation in adhering to these guidelines to ensure everyone’s safety and enjoyment during our events.
Permitted Items Include:
- All bags and possessions are subject to search and may be subject to metal detection. No backpacks are permitted at any of our venues.
- Clear tote or bag made from plastic, vinyl or PVC that does not exceed 14” x 14” in size.
- Personal purse, fanny pack or handbag so long as it does not exceed 14” x 14” in size
- A warm heart and smiles
Prohibited items include:
- Weapons of any kind: Firearms (with or without permit), knives (any size), multi-tools
- Pepper Spray or Mace
- Flares or Fireworks
- Oversized bags (Bag larger than 12” x 12”, including all backpacks, briefcases, luggage, or duffle bags)
- Illegal Substances
- Outside Beverages
- Laser Pointers
- Removable lens cameras or flash photography, tripods, monopods, selfie-sticks (unless pre-approved by Event Manager)
- Audio or Video recording devices (unless pre-approved by Event Manager)
- Signs larger than 11” x 17” or any sign attached to a stick or pole
- Skateboards, hoverboards, rollerblades, scooters, or bicycles
- Hula hoops, spray paint, silly string
- Noise Making devices (i.e. Air Horns, drums, whistles)
- Coolers or Ice Chests
- Animals/Pets (Except Service Animals)
HI-FI reserves the right to prohibit any item, including items not listed above, from entering the premises if deemed hazardous or disruptive to the event.
Can I bring a bag into the show?
Yes! You’re welcome to bring personal purse, fanny pack or handbag so long as it does not exceed 14” x 14” in size. No backpacks are permitted at any time.
What’s the parking situation like?
Depending on the day and time, finding a spot can be tricky. On busy show days we advise arriving early to ensure you get a good spot.
We’re excited to announce our partnership with LAZ Parking to offer pre-paid parking options for HI-FI and HI-FI Annex events. The lot is conveniently located directly next to HI-FI Annex, in the former PNC Bank parking lot. Check here for parking availability ahead of your show.
Parking is free on all of the surrounding streets in Fountain Square and most parking lots.
We advise against traveling down St. Patrick St on show days, as it can become congested one-way with traffic coming from both directions.
Bike parking is available at any of the bike racks on Virginia Ave in front of HI-FI.
What is the camera/photo policy for this venue?
Our photo policy varies for each event and is at the discretion of the artist performing that night. This policy can change from night to night.
As a general guideline, we typically do not permit professional photography unless it has been pre-approved by either HI-FI or the Artist Management.
For approved photographers, you’re welcome to snap photos during the first three songs of the performance. However, please refrain from using flash.
Media personnel and professional photographers interested in covering our events can reach out to us at marketing@hifiindy.com to request media credentials.
Is there food and drink at this venue?
Absolutely! You can grab some chips, candy, or snacks at HI-FI’s bar.
View seating maps for this venue
Check your show listing for information on the show’s seating configuration. The majority of HI-FI shows are general admission, standing-room-only. Depending on the show, there are a handful of tables available to those who arrive early. There is a limited amount of seating upgrades available on the VIP deck. Contact the box office to secure a seating upgrade for your show at boxoffice@hifiindy.com. Shows that are reserved or partially reserved seating configurations will have information or purchase options directly on the event listing.
Can I leave and re-enter the venue?
Re-entry is allowed for HI-FI shows once you’ve been stamped or wristbanded by a member of our staff.
Do you offer ADA, handicap or special needs options?
There are 2 handicapped parking spots in the lot located across Prospect St. closest to El Arado Mexican Grill. The box office handles any special needs or ADA seating requests at boxoffice@hifiindy.com.
Where is the box office located?
Getting tickets to our shows is super easy! You have a few options, depending on how you like to roll:
Online: Grab your tickets in advance from our official websites, hifiindy.com and mokbpresents.com, or through our trusted ticketing partner tixr.com.
In Person: Swing by one of our convenient box office locations around the Murphy Arts Center building and grab tickets with no service fees:
HI-FI Box Office: Found at 1043 Virginia Ave Suite 4 (at the main entrance to HI-FI). Open only on show nights, starting 1 hour before published show times until 10 pm.
Annex Box Office: Found at 1065 St. Patrick Street (at the main entrance to Annex). Open only on show nights, starting 1 hour before published show times until 9 pm.
I lost something at the show. Who do I contact?
Have you misplaced something during one of our events? Don’t worry, we’re here to help reunite you with your belongings! While we can’t take responsibility for lost or stolen items, we’re committed to assisting you in any way we can.
Found items are securely stored at our office until they’re claimed. Please note that items lost during late-night events might take until the next morning to reach our lost and found. We know you might be eager to retrieve your belongings (like that phone you’re pinging outside our door at 6 am), but our team typically wraps up late-night events and may not be available until later in the morning.
To inquire about lost items, shoot us an email at boxoffice@hifiindy.com. Found items can be picked up in our Office (Suite 2) Monday – Fridays 10am – 6pm. Guests may be required to provide identification or another form of verification to claim their items.
Let’s work together to get your goods back to you as quickly as possible!
What is your refund policy?
What’s Your Refund Policy for Postponed Shows?
If a show gets postponed, don’t sweat it! We’ll shoot you an email to let you know about the change, and if you’re cool with the new date, no further action is needed on your part.We’ll be working diligently to find a new date for the show, and we’ll keep you updated every step of the way. But if you can’t make it to the rescheduled gig, we’ve got your back. You’ll have a generous 30-day window following the announcement of the new date to request a refund.
For those who paid with cash at our box office, just drop us a line at boxoffice@hifiindy.com for further instructions on processing your refund.
Please bear with us as we explore rescheduling options with the tour. Your patience is much appreciated as we work to present the best possible show experience for you.
What’s the Refund Policy for Canceled Shows?
In the unfortunate event of a canceled show, don’t fret! If you purchased your tickets online, your refund will be processed automatically. Just sit tight and allow 3-5 business days for the refund to appear in your bank account.
No need to lift a finger! However, there are a few scenarios where you might need to reach out to our box office:
- If you paid cash at our box office.
- If you’ve received a new or different card since your original purchase.
- If you haven’t seen the refund in your account after 5 business days.
What Happens if a Show Gets Rescheduled?
No worries! If a show you’ve already grabbed tickets for gets rescheduled, your tickets will still be valid for the new date. We’ll shoot you an email to let you know about the change, and if you’re good to go for the new date, no further action is needed on your part.
However, if you can’t make it to the rescheduled gig, we’ve got you covered. You’ll have a generous 30 days from the announcement of the new date to request a refund. Just reach out directly to our box office to kickstart the process.
Beware of counterfeit tickets. How do I tell if my ticket is valid?
It’s crucial for all buyers to exercise caution when purchasing tickets from unauthorized sites and ticket resellers. Tixr is the only ticket vendor supported at our venues. Unfortunately, this is a widespread issue affecting venues nationwide, and true fans often find themselves at a loss. Regrettably, there’s little we can do in such situations. Since the original transaction didn’t occur through our authorized ticketing partners, we lack the necessary information to assist. It’s disheartening to witness fans being taken advantage of, especially on platforms like Craigslist, Facebook, StubHub, VividSeats, SeatGeek, and others. We are only obligated to honor valid tickets purchased through our approved channels.
Can I purchase tickets in person without fees?
Yes. HI-FI box office is located at the main entrance off of Virginia Avenue. The box office is open 1 hour prior to the published door time. Additionally, our Annex Box Office on St. Patrick Street, across from the church, is also open 1 hour prior to the published door time on Annex show nights. HI-FI accepts cash as well as all major credit cards for ticket purchases.
Do you have free WI-FI?
Yes. HI-FI offers free WI-FI during all shows. Simply select the HI-FI Free WI-FI network and you are all set!
Austin Meade + Goodbye June
Start Time: 8:00 pm
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ARTIST PROFILE | Austin Meade

He’s an artist molded by red dirt, grunge, nostalgia, melody, and the raw spirit of vintage rock.
But there’s much more beneath the surface of his music.
Austin Meade doesn’t play dress-up. When he shows up in grease-streaked work clothes, it’s because that’s what he wears when he’s building his bus barn, fixing his house, or chasing his two toddlers around the yard. And when it comes to his music, he delivers songs as unfiltered asa voice memo—honest and confessional anthems for outsiders about the weird, beautiful chaos of real life.
“I don’t have time for anybody’s bullshit anymore,” Meade says. “If I’m not 100% in on something, I move on. I want every song to feel like the coolest thing I’ve ever done.”
Raised in small-town Texas by a Baptist preacher dad who took him to see AC/DC, Journey, and Judas Priest, Meade grew up immersed in guitar-driven storytelling across multiple genres. His voice carries that legacy—soulful, southern, and unmistakable—even as it swerves between styles.
There are echoes of heartland troubadours and Warped Tour vets in his songs. The fusion is uniquely his: rock n’ roll urgency delivered with the swagger of a dive-bar poet and the heart of a family man.
Meade earned his stripes by grinding it out across the Southwest—playing solo acoustic gigs in dimly lit restaurants, leading bar bands in a rotating cast of vans, and eventually joining diverse rock and country bills with acts like Sevendust and Treaty Oak Revival.
His 2021 breakout album, Black Sheep, served as a rallying cry and a mission statement for him.
2022’s Abstract Art of an Unstable Mind incorporated fuzzy guitars, emotional depth, and self aware cynicism. 2024’s Pretty Little Waist EP broke through rock radio with the Top 25 single “BLACKOUT.”
But it’s his latest album, ALMOST FAMOUS, that completes the picture—an anthemic, personal collection that shows who he is now: a young music veteran with plenty to say and nothing to prove.
The album opens with the title track, a loud, loose, and self-deprecating anthem that builds on the persona he crafted long before the Dallas Observer compared his looks to the guy from that movie.
The song is unrelated. “I’d be out somewhere and somebody would go, ‘Hey, are you Austin Meade—or do you just look like him?’” he laughs. “So, I started joking, ‘Yeah, I’m almost famous.’ Then we wrote the song, and it just poured out. It’s basically my whole life in three and a half minutes.”
Unfiltered to the point of hilarious, “ALMOST FAMOUS” skewers music industry ass-kissing, pokes fun at his rising fame, and name checks everything from his grandma to front porch Busch Light binges. The song’s music video roasts clueless record executives. But as always with Meade, the sarcasm is just one layer. Peel it back and there’s a deep-running thread of identity, anxiety, and purpose.
“My grandma’s the only one that knows I’m falling off,” he sings, halfway joking, halfway not. "I’m just a white trash, dive bar local favorite.” It’s funny. It’s raw. It’s real.
That emotional honesty deepens on tracks like “HONEY DO YA”—a breezy, harmony-soaked love song written with longtime collaborator David Willie and producer Riley Bria. The play on words (from “honey-do list” to “honey, do you want to do this forever?”) is classic Meade: heartfelt, clever, and vulnerable. It bridges the gap from his “Happier Alone” era to his current style of songwriting.
Throughout Almost Famous, Meade weaves musical and lyrical callbacks to his earlier albums, creating a kind of self-referential songbook. The voicemail from his wife at the end of “SHE LOVES ME NOT” bleeds into the opening of “HONEY DO YA.” The ending of “ALMOST FAMOUS” flows straight into “BAD DAYS,” a cathartic rocker about marital squabbles. The album’s closing track, “LIKE FATHER LIKE SON,” traces a generational through-line from his grandfather to his newborn baby.
“I’m trying to build the life I always wanted growing up,” he says. “My parents live ten minutes away. My dad helps me fix up the tour bus. I work my ass off so I can make music and still come home to my kids.”
Meade’s work ethic is part of what makes him stand out in a scene crowded with artists chasing trends. As SPIN noted after watching Meade perform at Louder Than Life, he brings an “in-the moment freedom” to his shows. “You don’t know the people five feet from you,” he said, “but a lot of times you’re singing the same damn song.” That shared electricity is what fuels him, from clubs to festivals.
For all the labels people have used to try to categorize him—country, rock, Red Dirt, alternative —Meade remains mostly uninterested in labels. “I think we’re just Southern alternative rock,” he shrugs.
“Some days we’re the country band at a rock fest, some days we’re the rock band at a country fest,” he says, with a good-natured laugh. “But we always sound like us.”
There’s no affectation. No costume. Just a hard-working songwriter with a beat-up guitar, a sharp tongue, and a big heart. Almost famous? Probably not for much longer.
READ MORE >>Supporting Acts
About the Venue
Upgrades: A limited amount of VIP seating upgrades (21+) are available for select shows. Contact the box office to purchase or check availability: boxoffice@hifiindy.com.
Ticket Support: Box Office opens 1 hour before published door time. For ticket related questions please email boxoffice@hifiindy.com.
Parking: Street Parking, Bike Parking
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